Penelope Kelsey
Biographic Data
| ID | 1472956 |
|---|---|
| NAME | Penelope Kelsey |
| GIVEN NAMES | Penelope |
| FAMILY NAME | Kelsey |
| SIGNATURE | KELSEY P |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
World(build)ing in Mohawk- and Seneca-Language Films
This essay brings Zayin Cabot’s concept of “ecologies of participation” into conversation with contemporary Mohawk- and Seneca-language films and language revitalization movements. For Indigenous peoples, these participatory events are often interactive storying of worlds, whether told in film, social media, or oral tradition. As a particularly salient example, the essay considers Mohawk director Karahkwenhawi Zoe Hopkins’s adaptation of Star War…
In the End, Our Message Weighs
In the End, Our Message Weighs":Blood Run, NAGPRA, and American Indian Identity Penelope Kelsey (bio) and Cari M. Carpenter (bio) I do my best to shelter, keep them. Sometimes, perhaps remembering,from my tilled base, barely protecting gatheringsa finger reaches out to test the temperature. Allison Adelle Hedge Coke, Blood Run Who speaks for the dead? The dead speak for the dead. Ellesa Clay High During a panel discussion of repatriation in 2004,…
No prominent works on this page.
In the End, Our Message Weighs
In the End, Our Message Weighs":Blood Run, NAGPRA, and American Indian Identity Penelope Kelsey (bio) and Cari M. Carpenter (bio) I do my best to shelter, keep them. Sometimes, perhaps remembering,from my tilled base, barely protecting gatheringsa finger reaches out to test the temperature. Allison Adelle Hedge Coke, Blood Run Who speaks for the dead? The dead speak for the dead. Ellesa Clay High During a panel discussion of repatriation in 2004,…
World(build)ing in Mohawk- and Seneca-Language Films
This essay brings Zayin Cabot’s concept of “ecologies of participation” into conversation with contemporary Mohawk- and Seneca-language films and language revitalization movements. For Indigenous peoples, these participatory events are often interactive storying of worlds, whether told in film, social media, or oral tradition. As a particularly salient example, the essay considers Mohawk director Karahkwenhawi Zoe Hopkins’s adaptation of Star War…
History (2 works) · Indigenous Health, Education, and Rights (2 works) · Law (2 works) · Political science (2 works) · Anthropology (1 works) · Archaeology (1 works) · Archaeology and Natural History (1 works) · Citizen journalism (1 works) · Communication (1 works) · Conversation (1 works)