Emily Lederman
Biographic Data
| ID | 1473080 |
|---|---|
| NAME | Emily Lederman |
| GIVEN NAMES | Emily |
| FAMILY NAME | Lederman |
| SIGNATURE | LEDERMAN E |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Queering the Chicana/o Archive in Felicia Luna Lemus's Like Son
This essay argues that a queer archive in Felicia Luna Lemus's Like Son (2007) recovers the historical Mexican figure Nahui Olin and allows the trans protagonist to navigate less tangible inheritances, including a destructive romantic legacy and a complex Mexican American identity. This essay asks whether, and how, inheritances can be curated and posits that queer archival practices are useful for simultaneously drawing from and rejecting powerfu…
Archival Sovereignty in LeAnne Howe's Miko Kings
Archival Sovereignty in LeAnne Howe's Miko Kings:An Indian Baseball Story Emily Lederman (bio) Ezol smoothes the hem of her dress. "Documents lie," she says casually. —Miko Kings 28 Contemporary American Indian texts engage with the materials of colonial US archives to highlight their complicity in the genocide and oppression of Indigenous peoples. Archival practices of documentation, including missionary records, the mapping of land, and the col…
You're Always More Famous When You Are Banished
You’re Always More Famous When You Are Banished”Gerald Vizenor on Citizenship, War, and Continental Liberty Colleen Eils, Emily Lederman, and Andrew Uzendoski In September 2013 Gerald Vizenor visited the University of Texas at Austin as a guest of the Department of English’s annual Texas Institute for Literary and Textual Studies (tilts). In addition to delivering a keynote presentation titled “Survivance and Totemic Motion in Native American Ind…
No prominent works on this page.
You're Always More Famous When You Are Banished
You’re Always More Famous When You Are Banished”Gerald Vizenor on Citizenship, War, and Continental Liberty Colleen Eils, Emily Lederman, and Andrew Uzendoski In September 2013 Gerald Vizenor visited the University of Texas at Austin as a guest of the Department of English’s annual Texas Institute for Literary and Textual Studies (tilts). In addition to delivering a keynote presentation titled “Survivance and Totemic Motion in Native American Ind…
Archival Sovereignty in LeAnne Howe's Miko Kings
Archival Sovereignty in LeAnne Howe's Miko Kings:An Indian Baseball Story Emily Lederman (bio) Ezol smoothes the hem of her dress. "Documents lie," she says casually. —Miko Kings 28 Contemporary American Indian texts engage with the materials of colonial US archives to highlight their complicity in the genocide and oppression of Indigenous peoples. Archival practices of documentation, including missionary records, the mapping of land, and the col…
Queering the Chicana/o Archive in Felicia Luna Lemus's Like Son
This essay argues that a queer archive in Felicia Luna Lemus's Like Son (2007) recovers the historical Mexican figure Nahui Olin and allows the trans protagonist to navigate less tangible inheritances, including a destructive romantic legacy and a complex Mexican American identity. This essay asks whether, and how, inheritances can be curated and posits that queer archival practices are useful for simultaneously drawing from and rejecting powerfu…
Art (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Sociology (3 works) · Anthropology (2 works) · Latin American and Latino Studies (2 works) · Narrative (2 works) · Politics (2 works)