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Zubeda Jalalzai

Biographic Data

ID1473101
NAMEZubeda Jalalzai
GIVEN NAMESZubeda
FAMILY NAMEJalalzai
SIGNATUREJALALZAI Z
AFFILIATIONSRhode Island College
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS2
AUTHOR COUNT6
EDITOR COUNT1
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2011
H-INDEX1
  • Globalizing Afghanistan

    David Jeffere, Zubeda Jalalzai et al.•BOOK•Globalizing Afghanistan•2011

    Globalizing Afghanistan offers a kaleidoscopic view of Afghanistan and the global networks of power, influence, and representation in which it is immersed. The military and nation-building interventions initiated by the United States in reaction to the events of September 11, 2001, are the background and motivation for this collection, but they are not the immediate subject of the essays. Seeking to understand the events of the past decade in a b…

  • Globalizing Afghanistan

    Zubeda Jalalzai•BOOK•Globalizing Afghanistan•2011

    Seeking to understand the events of the past decade in a broad frame, the contributors draw on cultural and postcolonial approaches to provide new insights into this ongoing conflict such as: the implications of Afghanistan's lucrative opium trade, links between the Taliban and major events in the Islamic world and Central Asia, feminist organizations interaction with the Afghan women's movement, portrayal of those women, the role of Iranian film…

  • Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem

    Zubeda Jalalzai•ARTICLE•African American Review•2009•Cited by: 1

    Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem Zubeda Jalalzai (bio) I don't see how people could read I, Tituba, Black Witch of Salem with any seriousness in the first place and make Tituba into something she's not. —Maryse Condé, Conversations with Maryse Condé Maryse Condé in I, Tituba, Black Witch of Salem plays a reluctant (albeit playful) historian, who suggestively reinterprets the historical Tituba, but who also ill…

  • Race and the Puritan Body Politic

    Zubeda Jalalzai•ARTICLE•MELUS Multi-Ethnic Literature of…•2004

    Race and the Puritan Body Politic Get access Zubeda Jalalzai Zubeda Jalalzai 1Rhode Island College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 29, Issue 3-4, Fall/Winter 2004, Pages 259–272, https://doi.org/10.2307/4141854 Published: 01 September 2004

  • The Demon of the Continent

    Zubeda Jalalzai•ARTICLE•Journal of Colonialism and…•2001

    Journal of Colonialism and Colonial History - Volume 2, Number 1, Spring 2001

  • Tricksters, Captives, and Conjurers

    Zubeda Jalalzai•ARTICLE•The American Indian Quarterly•1999•Cited by: 1•References: 4

    Since the publication of Gerald Vizenor's first novel, Darkness in Saint Louis Bearheart (1978) later retitled Bearheart: The Heirship Chronicles (199o) the figure of the and tricksterism itself has been central in understanding Vizenor's work. Whatever else the might be thought to be shapeshifter, goad, wit, disturber of the status quo in Native American culture as elsewhere s/he is also a dissembler of meaning in narratives, one who uncovers di…

  • The Name of War

    Zubeda Jalalzai, Jill Lepore•ARTICLE•The New England Quarterly•1998

  • Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem

    Zubeda Jalalzai•ARTICLE•African American Review•2009•Cited by: 1

    Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem Zubeda Jalalzai (bio) I don't see how people could read I, Tituba, Black Witch of Salem with any seriousness in the first place and make Tituba into something she's not. —Maryse Condé, Conversations with Maryse Condé Maryse Condé in I, Tituba, Black Witch of Salem plays a reluctant (albeit playful) historian, who suggestively reinterprets the historical Tituba, but who also ill…

  • Tricksters, Captives, and Conjurers

    Zubeda Jalalzai•ARTICLE•The American Indian Quarterly•1999•Cited by: 1•References: 4

    Since the publication of Gerald Vizenor's first novel, Darkness in Saint Louis Bearheart (1978) later retitled Bearheart: The Heirship Chronicles (199o) the figure of the and tricksterism itself has been central in understanding Vizenor's work. Whatever else the might be thought to be shapeshifter, goad, wit, disturber of the status quo in Native American culture as elsewhere s/he is also a dissembler of meaning in narratives, one who uncovers di…

  • The Name of War

    Zubeda Jalalzai, Jill Lepore•ARTICLE•The New England Quarterly•1998

  • Tricksters, Captives, and Conjurers

    Zubeda Jalalzai•ARTICLE•The American Indian Quarterly•1999•Cited by: 1•References: 4

    Since the publication of Gerald Vizenor's first novel, Darkness in Saint Louis Bearheart (1978) later retitled Bearheart: The Heirship Chronicles (199o) the figure of the and tricksterism itself has been central in understanding Vizenor's work. Whatever else the might be thought to be shapeshifter, goad, wit, disturber of the status quo in Native American culture as elsewhere s/he is also a dissembler of meaning in narratives, one who uncovers di…

  • The Demon of the Continent

    Zubeda Jalalzai•ARTICLE•Journal of Colonialism and…•2001

    Journal of Colonialism and Colonial History - Volume 2, Number 1, Spring 2001

  • Race and the Puritan Body Politic

    Zubeda Jalalzai•ARTICLE•MELUS Multi-Ethnic Literature of…•2004

    Race and the Puritan Body Politic Get access Zubeda Jalalzai Zubeda Jalalzai 1Rhode Island College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 29, Issue 3-4, Fall/Winter 2004, Pages 259–272, https://doi.org/10.2307/4141854 Published: 01 September 2004

  • Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem

    Zubeda Jalalzai•ARTICLE•African American Review•2009•Cited by: 1

    Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem Zubeda Jalalzai (bio) I don't see how people could read I, Tituba, Black Witch of Salem with any seriousness in the first place and make Tituba into something she's not. —Maryse Condé, Conversations with Maryse Condé Maryse Condé in I, Tituba, Black Witch of Salem plays a reluctant (albeit playful) historian, who suggestively reinterprets the historical Tituba, but who also ill…

  • Globalizing Afghanistan

    David Jeffere, Zubeda Jalalzai et al.•BOOK•Globalizing Afghanistan•2011

    Globalizing Afghanistan offers a kaleidoscopic view of Afghanistan and the global networks of power, influence, and representation in which it is immersed. The military and nation-building interventions initiated by the United States in reaction to the events of September 11, 2001, are the background and motivation for this collection, but they are not the immediate subject of the essays. Seeking to understand the events of the past decade in a b…

  • Globalizing Afghanistan

    Zubeda Jalalzai•BOOK•Globalizing Afghanistan•2011

    Seeking to understand the events of the past decade in a broad frame, the contributors draw on cultural and postcolonial approaches to provide new insights into this ongoing conflict such as: the implications of Afghanistan's lucrative opium trade, links between the Taliban and major events in the Islamic world and Central Asia, feminist organizations interaction with the Afghan women's movement, portrayal of those women, the role of Iranian film…

Art (4 works) · History (4 works) · History (4 works) · 2001 (2 works) · Aesthetics (2 works) · Afghan War (2 works) · Afghanistan (2 works) · foreign relations (2 works) · History (2 works) · Law (2 works)

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