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Aaron Katzeman

Biographic Data

ID1479518
NAMEAaron Katzeman
GIVEN NAMESAaron
FAMILY NAMEKatzeman
SIGNATUREKATZEMAN A
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Ka Aina No Ka Poe o Hawaii

    Aaron Katzeman, Drew Kahuʻāina Broderick•ARTICLE•Radical History Review•2024•References: 25

    This article examines the independent newspaper Huli, published at the birth of the modern Hawaiian sovereignty movement from 1971 to 1973 by the grassroots political organization Kokua Hawaii. Reading through the surviving issues of Huli available in institutional archives, the article considers the variety of perspectives promoted within its pages to position Kokua Hawaii in relation to international understandings of anticolonial liberatory po…

  • "Aaron Katzeman. Review of "Hawai‘i Triennial 2022: "Pacific Century - E Ho‘omau no Moananuiākea" by Melissa Chiu, Drew Kahu‘āina Broderick, and Miwako Tezuka

    Open Access•Aaron Katzeman•ARTICLE•CAA Reviews•2022

  • Burning the American Flag Before the World: Ecologies of Abolition and Demilitarisation in Hawaiʻi

    Aaron Katzeman•ARTICLE•Third Text•2022•Cited by: 1

    Concentrating on contemporary art, visual culture and politics in Hawaiʻi, this article articulates a specific kind of abolitionist aesthetics that has ecology at its core and through which traces of a demilitarised futurity are interwoven. The work of anonymous collectives, artists and architects ‒including Hui Menehune, Tropic Zine, Jane Chang Mi, Drew Kahuʻāina Broderick and Sean Connelly ‒ stretches abolitionism to consider the role US milita…

  • Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land

    Open Access•Aaron Katzeman•ARTICLE•Pacific Arts•2021

    In 2013, Pacific Islander American artist and architect Sean Connelly formed a geometric sculpture with 32,000 pounds of earthen matter at the now-closed ii Gallery in the Kakaʻako neighborhood of Honolulu. Titled A Small Area of Land (Kakaʻako Earth Room), the work was composed of volcanic soil and coral sand—deemed by Connelly as “two of Hawaiʻi’s most politically charged materials and highly valued commodities”—sourced from various locations o…

  • Burning the American Flag Before the World: Ecologies of Abolition and Demilitarisation in Hawaiʻi

    Aaron Katzeman•ARTICLE•Third Text•2022•Cited by: 1

    Concentrating on contemporary art, visual culture and politics in Hawaiʻi, this article articulates a specific kind of abolitionist aesthetics that has ecology at its core and through which traces of a demilitarised futurity are interwoven. The work of anonymous collectives, artists and architects ‒including Hui Menehune, Tropic Zine, Jane Chang Mi, Drew Kahuʻāina Broderick and Sean Connelly ‒ stretches abolitionism to consider the role US milita…

  • Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land

    Open Access•Aaron Katzeman•ARTICLE•Pacific Arts•2021

    In 2013, Pacific Islander American artist and architect Sean Connelly formed a geometric sculpture with 32,000 pounds of earthen matter at the now-closed ii Gallery in the Kakaʻako neighborhood of Honolulu. Titled A Small Area of Land (Kakaʻako Earth Room), the work was composed of volcanic soil and coral sand—deemed by Connelly as “two of Hawaiʻi’s most politically charged materials and highly valued commodities”—sourced from various locations o…

  • "Aaron Katzeman. Review of "Hawai‘i Triennial 2022: "Pacific Century - E Ho‘omau no Moananuiākea" by Melissa Chiu, Drew Kahu‘āina Broderick, and Miwako Tezuka

    Open Access•Aaron Katzeman•ARTICLE•CAA Reviews•2022

  • Burning the American Flag Before the World: Ecologies of Abolition and Demilitarisation in Hawaiʻi

    Aaron Katzeman•ARTICLE•Third Text•2022•Cited by: 1

    Concentrating on contemporary art, visual culture and politics in Hawaiʻi, this article articulates a specific kind of abolitionist aesthetics that has ecology at its core and through which traces of a demilitarised futurity are interwoven. The work of anonymous collectives, artists and architects ‒including Hui Menehune, Tropic Zine, Jane Chang Mi, Drew Kahuʻāina Broderick and Sean Connelly ‒ stretches abolitionism to consider the role US milita…

  • Ka Aina No Ka Poe o Hawaii

    Aaron Katzeman, Drew Kahuʻāina Broderick•ARTICLE•Radical History Review•2024•References: 25

    This article examines the independent newspaper Huli, published at the birth of the modern Hawaiian sovereignty movement from 1971 to 1973 by the grassroots political organization Kokua Hawaii. Reading through the surviving issues of Huli available in institutional archives, the article considers the variety of perspectives promoted within its pages to position Kokua Hawaii in relation to international understandings of anticolonial liberatory po…

Asian American and Pacific Histories (4 works) · History (4 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Archaeology (1 works) · Art history (1 works) · Australian History and Society (1 works) · Crafts, Textile, and Design (1 works)

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