Mark Gaipa
Biographic Data
| ID | 1484650 |
|---|---|
| NAME | Mark Gaipa |
| GIVEN NAMES | Mark |
| FAMILY NAME | Gaipa |
| SIGNATURE | GAIPA M |
| AFFILIATIONS | University of Stuttgart |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
Accessorizing Clarissa
The period following the first world war in England saw dramatic changes in women's clothing: the manufacturing of quality ready-made clothing brought fashion to the masses, and modern fashions helped liberate women with simpler, lighter, and more youthful designs. These changes, I argue, have great consequence for Virginia Woolf's lady of fashion, Clarissa Dalloway. In her story “Mrs Dalloway in Bond Street” (1922), Woolf produces an ultimately …
A Creative Psalm of Brotherhood”
Scholars have celebrated the spoken word in King's “Letter from Birmingham Jail,” but they have overlooked the significance of the Letter's writing. In this essay I closely read King's act of writing the Letter, along with the figures of speech he employs in it, and I show how both—by enacting the mass media's ability to cross contexts—are essential to King's political strategy of nonviolent direct action, as well as to the Letter's argument agai…
No prominent works on this page.
A Creative Psalm of Brotherhood”
Scholars have celebrated the spoken word in King's “Letter from Birmingham Jail,” but they have overlooked the significance of the Letter's writing. In this essay I closely read King's act of writing the Letter, along with the figures of speech he employs in it, and I show how both—by enacting the mass media's ability to cross contexts—are essential to King's political strategy of nonviolent direct action, as well as to the Letter's argument agai…
Accessorizing Clarissa
The period following the first world war in England saw dramatic changes in women's clothing: the manufacturing of quality ready-made clothing brought fashion to the masses, and modern fashions helped liberate women with simpler, lighter, and more youthful designs. These changes, I argue, have great consequence for Virginia Woolf's lady of fashion, Clarissa Dalloway. In her story “Mrs Dalloway in Bond Street” (1922), Woolf produces an ultimately …
Art (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Action (physics) (1 work) · Aesthetics (1 work) · American Political and Social Dynamics (1 work) · Argument (complex analysis) (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work)