Malika Maskarinec
Biographic Data
| ID | 1485810 |
|---|---|
| NAME | Malika Maskarinec |
| GIVEN NAMES | Malika |
| FAMILY NAME | Maskarinec |
| SIGNATURE | MASKARINEC M |
| AFFILIATIONS | University of Bern |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Georges Felten. Diskrete Dissonanzen
Rethinking Montage
This article takes up the concept of montage that has defined scholarship on Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf (1929) since its publication. Against interpretations that understand the novel’s technique of montage as related to film and the avant-garde, I show that the novel is more strongly tied to paper objects and practices, above all the nineteenth-century serial novel and its medial environment in the …
"Malika Maskarinec. Review of "Art and Form
"Images d’action"
Claude-François Ménestrier (1631–1705), Jesuit, polymath, organiser of festivals, princes’ entries, and ballets, and author of over 150 writings on emblem-atics, numismatics, heraldry, and a wide variety of festivals and public spectacles, must be considered one of the most influential early modern theoreticians on images, festivals and the performing arts. His work aims to provide a comprehensive overview of mental and material images. This tril…
The End of Art and the Future of Criticism in Wilhelm Worringer's Art History
In his 1920 lecture "Künstlerische Zeitfragen" ("Artistic Questions of the Time"), the art historian Wilhelm Worringer declares the end of expressionism and the end of art. The polemical diagnosis claims that because the arts are no longer able to express a collective subjectivity, they have become socially irrelevant. In a more redemptive gesture, Worringer then proposes that sensuous criticism of past art will replace art itself, since criticis…
Einwegbilder
Bildkritik befasst sich üblicherweise mit Bildern, die aufbewahrt und gehütet, archiviert und dokumentiert werden. Was aber ist mit Bildern, denen kein dauerhafter Wert zugebilligt wird? Einwegbilder generieren ihren Wert in der kurzen Dauer, in der sie ihre Funktion erfüllen. Ihnen scheinen eindeutige und ausschließliche Rezeptions- und Gebrauchsweisen eingeschrieben zu sein. Eintrittskarten werden entwertet, Briefmarken abgestempelt, Plakate üb…
No prominent works on this page.
Einwegbilder
Bildkritik befasst sich üblicherweise mit Bildern, die aufbewahrt und gehütet, archiviert und dokumentiert werden. Was aber ist mit Bildern, denen kein dauerhafter Wert zugebilligt wird? Einwegbilder generieren ihren Wert in der kurzen Dauer, in der sie ihre Funktion erfüllen. Ihnen scheinen eindeutige und ausschließliche Rezeptions- und Gebrauchsweisen eingeschrieben zu sein. Eintrittskarten werden entwertet, Briefmarken abgestempelt, Plakate üb…
The End of Art and the Future of Criticism in Wilhelm Worringer's Art History
In his 1920 lecture "Künstlerische Zeitfragen" ("Artistic Questions of the Time"), the art historian Wilhelm Worringer declares the end of expressionism and the end of art. The polemical diagnosis claims that because the arts are no longer able to express a collective subjectivity, they have become socially irrelevant. In a more redemptive gesture, Worringer then proposes that sensuous criticism of past art will replace art itself, since criticis…
"Images d’action"
Claude-François Ménestrier (1631–1705), Jesuit, polymath, organiser of festivals, princes’ entries, and ballets, and author of over 150 writings on emblem-atics, numismatics, heraldry, and a wide variety of festivals and public spectacles, must be considered one of the most influential early modern theoreticians on images, festivals and the performing arts. His work aims to provide a comprehensive overview of mental and material images. This tril…
"Malika Maskarinec. Review of "Art and Form
Rethinking Montage
This article takes up the concept of montage that has defined scholarship on Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf (1929) since its publication. Against interpretations that understand the novel’s technique of montage as related to film and the avant-garde, I show that the novel is more strongly tied to paper objects and practices, above all the nineteenth-century serial novel and its medial environment in the …
Georges Felten. Diskrete Dissonanzen
Art (6 works) · Art history (4 works) · German Literature and Culture Studies (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · History (2 works) · Humanities (2 works) · Sociology (2 works) · The arts (2 works)