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Edward Dimendberg

Biographic Data

ID1485984
NAMEEdward Dimendberg
GIVEN NAMESEdward
FAMILY NAMEDimendberg
SIGNATUREDIMENDBERG E
AFFILIATIONSUniversity of California, Irvine
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS16
AUTHOR COUNT9
EDITOR COUNT1
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Annette Michelson Remembered

    Rachel Churner, Malcolm Turvey et al.•ARTICLE•October•2019

    Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte

  • A Conversation with Annette Michelson

    Edward Dimendberg•ARTICLE•October•2019

    Film scholar Edward Dimendberg spoke to Annette Michelson in July 2014 for a series of interviews sponsored by the Getty Research Institute. In their conversation, which is published for the first time here, Michelson discusses her first encounters with North American avant-garde film, the early days of Anthology Film Archives, and such figures as Jonas Mekas, P. Adams Sitney, Peter Kubelka, Yvonne Rainer, Hollis Frampton, Michael Snow, Stan Brak…

  • The Fish That Knew Water

    Edward Dimendberg•ARTICLE•New German Critique•2014

    These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey

  • The limits to emplacement

    Edward Dimendberg•ARTICLE•Rethinking History•2007•References: 2

    In response to Philip Ethington's project of historical mapping, this paper argues for the inextricability of spatial and narrative schemata. It claims that what Ethington calls ‘emplacement’ presupposes the modalities of ‘emplotment’ theorized by Hayden White as intrinsic to the process of writing history. Keywords: Abstract EntitiesHayden WhiteHenri LefebvreMapsPlaceScience Studies Notes [1] Representative examples of this tendency include Dime…

  • The kinetic icon

    Open Access•Edward Dimendberg•ARTICLE•Urban History•2006•Cited by: 3

    Architectural historian P. Reyner Banham (1922–88) is widely known for his numerous writings on the modern built environment, including the book Los Angeles: The Architecture of Four Ecologies (1971). In the BBC television film Reyner Banham Loves Los Angeles (Julian Cooper, 1972), he concretized his earlier insights about the importance of mobility in the Southern California metropolis by employing the proclivity of the cinematic medium to repre…

  • These are not exercises in style

    Edward Dimendberg•ARTICLE•October•2005•Cited by: 2•References: 2

    April 01 2005 "These are not exercises in style": Le Chant du Styrène Edward Dimendberg Edward Dimendberg Search for other works by this author on: This Site Google Scholar Author and Article Information Edward Dimendberg Online Issn: 1536-013X Print Issn: 0162-2870 © 2005 October Magazine, Ltd. and Massachusetts Institute of Technology2005 October (2005) (112): 63–88. https://doi.org/10.1162/0162287054223882 Cite Icon Cite Permissions Share Icon…

  • Down These Seen Streets a Man Must Go

    Edward Dimendberg•ARTICLE•New German Critique•2003•Cited by: 1

    Edward Dimendberg, Down These Seen Streets a Man Must Go: Siegfried Kracauer, "Hollywood's Terror Films," and the Spatiality of Film Noir, New German Critique, No. 89, Film and Exile (Spring - Summer, 2003), pp. 113-143

  • The Will to Motorization

    Edward Dimendberg•ARTICLE•October•1995•Cited by: 10

  • The Weimar Republic Sourcebook

    Anton Kaes, Martin Jay et al.•BOOK•Weimar Republic Sourcebook•1994

    A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community…

  • The Granddeleuzian Fog

    Edward Dimendberg•ARTICLE•Canadian-American Slavic Studies•1988

  • The Will to Motorization

    Edward Dimendberg•ARTICLE•October•1995•Cited by: 10

  • The kinetic icon

    Open Access•Edward Dimendberg•ARTICLE•Urban History•2006•Cited by: 3

    Architectural historian P. Reyner Banham (1922–88) is widely known for his numerous writings on the modern built environment, including the book Los Angeles: The Architecture of Four Ecologies (1971). In the BBC television film Reyner Banham Loves Los Angeles (Julian Cooper, 1972), he concretized his earlier insights about the importance of mobility in the Southern California metropolis by employing the proclivity of the cinematic medium to repre…

  • These are not exercises in style

    Edward Dimendberg•ARTICLE•October•2005•Cited by: 2•References: 2

    April 01 2005 "These are not exercises in style": Le Chant du Styrène Edward Dimendberg Edward Dimendberg Search for other works by this author on: This Site Google Scholar Author and Article Information Edward Dimendberg Online Issn: 1536-013X Print Issn: 0162-2870 © 2005 October Magazine, Ltd. and Massachusetts Institute of Technology2005 October (2005) (112): 63–88. https://doi.org/10.1162/0162287054223882 Cite Icon Cite Permissions Share Icon…

  • Down These Seen Streets a Man Must Go

    Edward Dimendberg•ARTICLE•New German Critique•2003•Cited by: 1

    Edward Dimendberg, Down These Seen Streets a Man Must Go: Siegfried Kracauer, "Hollywood's Terror Films," and the Spatiality of Film Noir, New German Critique, No. 89, Film and Exile (Spring - Summer, 2003), pp. 113-143

  • The Granddeleuzian Fog

    Edward Dimendberg•ARTICLE•Canadian-American Slavic Studies•1988

  • The Weimar Republic Sourcebook

    Anton Kaes, Martin Jay et al.•BOOK•Weimar Republic Sourcebook•1994

    A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community…

  • The Will to Motorization

    Edward Dimendberg•ARTICLE•October•1995•Cited by: 10

  • Down These Seen Streets a Man Must Go

    Edward Dimendberg•ARTICLE•New German Critique•2003•Cited by: 1

    Edward Dimendberg, Down These Seen Streets a Man Must Go: Siegfried Kracauer, "Hollywood's Terror Films," and the Spatiality of Film Noir, New German Critique, No. 89, Film and Exile (Spring - Summer, 2003), pp. 113-143

  • These are not exercises in style

    Edward Dimendberg•ARTICLE•October•2005•Cited by: 2•References: 2

    April 01 2005 "These are not exercises in style": Le Chant du Styrène Edward Dimendberg Edward Dimendberg Search for other works by this author on: This Site Google Scholar Author and Article Information Edward Dimendberg Online Issn: 1536-013X Print Issn: 0162-2870 © 2005 October Magazine, Ltd. and Massachusetts Institute of Technology2005 October (2005) (112): 63–88. https://doi.org/10.1162/0162287054223882 Cite Icon Cite Permissions Share Icon…

  • The kinetic icon

    Open Access•Edward Dimendberg•ARTICLE•Urban History•2006•Cited by: 3

    Architectural historian P. Reyner Banham (1922–88) is widely known for his numerous writings on the modern built environment, including the book Los Angeles: The Architecture of Four Ecologies (1971). In the BBC television film Reyner Banham Loves Los Angeles (Julian Cooper, 1972), he concretized his earlier insights about the importance of mobility in the Southern California metropolis by employing the proclivity of the cinematic medium to repre…

  • The limits to emplacement

    Edward Dimendberg•ARTICLE•Rethinking History•2007•References: 2

    In response to Philip Ethington's project of historical mapping, this paper argues for the inextricability of spatial and narrative schemata. It claims that what Ethington calls ‘emplacement’ presupposes the modalities of ‘emplotment’ theorized by Hayden White as intrinsic to the process of writing history. Keywords: Abstract EntitiesHayden WhiteHenri LefebvreMapsPlaceScience Studies Notes [1] Representative examples of this tendency include Dime…

  • The Fish That Knew Water

    Edward Dimendberg•ARTICLE•New German Critique•2014

    These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey

  • Annette Michelson Remembered

    Rachel Churner, Malcolm Turvey et al.•ARTICLE•October•2019

    Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte

  • A Conversation with Annette Michelson

    Edward Dimendberg•ARTICLE•October•2019

    Film scholar Edward Dimendberg spoke to Annette Michelson in July 2014 for a series of interviews sponsored by the Getty Research Institute. In their conversation, which is published for the first time here, Michelson discusses her first encounters with North American avant-garde film, the early days of Anthology Film Archives, and such figures as Jonas Mekas, P. Adams Sitney, Peter Kubelka, Yvonne Rainer, Hollis Frampton, Michael Snow, Stan Brak…

Art (8 works) · Art history (8 works) · Cinema and Media Studies (5 works) · Philosophy (4 works) · History (3 works) · Movie theater (3 works) · Philosophy (3 works) · Archaeology (2 works) · Computer Science (2 works) · European history and politics (2 works)

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