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James Stripes

Biographic Data

ID1472929
NAMEJames Stripes
GIVEN NAMESJames
FAMILY NAMEStripes
SIGNATURESTRIPES J
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR1999
H-INDEX1
  • A Strategy of Resistance

    James Stripes•ARTICLE•Wicazo Sa Review•1999

    James Stripes, A Strategy of Resistance: The "Actorvism" of Russell Means from Plymouth Rock to the Disney Studios, Wicazo Sa Review, Vol. 14, No. 1, Indigenous Resistance and Persistence (Spring, 1999), pp. 87-101

  • Fugitive Poses

    James Stripes, Gerald Vizenor•REVIEW•The American Indian Quarterly•1998•Cited by: 1

    Native peoples today are best known through their fugitive poses: textual and graphic depictions steeped in a modernist aesthetic of romantic victimry, tragedy, and nostalgia. In Fugitive Poses Gerald Vizenor argues that such representations celebrate the absence rather than the presence of the Native

  • "We Think in Terms of What Is Fair"

    James Stripes•ARTICLE•Wicazo Sa Review•1997

    C ompared to the phenomenal economic and critical success of the first novels of writers such as Louise Erdrich and Sherman Alexie, the reception of Elizabeth Cook-Lynn's first novel among the nonIndian literati seems lukewarm, at best. From the Rivers Edge (1991) did rate a review in the New York Times, but the reviewer, Robert Houston, 3 found the novel excessively didactic and wrote that it is heavily flawed by inappropriate and pedantic narra…

  • Beyond the Cameo School

    James Stripes•ARTICLE•Wicazo Sa Review•1995

  • The Problem(s) of (Anishinaabe) History in the Fiction of Louise Erdrich

    James Stripes, James D Stripes•ARTICLE•Wicazo Sa Review•1991

    The publication ofLove Medicine (1984), The Beet Queen (1986), and Tracks (1988) by Louise Erdrich are mi terventions in the writing f tribal histories. Disrupting he boundaries between history and fiction, her novels reflect variety of literary c nve tions, i scribing revisionist histories of the ultural borderlands ea the geographical center of North America. Her fictionalized reservation community and town lie athwart the bound ries of the woo…

  • Fugitive Poses

    James Stripes, Gerald Vizenor•REVIEW•The American Indian Quarterly•1998•Cited by: 1

    Native peoples today are best known through their fugitive poses: textual and graphic depictions steeped in a modernist aesthetic of romantic victimry, tragedy, and nostalgia. In Fugitive Poses Gerald Vizenor argues that such representations celebrate the absence rather than the presence of the Native

  • The Problem(s) of (Anishinaabe) History in the Fiction of Louise Erdrich

    James Stripes, James D Stripes•ARTICLE•Wicazo Sa Review•1991

    The publication ofLove Medicine (1984), The Beet Queen (1986), and Tracks (1988) by Louise Erdrich are mi terventions in the writing f tribal histories. Disrupting he boundaries between history and fiction, her novels reflect variety of literary c nve tions, i scribing revisionist histories of the ultural borderlands ea the geographical center of North America. Her fictionalized reservation community and town lie athwart the bound ries of the woo…

  • Beyond the Cameo School

    James Stripes•ARTICLE•Wicazo Sa Review•1995

  • "We Think in Terms of What Is Fair"

    James Stripes•ARTICLE•Wicazo Sa Review•1997

    C ompared to the phenomenal economic and critical success of the first novels of writers such as Louise Erdrich and Sherman Alexie, the reception of Elizabeth Cook-Lynn's first novel among the nonIndian literati seems lukewarm, at best. From the Rivers Edge (1991) did rate a review in the New York Times, but the reviewer, Robert Houston, 3 found the novel excessively didactic and wrote that it is heavily flawed by inappropriate and pedantic narra…

  • Fugitive Poses

    James Stripes, Gerald Vizenor•REVIEW•The American Indian Quarterly•1998•Cited by: 1

    Native peoples today are best known through their fugitive poses: textual and graphic depictions steeped in a modernist aesthetic of romantic victimry, tragedy, and nostalgia. In Fugitive Poses Gerald Vizenor argues that such representations celebrate the absence rather than the presence of the Native

  • A Strategy of Resistance

    James Stripes•ARTICLE•Wicazo Sa Review•1999

    James Stripes, A Strategy of Resistance: The "Actorvism" of Russell Means from Plymouth Rock to the Disney Studios, Wicazo Sa Review, Vol. 14, No. 1, Indigenous Resistance and Persistence (Spring, 1999), pp. 87-101

Art (3 works) · History (3 works) · Aesthetics (2 works) · Indigenous Health, Education, and Rights (2 works) · Literature (2 works) · Sociology (2 works) · American Environmental and Regional History (1 work) · Anthropology: Ethics, History, Culture (1 work) · Archaeology (1 work) · Archaeology and Natural History (1 work)

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