Jamie Owen Daniel
Biographic Data
| ID | 1485744 |
|---|---|
| NAME | Jamie Owen Daniel |
| GIVEN NAMES | Jamie Owen |
| FAMILY NAME | Daniel |
| SIGNATURE | DANIEL J O |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 2 |
Audio-visual Shelf
The Tenacity of Utopia: The Role of Intellectuals in Cultural Shifts within the Federal Republic of Germany
Hauke Brunkhorst, Jamie Owen Daniel, The Tenacity of Utopia: The Role of Intellectuals in Cultural Shifts within the Federal Republic of Germany, New German Critique, No. 55 (Winter, 1992), pp. 127-138
Address upon Accepting the Theodor W. Adorno Prize on 1 October 1989
I would like to thank my hometown of Frankfurt and especially the members of the selection committee for awarding me the Adorno Prize. I am especially pleased that you gave me the prize this year, since-several months ago comments were made in the various media by different people about my friends Adorno and Horkheimer, comments so contemptible that I want to take this opportunity to protest yet again against the misrepresentation and distortion …
Male Hysteria: A Discourse Analysis
Femininity as Productive Force: Kluge and Critical Theory
When Alexander Kluge introduced the concept of a female productive force into the debates of the women's movement in the mid1970s, it was as part of a longstanding discourse on the (Oiffentlichkeit). The topos of the public sphere had been a central concern to the left in the Federal Republic from the anti-nuclear protests (Ostermarschierer) of the 1950s and 1960s to the student movement. Whatever their particular causes might be, these movements…
The Aesthetic Transformation of the Image of the Unimaginable: "Notes on Claude Lanzmann's "Shoah
If we recall the debates that have revolved for several decades, with greater or lesser intensity, around the question of an aesthetics after Auschwitz, we find that they divide along the lines of a moral and a material question. The moral question would be whether, after all hope for the stability of the human foundation of civilization had been destroyed, the utopia of the beautiful illusion of art had not finally dissolved into false metaphysi…
Adorno, Ritter Gluck, and the Tradition of the Postmodern
La philosophie esthetique d'Adorno en ce qu'elle peut permettre d'eclairer l'opposition entre moderne et postmoderne
What Is Different Is Good: Women and Femininity in the Films of Alexander Kluge
Politische Aktualitat: Walter Benjamin's Concept of History and the Failure of the French Popular Front
Chryssoula Kambas, Paul Loeffler, Jamie Owen Daniel, Politische Aktualität: Walter Benjamin's Concept of History and the Failure of the French Popular Front, New German Critique, No. 39, Second Special Issue on Walter Benjamin (Autumn, 1986), pp. 87-98
Commodity and Modernity in Heine and Benjamin
One hundred years later, in 1934 in Paris, Walter Benjamin wrote a text for the Institute for the Study of Fascism entitled The Author as Producer. This was followed a year later by The Work of Art in the Age of Mechanical Reproduction. These two texts attempted to grasp, aesthetically and politically, new aspects of modernity. They were written alongside the opus magnum, the Passagen-Werk, which was to remain a fragment. Separated by a century, …
Fathers and Son's, Retrospectively: The Damaged Relationship between Two Generations
Michael Schneider, Jamie Owen Daniel, Fathers and Son's, Retrospectively: The Damaged Relationship between Two Generations, New German Critique, No. 31, West German Culture and Politics (Winter, 1984), pp. 3-51
Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism
Oskar Negt, Jamie O. Daniel, Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 56-67
The Aesthetic Transformation of the Image of the Unimaginable: "Notes on Claude Lanzmann's "Shoah
If we recall the debates that have revolved for several decades, with greater or lesser intensity, around the question of an aesthetics after Auschwitz, we find that they divide along the lines of a moral and a material question. The moral question would be whether, after all hope for the stability of the human foundation of civilization had been destroyed, the utopia of the beautiful illusion of art had not finally dissolved into false metaphysi…
Male Hysteria: A Discourse Analysis
What Is Different Is Good: Women and Femininity in the Films of Alexander Kluge
Femininity as Productive Force: Kluge and Critical Theory
When Alexander Kluge introduced the concept of a female productive force into the debates of the women's movement in the mid1970s, it was as part of a longstanding discourse on the (Oiffentlichkeit). The topos of the public sphere had been a central concern to the left in the Federal Republic from the anti-nuclear protests (Ostermarschierer) of the 1950s and 1960s to the student movement. Whatever their particular causes might be, these movements…
Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism
Oskar Negt, Jamie O. Daniel, Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 56-67
Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism
Oskar Negt, Jamie O. Daniel, Reflections on France's "Nouveaux Philosophes" and the Crisis of Marxism, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 56-67
Commodity and Modernity in Heine and Benjamin
One hundred years later, in 1934 in Paris, Walter Benjamin wrote a text for the Institute for the Study of Fascism entitled The Author as Producer. This was followed a year later by The Work of Art in the Age of Mechanical Reproduction. These two texts attempted to grasp, aesthetically and politically, new aspects of modernity. They were written alongside the opus magnum, the Passagen-Werk, which was to remain a fragment. Separated by a century, …
Fathers and Son's, Retrospectively: The Damaged Relationship between Two Generations
Michael Schneider, Jamie Owen Daniel, Fathers and Son's, Retrospectively: The Damaged Relationship between Two Generations, New German Critique, No. 31, West German Culture and Politics (Winter, 1984), pp. 3-51
Politische Aktualitat: Walter Benjamin's Concept of History and the Failure of the French Popular Front
Chryssoula Kambas, Paul Loeffler, Jamie Owen Daniel, Politische Aktualität: Walter Benjamin's Concept of History and the Failure of the French Popular Front, New German Critique, No. 39, Second Special Issue on Walter Benjamin (Autumn, 1986), pp. 87-98
What Is Different Is Good: Women and Femininity in the Films of Alexander Kluge
The Aesthetic Transformation of the Image of the Unimaginable: "Notes on Claude Lanzmann's "Shoah
If we recall the debates that have revolved for several decades, with greater or lesser intensity, around the question of an aesthetics after Auschwitz, we find that they divide along the lines of a moral and a material question. The moral question would be whether, after all hope for the stability of the human foundation of civilization had been destroyed, the utopia of the beautiful illusion of art had not finally dissolved into false metaphysi…
Adorno, Ritter Gluck, and the Tradition of the Postmodern
La philosophie esthetique d'Adorno en ce qu'elle peut permettre d'eclairer l'opposition entre moderne et postmoderne
Male Hysteria: A Discourse Analysis
Femininity as Productive Force: Kluge and Critical Theory
When Alexander Kluge introduced the concept of a female productive force into the debates of the women's movement in the mid1970s, it was as part of a longstanding discourse on the (Oiffentlichkeit). The topos of the public sphere had been a central concern to the left in the Federal Republic from the anti-nuclear protests (Ostermarschierer) of the 1950s and 1960s to the student movement. Whatever their particular causes might be, these movements…
Address upon Accepting the Theodor W. Adorno Prize on 1 October 1989
I would like to thank my hometown of Frankfurt and especially the members of the selection committee for awarding me the Adorno Prize. I am especially pleased that you gave me the prize this year, since-several months ago comments were made in the various media by different people about my friends Adorno and Horkheimer, comments so contemptible that I want to take this opportunity to protest yet again against the misrepresentation and distortion …
The Tenacity of Utopia: The Role of Intellectuals in Cultural Shifts within the Federal Republic of Germany
Hauke Brunkhorst, Jamie Owen Daniel, The Tenacity of Utopia: The Role of Intellectuals in Cultural Shifts within the Federal Republic of Germany, New German Critique, No. 55 (Winter, 1992), pp. 127-138
Audio-visual Shelf
History (5 works) · Philosophy (5 works) · Art (4 works) · Psychoanalysis (4 works) · Psychology (4 works) · Sociology (4 works) · Aesthetics (2 works) · Art history (2 works) · Chemistry (2 works) · Cinema and Media Studies (2 works)