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Carmen López San Segundo

Biographic Data

ID1475605
NAMECarmen López San Segundo
GIVEN NAMESCarmen López San
FAMILY NAMESegundo
SIGNATURESAN SEGUNDO C L
AFFILIATIONSUniversidad de Salamanca
ORCID0000-0003-0006-7769
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Del mundinovi al Cinefluo

    Open Access•Carmen López San Segundo, Francisco Javier Frutos Esteban et al.•ARTICLE•Nuevo mundo mundos nuevos•2024

    El siglo XVIII conoció la emergencia de un extenso repertorio de artefactos que, adoptando formas tan diversas como las de un cajón, un carromato, una habitación o una infraestructura monumental, ofrecieron un amplio abanico de experiencias visuales, incluyendo la experiencia inmersiva en la perspectiva espacial, la tridimensionalidad o la sensación de movimiento. Acompañadas por comentarios explicativos o música, dichas máquinas ópticas recorrie…

  • Linternauta

    Carmen López San Segundo, Francisco-Javier Frutos-Esteban et al.•ARTICLE•Early Popular Visual Culture•2019•References: 3

    As part of the ‘Dynamics of Educational and Scientific Renovation in Secondary Schools Classrooms (1900–1936): An Iberian Perspective’ and ‘A Million Pictures: Magic Lantern Slide Heritage as Artefacts in the Common European History of Learning’ research projects, investigators at the University of Salamanca carried out an exploratory study of 198 Spanish magic lantern slide sets: 52 sets from Cardenal Cisneros High School, Isabel la Católica Hig…

  • Las fantasmagorías de Robertson en Madrid (1821) y la historia natural del signo = Robertson's phantasmagoria in Madrid (1821) and the natural history of the sign

    Open Access•Francisco Javier Frutos Esteban, Francisco-Javier Frutos-Esteban et al.•ARTICLE•Signa Revista de la Asociación…•2016•Cited by: 1

    Although phantasmagoria established a specific way of organizing audiovisual discourse and served to consolidate the magic lantern as a medium for social communication, it has often been forgotten as an object of scientific study by the sectoral histories of the communication media, the plastic arts and the stage arts. With the aim of overcoming this conceptual lack of definition, or in other words, to try to endow it with the cultural relevance …

  • Media Archeology in Spain

    Francisco-Javier Frutos-Esteban, Francisco Javier Frutos et al.•ARTICLE•Media History•2015

    Based on a carefully selected list of references in Spanish, the following text presents a brief history of the magic lantern in Spain, from its invention to the beginning of its decadence as a social medium of communication. The magic lantern emerged in the seventeenth century, with the application of a series of physical principles that allowed the first attempts and experiences of image projection, such as the one described by Juana Inés de la…

  • El análisis de contenido aplicado al legado cultural de las villas romanas tardoantiguas en Castilla y León

    Open Access•Carmen López San Segundo•ARTICLE•El Futuro del Pasado•2010

    El presente texto pretende ser un avance de las líneas generales de la investigación que se están siguiendo para la confección de la tesis titulada: El legado cultural de las villas romanas tardoantiguas en Castilla y León. Las villas romanas tardoantiguas conservadas en Castilla y León son depositarias de un rico patrimonio arqueológico e histórico, ya que albergan una valiosa información sobre la sociedad romana que las habitó. El presente trab…

  • Las fantasmagorías de Robertson en Madrid (1821) y la historia natural del signo = Robertson's phantasmagoria in Madrid (1821) and the natural history of the sign

    Open Access•Francisco Javier Frutos Esteban, Francisco-Javier Frutos-Esteban et al.•ARTICLE•Signa Revista de la Asociación…•2016•Cited by: 1

    Although phantasmagoria established a specific way of organizing audiovisual discourse and served to consolidate the magic lantern as a medium for social communication, it has often been forgotten as an object of scientific study by the sectoral histories of the communication media, the plastic arts and the stage arts. With the aim of overcoming this conceptual lack of definition, or in other words, to try to endow it with the cultural relevance …

  • El análisis de contenido aplicado al legado cultural de las villas romanas tardoantiguas en Castilla y León

    Open Access•Carmen López San Segundo•ARTICLE•El Futuro del Pasado•2010

    El presente texto pretende ser un avance de las líneas generales de la investigación que se están siguiendo para la confección de la tesis titulada: El legado cultural de las villas romanas tardoantiguas en Castilla y León. Las villas romanas tardoantiguas conservadas en Castilla y León son depositarias de un rico patrimonio arqueológico e histórico, ya que albergan una valiosa información sobre la sociedad romana que las habitó. El presente trab…

  • Media Archeology in Spain

    Francisco-Javier Frutos-Esteban, Francisco Javier Frutos et al.•ARTICLE•Media History•2015

    Based on a carefully selected list of references in Spanish, the following text presents a brief history of the magic lantern in Spain, from its invention to the beginning of its decadence as a social medium of communication. The magic lantern emerged in the seventeenth century, with the application of a series of physical principles that allowed the first attempts and experiences of image projection, such as the one described by Juana Inés de la…

  • Las fantasmagorías de Robertson en Madrid (1821) y la historia natural del signo = Robertson's phantasmagoria in Madrid (1821) and the natural history of the sign

    Open Access•Francisco Javier Frutos Esteban, Francisco-Javier Frutos-Esteban et al.•ARTICLE•Signa Revista de la Asociación…•2016•Cited by: 1

    Although phantasmagoria established a specific way of organizing audiovisual discourse and served to consolidate the magic lantern as a medium for social communication, it has often been forgotten as an object of scientific study by the sectoral histories of the communication media, the plastic arts and the stage arts. With the aim of overcoming this conceptual lack of definition, or in other words, to try to endow it with the cultural relevance …

  • Linternauta

    Carmen López San Segundo, Francisco-Javier Frutos-Esteban et al.•ARTICLE•Early Popular Visual Culture•2019•References: 3

    As part of the ‘Dynamics of Educational and Scientific Renovation in Secondary Schools Classrooms (1900–1936): An Iberian Perspective’ and ‘A Million Pictures: Magic Lantern Slide Heritage as Artefacts in the Common European History of Learning’ research projects, investigators at the University of Salamanca carried out an exploratory study of 198 Spanish magic lantern slide sets: 52 sets from Cardenal Cisneros High School, Isabel la Católica Hig…

  • Del mundinovi al Cinefluo

    Open Access•Carmen López San Segundo, Francisco Javier Frutos Esteban et al.•ARTICLE•Nuevo mundo mundos nuevos•2024

    El siglo XVIII conoció la emergencia de un extenso repertorio de artefactos que, adoptando formas tan diversas como las de un cajón, un carromato, una habitación o una infraestructura monumental, ofrecieron un amplio abanico de experiencias visuales, incluyendo la experiencia inmersiva en la perspectiva espacial, la tridimensionalidad o la sensación de movimiento. Acompañadas por comentarios explicativos o música, dichas máquinas ópticas recorrie…

Art (5 works) · History (3 works) · Humanities (3 works) · Art history (2 works) · Historical Art and Architecture Studies (2 works) · History (2 works) · Lantern (2 works) · MAGIC (telescope (2 works) · Visual arts (2 works) · Ancient history (1 work)

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