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Olaf Peters

Biographic Data

ID1485965
NAMEOlaf Peters
GIVEN NAMESOlaf
FAMILY NAMEPeters
SIGNATUREPETERS O
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2017
H-INDEX1
  • From "Degenerate Art" To "Looted Art

    Olaf Peters, Steven Lindberg•ARTICLE•New German Critique•2017•References: 8

    This article aims to explain the genesis, the dynamics, and some contradictions of National Socialist policy on art around 1937, the year of the notorious exhibition Degenerate Art. Adolf Hitler and his supporters did not invent the phrase degenerate art, but they adopted it, intensified it, and derived from it their destructive policies on art. "Looted art" was a last step and parallel consequence of developments that included the expulsion of t…

  • Fear and Propaganda

    Olaf Peters, Steven Lindberg•ARTICLE•Social research•2016•Cited by: 1

    "Degenerate art"—the slogan represents National Socialist cultural barbarism and the destruction of modernism in Germany between the wars. Hitler and his party-liners did not invent the phrase, but they adopted it, intensified it, and derived from it their destructive policies on art. “Degenerate art” is the extreme example of a state-run campaign against modern art

  • Ermittlung und Auswertung des Derzeitigen Standes der Datenübertragung Im Luftverkehr Im Zusammenhang Mit Flugsicherungs- und Navigationssystemen

    Edgar Rößger, Olaf Peters•BOOK•Ermittlung und Auswertung des…•2013

  • On the Problem of the Continuity of New Objectivity Painting During the Consolidation of the Third Reich

    Olaf Peters•ARTICLE•History of European Ideas•1998

    Soulevant le probleme de la continuite de la peinture de la Nouvelle Objectivite pendant la Republique de Weimar et l'instauration du Troisieme Reich, l'A. montre que l'absence d'une politique artistique nazie autre qu'une politique negative, antisemite et dirigee contre l'avant-garde, correspond a une realite historique complexe representee par l'oeuvre de R. Schlichter. Soulignant l'interrelation des attitudes politiques, des conflits individue…

  • Fear and Propaganda

    Olaf Peters, Steven Lindberg•ARTICLE•Social research•2016•Cited by: 1

    "Degenerate art"—the slogan represents National Socialist cultural barbarism and the destruction of modernism in Germany between the wars. Hitler and his party-liners did not invent the phrase, but they adopted it, intensified it, and derived from it their destructive policies on art. “Degenerate art” is the extreme example of a state-run campaign against modern art

  • On the Problem of the Continuity of New Objectivity Painting During the Consolidation of the Third Reich

    Olaf Peters•ARTICLE•History of European Ideas•1998

    Soulevant le probleme de la continuite de la peinture de la Nouvelle Objectivite pendant la Republique de Weimar et l'instauration du Troisieme Reich, l'A. montre que l'absence d'une politique artistique nazie autre qu'une politique negative, antisemite et dirigee contre l'avant-garde, correspond a une realite historique complexe representee par l'oeuvre de R. Schlichter. Soulignant l'interrelation des attitudes politiques, des conflits individue…

  • Ermittlung und Auswertung des Derzeitigen Standes der Datenübertragung Im Luftverkehr Im Zusammenhang Mit Flugsicherungs- und Navigationssystemen

    Edgar Rößger, Olaf Peters•BOOK•Ermittlung und Auswertung des…•2013

  • Fear and Propaganda

    Olaf Peters, Steven Lindberg•ARTICLE•Social research•2016•Cited by: 1

    "Degenerate art"—the slogan represents National Socialist cultural barbarism and the destruction of modernism in Germany between the wars. Hitler and his party-liners did not invent the phrase, but they adopted it, intensified it, and derived from it their destructive policies on art. “Degenerate art” is the extreme example of a state-run campaign against modern art

  • From "Degenerate Art" To "Looted Art

    Olaf Peters, Steven Lindberg•ARTICLE•New German Critique•2017•References: 8

    This article aims to explain the genesis, the dynamics, and some contradictions of National Socialist policy on art around 1937, the year of the notorious exhibition Degenerate Art. Adolf Hitler and his supporters did not invent the phrase degenerate art, but they adopted it, intensified it, and derived from it their destructive policies on art. "Looted art" was a last step and parallel consequence of developments that included the expulsion of t…

Art, Politics, and Modernism (3 works) · European history and politics (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Historical Geopolitical and Social Dynamics (2 works) · History (2 works) · Nazism (2 works) · Philosophy (2 works) · Political science (2 works)

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