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Martin W Walsh

Biographic Data

ID1473258
NAMEMartin W Walsh
GIVEN NAMESMartin W
FAMILY NAMEWalsh
SIGNATUREWALSH M W
AFFILIATIONSUniversity of Michigan
ORCID0000-0002-9448-3853
VERIFIEDYes
TOTAL WORKS20
TOTAL CITATIONS6
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Abraham Brueghel’s Engraving of The Wine of St. Martin’s Day and the Bentvueghels Fraternity in Rome

    Open Access•Martin W Walsh•ARTICLE•International Journal of…•2025

    This article examines the engraving by Rome-based Nicholas Guérard commissioned by Abraham Brueghel (1630/31-c. 1690) in 1670 and based on his great-grandfather, Pieter Bruegel the Elder’s peasant festival painting The Wine of St. Martin’s Day, a mature work of the great Flemish painter recently authenticated by the Prado. The circumstances of the work’s dedication to Pope Clement X ’s nephew Don Gaspare Altieri as “General of the Holy Church,” i…

  • Giovanni Sercambi’s De novo ludo and the Patron Saint of Cuckolds, with an English Translation

    Open Access•Martin W Walsh•ARTICLE•Folklore•2025

  • Savonarola’s Middlemen: The Buonomini di San Martino in the Florentine Religious Revival of the 1490s

    Open Access•Martin W Walsh, Martin Walsh•ARTICLE•Renaissance and Reformation•2024

    In his program for reforming Florence Dominican friar Girolamo Savonarola not only staged his famous “Bonfires of the Vanities,” but also directed his congregations to increase their alms giving, specifically for the “shamefaced poor,” respectable families in need but ashamed to beg. Not allowed by his order to administer such funds directly, Savonarola instructed that they be deposited with the Buonomini di San Martino, a confraternity specifica…

  • Wine Barrels, Bonfires, and Battling Beggars: The November 11 Feast of St. Martin in Sixteenth- and Seventeenth-Century Netherlandish Art

    Open Access•Martin W Walsh•ARTICLE•Journal of Festive Studies•2023

    Among the many scenes of seasonal festivity by Netherlandish artists of the sixteenth and seventeenth centuries are a number that portray Martinmas, the November 11 feast of St. Martin of Tours, a late harvest festival and something of a mini carnival before the penitential season of Advent. These scenes are usually marked by the inclusion of the “Charity of St. Martin,” the venerable icon of a young soldier slicing his mantle in two with a sword…

  • Plautus and the English Renaissance of Comedy

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2019

  • Jan Brueghel and the Senses of Scale

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2017

  • Revenge Against the Idol: Competing Magical Systems on the Detroit River, 1670

    Martin W Walsh, Martin Walsh•ARTICLE•Michigan Historical Review•2017

  • Giovanni Gioviano Pontano, Dialogues (Volume I, Charon and Antonius) I Tatti Renaissance Library 53

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2014

  • Comic Drama in the Low Countries, c. 1450–1560: A Critical Anthology

    Martin W Walsh, Mary Browne et al.•ARTICLE•Sixteenth Century Journal•2013

  • The Album-Amicorum and the London of Shakespeare's Time

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2013

  • The Thirty Years War: A Documentary History

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2012

  • The Renaissance in the Streets, Schools, and Studies: Essays in Honour of Paul F. Grendler. Essays and Studies 16

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2010

  • Medieval English Martinmesse: The Archaeology of a Forgotten Festival

    Martin W Walsh•ARTICLE•Folklore•2000•Cited by: 2•References: 1

    Beginning with Elizabethan literary references to a carnivalesque celebration of Martinmas, the present article surveys the St Martin cult in England in order to isolate features of the medieval celebration of the Christian feast and determine the feast's relationship to seasonal activities of early November. Martinmas is seen as both the last harvest festival and a curtain raiser for the extended winter revelling season, in effect a "Carnival" i…

  • Jouvay Mornin' with the Merry Darceuils: A Small Neighborhood Band on Carnival Monday

    Martin W Walsh•ARTICLE•TDR/The Drama Review•1998

    September 01 1998 Jouvay Mornin' with the Merry Darceuils: A Small Neighborhood Band on Carnival Monday Martin W. Walsh Martin W. Walsh Head of the Drama Concentration in the Residential College and Professor of Theatre History in the Department of Theatre and Drama at the University of Michigan. He holds a PhD from Cambridge University and is widely pub-lished in early drama and popular culture, having recently coedited and translated the Dutch …

  • May Games and Noble Savages: The Native American in Early Celebrations of the Tammany Society

    Martin W Walsh•ARTICLE•Folklore•1997•Cited by: 1•References: 9

    This paper discusses the May Day celebrations of the “Sons of Saint Tammany,” an American holiday fraternity under the patronage of an historical Lenape (Delaware) Indian chieftain, which incorporated many Native American performative elements. Beginning in Philadelphia in the colonial period and quickly becoming a vehicle for republican sentiments, the Tammany idea spread to many other east coast cities. The May Day revels of the Society reached…

  • November Bull‐Running in Stamford, Lincolnshire

    Open Access•Martin W Walsh•ARTICLE•The Journal of Popular Culture•1996•References: 1

    Peer Reviewed

  • Playing God: Medieval Mysteries on the Modern Stage

    Martin W Walsh, John R Elliott et al.•ARTICLE•Theatre Journal•1992

  • "The "Heathen Party: Methodist Observation of the Ohio Wyandot

    Martin W Walsh•ARTICLE•The American Indian Quarterly•1992

  • Bertolt Brecht and the Theory of Media

    Martin W Walsh, Roswitha Mueller•ARTICLE•Theatre Journal•1990•Cited by: 3

  • Thomas Randolph's Aristippus and the English Mummers' Play

    Martin W Walsh•ARTICLE•Folklore•1973

    (1973). Thomas Randolph's Aristippus and the English Mummers' Play. Folklore: Vol. 84, No. 2, pp. 157-159

  • Bertolt Brecht and the Theory of Media

    Martin W Walsh, Roswitha Mueller•ARTICLE•Theatre Journal•1990•Cited by: 3

  • Medieval English Martinmesse: The Archaeology of a Forgotten Festival

    Martin W Walsh•ARTICLE•Folklore•2000•Cited by: 2•References: 1

    Beginning with Elizabethan literary references to a carnivalesque celebration of Martinmas, the present article surveys the St Martin cult in England in order to isolate features of the medieval celebration of the Christian feast and determine the feast's relationship to seasonal activities of early November. Martinmas is seen as both the last harvest festival and a curtain raiser for the extended winter revelling season, in effect a "Carnival" i…

  • May Games and Noble Savages: The Native American in Early Celebrations of the Tammany Society

    Martin W Walsh•ARTICLE•Folklore•1997•Cited by: 1•References: 9

    This paper discusses the May Day celebrations of the “Sons of Saint Tammany,” an American holiday fraternity under the patronage of an historical Lenape (Delaware) Indian chieftain, which incorporated many Native American performative elements. Beginning in Philadelphia in the colonial period and quickly becoming a vehicle for republican sentiments, the Tammany idea spread to many other east coast cities. The May Day revels of the Society reached…

  • Thomas Randolph's Aristippus and the English Mummers' Play

    Martin W Walsh•ARTICLE•Folklore•1973

    (1973). Thomas Randolph's Aristippus and the English Mummers' Play. Folklore: Vol. 84, No. 2, pp. 157-159

  • Bertolt Brecht and the Theory of Media

    Martin W Walsh, Roswitha Mueller•ARTICLE•Theatre Journal•1990•Cited by: 3

  • Playing God: Medieval Mysteries on the Modern Stage

    Martin W Walsh, John R Elliott et al.•ARTICLE•Theatre Journal•1992

  • "The "Heathen Party: Methodist Observation of the Ohio Wyandot

    Martin W Walsh•ARTICLE•The American Indian Quarterly•1992

  • November Bull‐Running in Stamford, Lincolnshire

    Open Access•Martin W Walsh•ARTICLE•The Journal of Popular Culture•1996•References: 1

    Peer Reviewed

  • May Games and Noble Savages: The Native American in Early Celebrations of the Tammany Society

    Martin W Walsh•ARTICLE•Folklore•1997•Cited by: 1•References: 9

    This paper discusses the May Day celebrations of the “Sons of Saint Tammany,” an American holiday fraternity under the patronage of an historical Lenape (Delaware) Indian chieftain, which incorporated many Native American performative elements. Beginning in Philadelphia in the colonial period and quickly becoming a vehicle for republican sentiments, the Tammany idea spread to many other east coast cities. The May Day revels of the Society reached…

  • Jouvay Mornin' with the Merry Darceuils: A Small Neighborhood Band on Carnival Monday

    Martin W Walsh•ARTICLE•TDR/The Drama Review•1998

    September 01 1998 Jouvay Mornin' with the Merry Darceuils: A Small Neighborhood Band on Carnival Monday Martin W. Walsh Martin W. Walsh Head of the Drama Concentration in the Residential College and Professor of Theatre History in the Department of Theatre and Drama at the University of Michigan. He holds a PhD from Cambridge University and is widely pub-lished in early drama and popular culture, having recently coedited and translated the Dutch …

  • Medieval English Martinmesse: The Archaeology of a Forgotten Festival

    Martin W Walsh•ARTICLE•Folklore•2000•Cited by: 2•References: 1

    Beginning with Elizabethan literary references to a carnivalesque celebration of Martinmas, the present article surveys the St Martin cult in England in order to isolate features of the medieval celebration of the Christian feast and determine the feast's relationship to seasonal activities of early November. Martinmas is seen as both the last harvest festival and a curtain raiser for the extended winter revelling season, in effect a "Carnival" i…

  • The Renaissance in the Streets, Schools, and Studies: Essays in Honour of Paul F. Grendler. Essays and Studies 16

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2010

  • The Thirty Years War: A Documentary History

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2012

  • Comic Drama in the Low Countries, c. 1450–1560: A Critical Anthology

    Martin W Walsh, Mary Browne et al.•ARTICLE•Sixteenth Century Journal•2013

  • The Album-Amicorum and the London of Shakespeare's Time

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2013

  • Giovanni Gioviano Pontano, Dialogues (Volume I, Charon and Antonius) I Tatti Renaissance Library 53

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2014

  • Jan Brueghel and the Senses of Scale

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2017

  • Revenge Against the Idol: Competing Magical Systems on the Detroit River, 1670

    Martin W Walsh, Martin Walsh•ARTICLE•Michigan Historical Review•2017

  • Plautus and the English Renaissance of Comedy

    Martin W Walsh•ARTICLE•Sixteenth Century Journal•2019

  • Wine Barrels, Bonfires, and Battling Beggars: The November 11 Feast of St. Martin in Sixteenth- and Seventeenth-Century Netherlandish Art

    Open Access•Martin W Walsh•ARTICLE•Journal of Festive Studies•2023

    Among the many scenes of seasonal festivity by Netherlandish artists of the sixteenth and seventeenth centuries are a number that portray Martinmas, the November 11 feast of St. Martin of Tours, a late harvest festival and something of a mini carnival before the penitential season of Advent. These scenes are usually marked by the inclusion of the “Charity of St. Martin,” the venerable icon of a young soldier slicing his mantle in two with a sword…

  • Savonarola’s Middlemen: The Buonomini di San Martino in the Florentine Religious Revival of the 1490s

    Open Access•Martin W Walsh, Martin Walsh•ARTICLE•Renaissance and Reformation•2024

    In his program for reforming Florence Dominican friar Girolamo Savonarola not only staged his famous “Bonfires of the Vanities,” but also directed his congregations to increase their alms giving, specifically for the “shamefaced poor,” respectable families in need but ashamed to beg. Not allowed by his order to administer such funds directly, Savonarola instructed that they be deposited with the Buonomini di San Martino, a confraternity specifica…

  • Abraham Brueghel’s Engraving of The Wine of St. Martin’s Day and the Bentvueghels Fraternity in Rome

    Open Access•Martin W Walsh•ARTICLE•International Journal of…•2025

    This article examines the engraving by Rome-based Nicholas Guérard commissioned by Abraham Brueghel (1630/31-c. 1690) in 1670 and based on his great-grandfather, Pieter Bruegel the Elder’s peasant festival painting The Wine of St. Martin’s Day, a mature work of the great Flemish painter recently authenticated by the Prado. The circumstances of the work’s dedication to Pope Clement X ’s nephew Don Gaspare Altieri as “General of the Holy Church,” i…

  • Giovanni Sercambi’s De novo ludo and the Patron Saint of Cuckolds, with an English Translation

    Open Access•Martin W Walsh•ARTICLE•Folklore•2025

Art (17 works) · History (12 works) · Art history (10 works) · History (10 works) · Literature (6 works) · Political science (6 works) · Reformation and Early Modern Christianity (6 works) · Classics (5 works) · Classics (5 works) · Computer Science (5 works)

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