John Czaplicka
Biographic Data
| ID | 1485802 |
|---|---|
| NAME | John Czaplicka |
| GIVEN NAMES | John |
| FAMILY NAME | Czaplicka |
| SIGNATURE | CZAPLICKA J |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 570 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
Composing Urban History and the Constitution of Civic Identities
Introduction
This special issue contains a selection of position papers that were presented in the spring of 1994 at a conference on history at the Center for European Studies at Harvard University under the auspices of the Program for the Study of Germany and Europe. The conference was organized by John Czaplicka, guest editor for this issue, and by David Blackbourn with the expert help of Abby Collins and Lisa Eschenbach. The conference papers, most of whic…
History, Aesthetics, and Contemporary Commemorative Practice in Berlin
Such efforts not only raise questions about the intentions of those involved, they also engender disputes about the appropriateness of the means employed to evoke the enormous human loss and suffering and to indicate the historical crimes that caused them. The artists, architects, historians, politicians, and engaged citizens, who seek in various manners to configure that past in the present, confront a knot of issues about representation. What r…
Collective Memory and Cultural Identity
Problem and Program In the third decade of this century, the sociologist Maurice Halbwachs and the art historian Aby Warburg independently developed' two theories of a or social memory. Their otherwise fundamentally different approaches meet in a decisive dismissal of numerous turnof-the-century attempts to conceive collective memory in biological terms as an inheritable or racial memory,2 a tendency which would still obtain, for instance, in C. …
Collective Memory and Cultural Identity
Problem and Program In the third decade of this century, the sociologist Maurice Halbwachs and the art historian Aby Warburg independently developed' two theories of a or social memory. Their otherwise fundamentally different approaches meet in a decisive dismissal of numerous turnof-the-century attempts to conceive collective memory in biological terms as an inheritable or racial memory,2 a tendency which would still obtain, for instance, in C. …
Introduction
This special issue contains a selection of position papers that were presented in the spring of 1994 at a conference on history at the Center for European Studies at Harvard University under the auspices of the Program for the Study of Germany and Europe. The conference was organized by John Czaplicka, guest editor for this issue, and by David Blackbourn with the expert help of Abby Collins and Lisa Eschenbach. The conference papers, most of whic…
History, Aesthetics, and Contemporary Commemorative Practice in Berlin
Such efforts not only raise questions about the intentions of those involved, they also engender disputes about the appropriateness of the means employed to evoke the enormous human loss and suffering and to indicate the historical crimes that caused them. The artists, architects, historians, politicians, and engaged citizens, who seek in various manners to configure that past in the present, confront a knot of issues about representation. What r…
Introduction
This special issue contains a selection of position papers that were presented in the spring of 1994 at a conference on history at the Center for European Studies at Harvard University under the auspices of the Program for the Study of Germany and Europe. The conference was organized by John Czaplicka, guest editor for this issue, and by David Blackbourn with the expert help of Abby Collins and Lisa Eschenbach. The conference papers, most of whic…
History, Aesthetics, and Contemporary Commemorative Practice in Berlin
Such efforts not only raise questions about the intentions of those involved, they also engender disputes about the appropriateness of the means employed to evoke the enormous human loss and suffering and to indicate the historical crimes that caused them. The artists, architects, historians, politicians, and engaged citizens, who seek in various manners to configure that past in the present, confront a knot of issues about representation. What r…
Collective Memory and Cultural Identity
Problem and Program In the third decade of this century, the sociologist Maurice Halbwachs and the art historian Aby Warburg independently developed' two theories of a or social memory. Their otherwise fundamentally different approaches meet in a decisive dismissal of numerous turnof-the-century attempts to conceive collective memory in biological terms as an inheritable or racial memory,2 a tendency which would still obtain, for instance, in C. …
Composing Urban History and the Constitution of Civic Identities
Aesthetics (4 works) · Art (4 works) · Sociology (3 works) · History (2 works) · Law (2 works) · Political science (2 works) · Anthropology (1 works) · Architecture (1 works) · Art history (1 works) · Bohemia (1 works)