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Alex Halligey

Biographic Data

ID147877
NAMEAlex Halligey
GIVEN NAMESAlex
FAMILY NAMEHalligey
SIGNATUREHALLIGEY A
AFFILIATIONSUniversity of the Witwatersrand
ORCID0000-0002-3125-173X
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS6
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Space for haunting

    Alex Halligey, Tamara Guhrs•ARTICLE•South African Theatre Journal•2023

    This paper considers a devised, site-specific performance in and about the Windybrow, a mining magnate heritage house-turned-arts-centre in Johannesburg’s inner city Hillbrow. The work was called Ngale kweNdlu, which translates from isiXhosa as ‘The Other Side of the House.’ Through scenographic installations and interwoven theatrical narratives, characters and scenes, Ngale kweNdlu sought to draw out the less told, untold and invisibilized eleme…

  • Liveability and vitality

    Open Access•Hanna A Ruszczyk, Alex Halligey et al.•ARTICLE•Cities•2023•Cited by: 1•References: 16

    This paper presents a mixed method, participatory exploration of liveability as a stocktaking assessment with projections for urban vitality in cities, particularly in LMIC, small cities. The paper takes as its case study research conducted in 2019 and 2020 in Mongla and Noapara, south west Bangladesh. This paper illustrates firstly, the possibilities for the concept of liveability to produce nuanced, granular understandings of how small cities s…

  • Emplaced sounding

    Open Access•Alex Halligey•ARTICLE•Cultural Geographies•2022•Cited by: 1

    Through a close reading of Zadie Smith's portrayal of the character Keisha/Natalie's voice and relationship to voice in the novel NW, this article considers how people's speaking, sounding voices are both emplaced (coming from, made by place) and are key place-making acts. This paper argues for how analysing sound in literature might serve sonic geographic interest in the 'whole' voice, with all sound's representational and more-than representati…

  • Dark’ cities

    Open Access•Alex Halligey•ARTICLE•Urban Studies•2021•Cited by: 3•References: 19

    This article considers Harold Johnson’s (Hariwe) 2014–2016 research project on ‘Dark City’, an informal vertical settlement in inner-city Johannesburg, as offering a productive arts-orientated, interdisciplinary study of and proposal for planning and design interventions in informally occupied urban spaces. Hariwe used his architectural skills to ‘reverse design’ the building according to its daily use by residents. Collaborators Jono Wood and Di…

  • ‘Home is home’

    Alex Halligey•ARTICLE•Studies in Theatre and Performance•2020

    An Ethiopian immigrant in Johannesburg, Mewish, describes the housing she has lived in since leaving Ethiopia in 2002. The interview is framed as a testimony to the kinds of daily actions towards finding shelter and making a home that might be considered forms of micro activism, daily actions of resistance and change making in precarious housing circumstances

  • Layering mobilities

    Alex Halligey•ARTICLE•Anthropology Southern Africa•2019•Cited by: 1•References: 36

    Drawing together Tim Cresswell's work on mobilities with Walter Benjamin's Arcades Project, this article considers the Johannesburg suburbs of Bertrams, Lorentzville and Judith's Paarl as produced and reinvented through the mobilities of their inhabitants. How might an artistic performance foreground the mobilities that contribute to daily place-making? In so doing, how might an artistic performance work into the history of a city space and the o…

  • Re-inventing mythologies

    Alex Halligey•ARTICLE•South African Theatre Journal•2005

    In two productions, ten years apart, Jazzart Dance Theatre and the Magnet Theatre Company have created epic myth narratives. Medea in 1994 based on the Medea myth and Rain in a Dead Man's Footprints in 2004 based on /Xam myths

  • Dark’ cities

    Open Access•Alex Halligey•ARTICLE•Urban Studies•2021•Cited by: 3•References: 19

    This article considers Harold Johnson’s (Hariwe) 2014–2016 research project on ‘Dark City’, an informal vertical settlement in inner-city Johannesburg, as offering a productive arts-orientated, interdisciplinary study of and proposal for planning and design interventions in informally occupied urban spaces. Hariwe used his architectural skills to ‘reverse design’ the building according to its daily use by residents. Collaborators Jono Wood and Di…

  • Liveability and vitality

    Open Access•Hanna A Ruszczyk, Alex Halligey et al.•ARTICLE•Cities•2023•Cited by: 1•References: 16

    This paper presents a mixed method, participatory exploration of liveability as a stocktaking assessment with projections for urban vitality in cities, particularly in LMIC, small cities. The paper takes as its case study research conducted in 2019 and 2020 in Mongla and Noapara, south west Bangladesh. This paper illustrates firstly, the possibilities for the concept of liveability to produce nuanced, granular understandings of how small cities s…

  • Emplaced sounding

    Open Access•Alex Halligey•ARTICLE•Cultural Geographies•2022•Cited by: 1

    Through a close reading of Zadie Smith's portrayal of the character Keisha/Natalie's voice and relationship to voice in the novel NW, this article considers how people's speaking, sounding voices are both emplaced (coming from, made by place) and are key place-making acts. This paper argues for how analysing sound in literature might serve sonic geographic interest in the 'whole' voice, with all sound's representational and more-than representati…

  • Layering mobilities

    Alex Halligey•ARTICLE•Anthropology Southern Africa•2019•Cited by: 1•References: 36

    Drawing together Tim Cresswell's work on mobilities with Walter Benjamin's Arcades Project, this article considers the Johannesburg suburbs of Bertrams, Lorentzville and Judith's Paarl as produced and reinvented through the mobilities of their inhabitants. How might an artistic performance foreground the mobilities that contribute to daily place-making? In so doing, how might an artistic performance work into the history of a city space and the o…

  • Re-inventing mythologies

    Alex Halligey•ARTICLE•South African Theatre Journal•2005

    In two productions, ten years apart, Jazzart Dance Theatre and the Magnet Theatre Company have created epic myth narratives. Medea in 1994 based on the Medea myth and Rain in a Dead Man's Footprints in 2004 based on /Xam myths

  • Layering mobilities

    Alex Halligey•ARTICLE•Anthropology Southern Africa•2019•Cited by: 1•References: 36

    Drawing together Tim Cresswell's work on mobilities with Walter Benjamin's Arcades Project, this article considers the Johannesburg suburbs of Bertrams, Lorentzville and Judith's Paarl as produced and reinvented through the mobilities of their inhabitants. How might an artistic performance foreground the mobilities that contribute to daily place-making? In so doing, how might an artistic performance work into the history of a city space and the o…

  • ‘Home is home’

    Alex Halligey•ARTICLE•Studies in Theatre and Performance•2020

    An Ethiopian immigrant in Johannesburg, Mewish, describes the housing she has lived in since leaving Ethiopia in 2002. The interview is framed as a testimony to the kinds of daily actions towards finding shelter and making a home that might be considered forms of micro activism, daily actions of resistance and change making in precarious housing circumstances

  • Dark’ cities

    Open Access•Alex Halligey•ARTICLE•Urban Studies•2021•Cited by: 3•References: 19

    This article considers Harold Johnson’s (Hariwe) 2014–2016 research project on ‘Dark City’, an informal vertical settlement in inner-city Johannesburg, as offering a productive arts-orientated, interdisciplinary study of and proposal for planning and design interventions in informally occupied urban spaces. Hariwe used his architectural skills to ‘reverse design’ the building according to its daily use by residents. Collaborators Jono Wood and Di…

  • Emplaced sounding

    Open Access•Alex Halligey•ARTICLE•Cultural Geographies•2022•Cited by: 1

    Through a close reading of Zadie Smith's portrayal of the character Keisha/Natalie's voice and relationship to voice in the novel NW, this article considers how people's speaking, sounding voices are both emplaced (coming from, made by place) and are key place-making acts. This paper argues for how analysing sound in literature might serve sonic geographic interest in the 'whole' voice, with all sound's representational and more-than representati…

  • Space for haunting

    Alex Halligey, Tamara Guhrs•ARTICLE•South African Theatre Journal•2023

    This paper considers a devised, site-specific performance in and about the Windybrow, a mining magnate heritage house-turned-arts-centre in Johannesburg’s inner city Hillbrow. The work was called Ngale kweNdlu, which translates from isiXhosa as ‘The Other Side of the House.’ Through scenographic installations and interwoven theatrical narratives, characters and scenes, Ngale kweNdlu sought to draw out the less told, untold and invisibilized eleme…

  • Liveability and vitality

    Open Access•Hanna A Ruszczyk, Alex Halligey et al.•ARTICLE•Cities•2023•Cited by: 1•References: 16

    This paper presents a mixed method, participatory exploration of liveability as a stocktaking assessment with projections for urban vitality in cities, particularly in LMIC, small cities. The paper takes as its case study research conducted in 2019 and 2020 in Mongla and Noapara, south west Bangladesh. This paper illustrates firstly, the possibilities for the concept of liveability to produce nuanced, granular understandings of how small cities s…

Sociology (5 works) · Art (4 works) · Aesthetics (3 works) · Political science (3 works) · Urban Planning and Governance (3 works) · Visual arts (3 works) · Archaeology (2 works) · Architecture (2 works) · Engineering (2 works) · Geography (2 works)

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