Cari M Carpenter
Biographic Data
| ID | 1472957 |
|---|---|
| NAME | Cari M Carpenter |
| GIVEN NAMES | Cari M |
| FAMILY NAME | Carpenter |
| SIGNATURE | CARPENTER C M |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Sarah Winnemucca Goes to Washington
Th e complex, oft en troubled relationship between American Indians and whites has played out numerous times on the national stage of Washington, DC, not only in theaters that have showed performances like Pocahontas, or Th e Settlers of Virginia: A National Drama in 1836 but in the hosting of Native American delegations since the creation of the United States.1 In January 1880 Northern Paiute activist Sarah Winnemucca accompanied her father, her…
The Newspaper Warrior
Choking Off That Angel Mother
Choking Off That Angel MotherSarah Winnemucca Hopkins’s Strategic Humor Cari M. Carpenter (bio) Anyone familiar with the sentimental rhetoric that characterizes the self-narrative of Northern Paiute author and activist Sarah Winnemucca Hopkins is likely to be surprised by her account of Elizabeth Peabody, the steadfast eastern reformer who was her best champion, on a Nevada stage in 1884: “When I spoke in Boston my angel mother got up on the plat…
In the End, Our Message Weighs
In the End, Our Message Weighs":Blood Run, NAGPRA, and American Indian Identity Penelope Kelsey (bio) and Cari M. Carpenter (bio) I do my best to shelter, keep them. Sometimes, perhaps remembering,from my tilled base, barely protecting gatheringsa finger reaches out to test the temperature. Allison Adelle Hedge Coke, Blood Run Who speaks for the dead? The dead speak for the dead. Ellesa Clay High During a panel discussion of repatriation in 2004,…
Sarah Winnemucca Goes to Washington
Th e complex, oft en troubled relationship between American Indians and whites has played out numerous times on the national stage of Washington, DC, not only in theaters that have showed performances like Pocahontas, or Th e Settlers of Virginia: A National Drama in 1836 but in the hosting of Native American delegations since the creation of the United States.1 In January 1880 Northern Paiute activist Sarah Winnemucca accompanied her father, her…
In the End, Our Message Weighs
In the End, Our Message Weighs":Blood Run, NAGPRA, and American Indian Identity Penelope Kelsey (bio) and Cari M. Carpenter (bio) I do my best to shelter, keep them. Sometimes, perhaps remembering,from my tilled base, barely protecting gatheringsa finger reaches out to test the temperature. Allison Adelle Hedge Coke, Blood Run Who speaks for the dead? The dead speak for the dead. Ellesa Clay High During a panel discussion of repatriation in 2004,…
Choking Off That Angel Mother
Choking Off That Angel MotherSarah Winnemucca Hopkins’s Strategic Humor Cari M. Carpenter (bio) Anyone familiar with the sentimental rhetoric that characterizes the self-narrative of Northern Paiute author and activist Sarah Winnemucca Hopkins is likely to be surprised by her account of Elizabeth Peabody, the steadfast eastern reformer who was her best champion, on a Nevada stage in 1884: “When I spoke in Boston my angel mother got up on the plat…
The Newspaper Warrior
Sarah Winnemucca Goes to Washington
Th e complex, oft en troubled relationship between American Indians and whites has played out numerous times on the national stage of Washington, DC, not only in theaters that have showed performances like Pocahontas, or Th e Settlers of Virginia: A National Drama in 1836 but in the hosting of Native American delegations since the creation of the United States.1 In January 1880 Northern Paiute activist Sarah Winnemucca accompanied her father, her…
History (4 works) · Media studies (3 works) · Sociology (3 works) · Archaeology (2 works) · Art (2 works) · History (2 works) · Indigenous Health, Education, and Rights (2 works) · Law (2 works) · Law (2 works) · Newspaper (2 works)