Alexandra Kingston-Reese
Biographic Data
| ID | 1484707 |
|---|---|
| NAME | Alexandra Kingston-Reese |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | Kingston-Reese |
| SIGNATURE | KINGSTON-REESE A |
| ORCID | 0000-0002-4129-6042 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Redeemable Plots
The Continuous Vogue of Shame
Eve Kosofsky Sedgwick called it ‘the most mercurial of emotions (2003: 97); Silvan Tomkins considers it along with interest, surprise, joy, anger, fear, distress, and disgust ‘to be the basic set o
Teju Cole and Ralph Ellison's Aesthetics of Invisibility
Considering ‘invisibility’ as both subject matter and aestheticizing mode of experience, this essay uses the case studies of two American novels - Teju Cole’s Open City (2011) and Ralph Ellison’s Invisible Man (1952) - to explore how a culturally specific, racially charged, subject is mapped outwards to occupy a broader aesthetic realm
No prominent works on this page.
Teju Cole and Ralph Ellison's Aesthetics of Invisibility
Considering ‘invisibility’ as both subject matter and aestheticizing mode of experience, this essay uses the case studies of two American novels - Teju Cole’s Open City (2011) and Ralph Ellison’s Invisible Man (1952) - to explore how a culturally specific, racially charged, subject is mapped outwards to occupy a broader aesthetic realm
The Continuous Vogue of Shame
Eve Kosofsky Sedgwick called it ‘the most mercurial of emotions (2003: 97); Silvan Tomkins considers it along with interest, surprise, joy, anger, fear, distress, and disgust ‘to be the basic set o
Redeemable Plots
Computer Science (2 works) · Aesthetics (1 work) · Anger (1 work) · Anthropological Studies and Insights (1 work) · Archaeology (1 work) · Art (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Asian American and Pacific Histories (1 work) · Business (1 work)