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Marc Meistrich Gidal

Biographic Data

ID148380
NAMEMarc Meistrich Gidal
GIVEN NAMESMarc Meistrich
FAMILY NAMEGidal
SIGNATUREGIDAL M M
AFFILIATIONSRamapo College
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2024
H-INDEX0
  • SamBop NYC

    Marc Meistrich Gidal, Marc Gidal•BOOK•SamBop NYC•2024

  • Spirit Song

    Marc Meistrich Gidal, Marc Gidal•BOOK•Spirit Song•2016

    This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.

  • Catholic Music in Lusophone New Jersey

    Marc Meistrich Gidal, Marc Gidal•ARTICLE•American Music•2016

    Research Article| July 01 2016 Catholic Music in Lusophone New Jersey: Circum-Atlantic Music, Intergroup Dynamics, and Immigrant Struggles in Transnational Communities Marc Meistrich Gidal Marc Meistrich Gidal Marc Meistrich Gidal, associate professor of music (musicology) at Ramapo College of New Jersey, is the author of Spirit Song: Afro-Brazilian Religious Music and Boundaries (Oxford University Press, 2016) and articles in the journals Ethnom…

  • Musical Boundary-Work

    Marc Meistrich Gidal, Marc Gidal•ARTICLE•Ethnomusicology•2014•References: 33

    This article combines ethnomusicology and symbolic boundary theory to explain musical boundary-work: the creation, interpretation, and use of music to reinforce, bridge, or reshape symbolic boundaries for social, political, spiritual, or other purposes. The multi-faith and multi-ethnic Afrogaucho religious community of metropolitan Porto Alegre, in southern Brazil, serves as the case study, because practitioners use musical liturgy to combine and…

No prominent works on this page.

  • Musical Boundary-Work

    Marc Meistrich Gidal, Marc Gidal•ARTICLE•Ethnomusicology•2014•References: 33

    This article combines ethnomusicology and symbolic boundary theory to explain musical boundary-work: the creation, interpretation, and use of music to reinforce, bridge, or reshape symbolic boundaries for social, political, spiritual, or other purposes. The multi-faith and multi-ethnic Afrogaucho religious community of metropolitan Porto Alegre, in southern Brazil, serves as the case study, because practitioners use musical liturgy to combine and…

  • Spirit Song

    Marc Meistrich Gidal, Marc Gidal•BOOK•Spirit Song•2016

    This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.

  • Catholic Music in Lusophone New Jersey

    Marc Meistrich Gidal, Marc Gidal•ARTICLE•American Music•2016

    Research Article| July 01 2016 Catholic Music in Lusophone New Jersey: Circum-Atlantic Music, Intergroup Dynamics, and Immigrant Struggles in Transnational Communities Marc Meistrich Gidal Marc Meistrich Gidal Marc Meistrich Gidal, associate professor of music (musicology) at Ramapo College of New Jersey, is the author of Spirit Song: Afro-Brazilian Religious Music and Boundaries (Oxford University Press, 2016) and articles in the journals Ethnom…

  • SamBop NYC

    Marc Meistrich Gidal, Marc Gidal•BOOK•SamBop NYC•2024

Art (3 works) · Ethnomusicology (3 works) · Musical (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Computer Science (2 works) · Gender Studies (2 works) · Law (2 works)

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