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Luke A Fidler

Biographic Data

ID1479761
NAMELuke A Fidler
GIVEN NAMESLuke A
FAMILY NAMEFidler
SIGNATUREFIDLER L A
AFFILIATIONSUniversity of Chicago
ORCID0009-0005-1684-9679
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Harvesting the Image

    Luke A Fidler•ARTICLE•The Art Bulletin•2026

    Scenes of labor and technologies of calculation converge in the prefatory calendar cycle of a luxury psalter made in northern Germany during the second half of the twelfth century. Setting the manuscript in the context of eastward expansion along the Baltic rim, I argue that its program of images, text, and mise-en-page yields a previously undescribed set of formal procedures that underwrote the colonial work of high-medieval art. The distinctive…

  • Paratactic Boundaries

    Luke A Fidler•ARTICLE•Critical Inquiry•2026

  • Epistolary Vessels

    Luke A Fidler•ARTICLE•Gesta•2026

  • The Camel's Compromised Form

    Luke A Fidler•ARTICLE•Representations•2025

    This article draws on recent trends in Marxist critique in order to analyze instances of compromised, misshapen, and deformed form in late medieval art. Produced in a range of media, these episodes exposed the contingent features of two formal enterprises crucial to the structure of the representational order: the moral exemplar and the nascent commodity. A reinvigorated mode of political formalism reveals the stakes of parsing an art of deflatio…

  • The Coercive Function of Early Medieval English Art

    Luke A Fidler•ARTICLE•Radical History Review•2020•Cited by: 1•References: 30

    This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. By identifying a series of features that early medieval spectators would have paid special attention to, it shows that sculptors used imprisoned and fugitive figures to craft a discourse about power in the absence of both a strong state and a regime of punitive incarceration. Compelling pictur…

  • The Praxis of the Tractrix

    Open Access•Luke A Fidler•ARTICLE•postmedieval a journal of…•2016•References: 9

  • The Coercive Function of Early Medieval English Art

    Luke A Fidler•ARTICLE•Radical History Review•2020•Cited by: 1•References: 30

    This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. By identifying a series of features that early medieval spectators would have paid special attention to, it shows that sculptors used imprisoned and fugitive figures to craft a discourse about power in the absence of both a strong state and a regime of punitive incarceration. Compelling pictur…

  • The Praxis of the Tractrix

    Open Access•Luke A Fidler•ARTICLE•postmedieval a journal of…•2016•References: 9

  • The Coercive Function of Early Medieval English Art

    Luke A Fidler•ARTICLE•Radical History Review•2020•Cited by: 1•References: 30

    This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. By identifying a series of features that early medieval spectators would have paid special attention to, it shows that sculptors used imprisoned and fugitive figures to craft a discourse about power in the absence of both a strong state and a regime of punitive incarceration. Compelling pictur…

  • The Camel's Compromised Form

    Luke A Fidler•ARTICLE•Representations•2025

    This article draws on recent trends in Marxist critique in order to analyze instances of compromised, misshapen, and deformed form in late medieval art. Produced in a range of media, these episodes exposed the contingent features of two formal enterprises crucial to the structure of the representational order: the moral exemplar and the nascent commodity. A reinvigorated mode of political formalism reveals the stakes of parsing an art of deflatio…

  • Harvesting the Image

    Luke A Fidler•ARTICLE•The Art Bulletin•2026

    Scenes of labor and technologies of calculation converge in the prefatory calendar cycle of a luxury psalter made in northern Germany during the second half of the twelfth century. Setting the manuscript in the context of eastward expansion along the Baltic rim, I argue that its program of images, text, and mise-en-page yields a previously undescribed set of formal procedures that underwrote the colonial work of high-medieval art. The distinctive…

  • Paratactic Boundaries

    Luke A Fidler•ARTICLE•Critical Inquiry•2026

  • Epistolary Vessels

    Luke A Fidler•ARTICLE•Gesta•2026

Aesthetics (3 works) · Art (3 works) · Medieval Literature and History (3 works) · Epistemology (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works)

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