Steeve O Buckridge
Biographic Data
| ID | 148366 |
|---|---|
| NAME | Steeve O Buckridge |
| GIVEN NAMES | Steeve |
| FAMILY NAME | O Buckridge |
| SIGNATURE | BUCKRIDGE S O |
| AFFILIATIONS | Grand Valley State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Plantation Goods
Vodou en Vogue
The Cambridge Global History of Fashion
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways…
African Lace-Bark in the Caribbean
This study focuses on the making of African bark-cloth in the Caribbean and the use of plant fibers and pigments in the production and care of clothing for members of the colonized population. The material artifact of interest in this study is lace-bark, a form of bark-cloth, obtained from the bark of the lagetto tree found only in Jamaica, Cuba and Haiti. The fibres of the lagetto bark were removed by hand and dried, and the end result resembled…
The Language of Dress
This book is a study of how African slave and freed women used their fashion and style of dressing as a symbol of resistance to slavery and accommodation to white culture in pre and post-emancipation society. Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans a…
Warrior Women
Warrior Women
The Language of Dress
This book is a study of how African slave and freed women used their fashion and style of dressing as a symbol of resistance to slavery and accommodation to white culture in pre and post-emancipation society. Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans a…
African Lace-Bark in the Caribbean
This study focuses on the making of African bark-cloth in the Caribbean and the use of plant fibers and pigments in the production and care of clothing for members of the colonized population. The material artifact of interest in this study is lace-bark, a form of bark-cloth, obtained from the bark of the lagetto tree found only in Jamaica, Cuba and Haiti. The fibres of the lagetto bark were removed by hand and dried, and the end result resembled…
The Cambridge Global History of Fashion
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways…
Vodou en Vogue
Plantation Goods
History (4 works) · Sociology (4 works) · Colonialism, slavery, and trade (3 works) · Ancient history (2 works) · Archaeology (2 works) · Clothing (2 works) · Demography (2 works) · Fashion and Cultural Textiles (2 works) · Gender Studies (2 works) · Geography (2 works)