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Thomas A Vogler

Biographic Data

ID1485723
NAMEThomas A Vogler
GIVEN NAMESThomas A
FAMILY NAMEVogler
SIGNATUREVOGLER T A
AFFILIATIONSUniversity Of Californla, Santa Cruz
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2012
H-INDEX0
  • Witness and Memory

    Ana Douglass, Thomas A Vogler•EDITOR•BOOK•Witness and Memory•2012

    This is a collection within the anthropology of violence and witness studies, a discipline inaugurated in the 1980s. It accomplishes a tight focus while tackling seemingly disparate topics: from Rigoberat Menchu to O.J. Simpson, and from feminist poetry to Hiroshima Mon Amour. With approaches ranging from anthropological and historical to literary and philosophical, this collection is engaging in both subject matter and writing style.

  • Dressing the text

    Open Access•Thomas A Vogler•ARTICLE•Postmodern Culture•1997

    Postmodern Culture - Volume 7, Number 2, January 1997

  • Mom, and Pop Psychology

    Open Access•Thomas A Vogler•ARTICLE•Theory & Psychology•1993

    Sometimes we can learn from a bad book as well as from a good one, if its `badness' is exemplary of normative practices rather than an isolated instance of incompetence. Such is the case with the book under scrutiny here. Although uniquely flawed in many ways, James B. Twitchell's Dreadful Pleasures: An Anatomy of Modem Horror (1985) is also typical of the perversions of scholarship that can be tolerated in the humanities by those who invoke the …

  • Romanticism and Literary Periods

    Thomas A Vogler•ARTICLE•New German Critique•1986

    To entertain the prospect of a serious discussion of the concept of period and periodization in literary history and theory is of necessity to confront a number of formidable problems. For our historical moment thinking literature and thinking history confront each other as antagonists on a variety of theoretical and ideological battlefields. Numerous examples show that we can think of literature or art more generally as having a life of its own,…

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  • Romanticism and Literary Periods

    Thomas A Vogler•ARTICLE•New German Critique•1986

    To entertain the prospect of a serious discussion of the concept of period and periodization in literary history and theory is of necessity to confront a number of formidable problems. For our historical moment thinking literature and thinking history confront each other as antagonists on a variety of theoretical and ideological battlefields. Numerous examples show that we can think of literature or art more generally as having a life of its own,…

  • Mom, and Pop Psychology

    Open Access•Thomas A Vogler•ARTICLE•Theory & Psychology•1993

    Sometimes we can learn from a bad book as well as from a good one, if its `badness' is exemplary of normative practices rather than an isolated instance of incompetence. Such is the case with the book under scrutiny here. Although uniquely flawed in many ways, James B. Twitchell's Dreadful Pleasures: An Anatomy of Modem Horror (1985) is also typical of the perversions of scholarship that can be tolerated in the humanities by those who invoke the …

  • Dressing the text

    Open Access•Thomas A Vogler•ARTICLE•Postmodern Culture•1997

    Postmodern Culture - Volume 7, Number 2, January 1997

  • Witness and Memory

    Ana Douglass, Thomas A Vogler•EDITOR•BOOK•Witness and Memory•2012

    This is a collection within the anthropology of violence and witness studies, a discipline inaugurated in the 1980s. It accomplishes a tight focus while tackling seemingly disparate topics: from Rigoberat Menchu to O.J. Simpson, and from feminist poetry to Hiroshima Mon Amour. With approaches ranging from anthropological and historical to literary and philosophical, this collection is engaging in both subject matter and writing style.

Art (3 works) · Art history (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Politics (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Social Psychology (2 works) · Aesthetics (1 work)

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