Giuseppe Richeri
Biographic Data
| ID | 1489689 |
|---|---|
| NAME | Giuseppe Richeri |
| GIVEN NAMES | Giuseppe |
| FAMILY NAME | Richeri |
| SIGNATURE | RICHERI G |
| AFFILIATIONS | Università della Svizzera italiana |
| ORCID | 0000-0002-2269-5136 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
European Film Commissions as Transcultural Promoters and Mediators
This article investigates transcultural communication taking film commissions as case study. Film commissions are non-profit organisations looking to attract audiovisual productions to their areas and supply these audiovisual productions with services free of charge. Although relatively recent and little studied, film commissions are spreading fast worldwide. Combining the political economy approach with the most recent production studies, the ar…
China
O artigo destaca alguns aspectos significativos da realidade contemporânea na sociedade chinesa, marcada por uma rápida transformação econômica e cultural. Discute como tem se dado a formação de uma opinião pública independente do poder institucional, cada vez mais fragmentada, heterogênea e, em alguns casos, crítica às escolhas do regime. A diversidade opinativa é favorecida pela internet. Mas esse meio é também pensado pelo Estado chinês, a par…
Audiovisual industry and the structural factors of the television crisis
This article analyzes the current state of traditional television financing resources, detecting a critical situation in its three main sources (advertising, signatures and service charges). Next, it discusses the most dynamic part of the television sector: Video on Demand (VoD) and Subscription Video on Demand (SVoD) services, which could generate new resources for audiovisual production. However, the analysis of the catalogs of these services s…
Global film market, regional problems
In the global film market, China is gaining more and more importance. The Chinese box office and film admissions are growing year after year and Chinese film and related companies are able to make business more and more abroad. On the contrary, US and European film markets are flat and the production costs of their film are growing. Both are trying to enter the Chinese film market and cooperate with Chinese film companies. The article reviews the…
Network Neutrality
Encoding the Olympics
Preface IOC Foreword Introduction 1. Prologue: When West Met East through the Beijing Olympics 2. Attitudes Towards China Before and After the Beijing Olympics Part One: Another Long March of the Symbolic Holy Flame - Comparative Analysis on the Media Coverage of the Torch Relay 2008 3. Greece: The Olympic Torch Relay in Ancient Olympia - An Ideal Showcase for International Political Protest 4. France: A Conflict of Values? The Olympic Torch Rela…
The latest look at media studies in China
Prologue
Based on the final report of the research project ‘Communication and the Olympics: the Challenge and Opportunity for Beijing 2008 in Intercultural Exchange’, commissioned by IOC-OSC following selec
La télévision numérique et l'évolution de la production audiovisuelle en Europe
Quels effets sur les industries audiovisuelles européennes peut-on attendre du développement du numérique ? A partir d'un examen de la programmation des premiers bouquets de chaînes de télévision, seul domaine d'application du numérique qui semble pour l'heure assuré d'une rentabilité, l'auteur souligne l'existence d'une bipolarisation tendancielle entre, d'une part, des produits haut de gamme fortement attractifs - retransmissions sportives ou f…
La qualité de la programmation télévisuelle. Points de vue et critères de mesure dans le débat international
Si la notion de qualité télévisuelle existe depuis plusieurs dizaines d'années dans la recherche sur les médias, elle vient seulement de faire son apparition dans certaines législations nationales. Les auteurs la définissent comme un rapport entre des caractéristiques intrinsèques et les valeurs qui régissent une société. De plus, la nature du point de vue entre-t-elle en ligne de compte, ce qui détermine de nombreuses relations possibles que les…
La publicité déchaînée de l'Italie des années 80
This article analyzes the growth of advertising in Italy which is impressive in quantitative terms: investments in ads have been multiplied by 2.5 between 1980 and 1989. Two main factors explain this situation: on one hand, the mutation of the distribution sector and the prevailing and growing importance of the brand over the product; on the other hand, the evolution of the media which have less political but more economic power. Other elements h…
The difficulties involved in the control and organization of telecommunications in Italy
Western Europe
Roberto Grandi, Giuseppe Richeri; Western Europe: The Development of Dbs Systems, Journal of Communication, Volume 30, Issue 2, 1 June 1980, Pages 169–177
Italian broadcasting and fascism I924-I937
Italy
Private stations on the local level pose challenge to both government monopoly and community participation
La qualité de la programmation télévisuelle. Points de vue et critères de mesure dans le débat international
Si la notion de qualité télévisuelle existe depuis plusieurs dizaines d'années dans la recherche sur les médias, elle vient seulement de faire son apparition dans certaines législations nationales. Les auteurs la définissent comme un rapport entre des caractéristiques intrinsèques et les valeurs qui régissent une société. De plus, la nature du point de vue entre-t-elle en ligne de compte, ce qui détermine de nombreuses relations possibles que les…
The difficulties involved in the control and organization of telecommunications in Italy
Italian broadcasting and fascism I924-I937
Italy
Private stations on the local level pose challenge to both government monopoly and community participation
Western Europe
Roberto Grandi, Giuseppe Richeri; Western Europe: The Development of Dbs Systems, Journal of Communication, Volume 30, Issue 2, 1 June 1980, Pages 169–177
Italian broadcasting and fascism I924-I937
The difficulties involved in the control and organization of telecommunications in Italy
La publicité déchaînée de l'Italie des années 80
This article analyzes the growth of advertising in Italy which is impressive in quantitative terms: investments in ads have been multiplied by 2.5 between 1980 and 1989. Two main factors explain this situation: on one hand, the mutation of the distribution sector and the prevailing and growing importance of the brand over the product; on the other hand, the evolution of the media which have less political but more economic power. Other elements h…
La qualité de la programmation télévisuelle. Points de vue et critères de mesure dans le débat international
Si la notion de qualité télévisuelle existe depuis plusieurs dizaines d'années dans la recherche sur les médias, elle vient seulement de faire son apparition dans certaines législations nationales. Les auteurs la définissent comme un rapport entre des caractéristiques intrinsèques et les valeurs qui régissent une société. De plus, la nature du point de vue entre-t-elle en ligne de compte, ce qui détermine de nombreuses relations possibles que les…
La télévision numérique et l'évolution de la production audiovisuelle en Europe
Quels effets sur les industries audiovisuelles européennes peut-on attendre du développement du numérique ? A partir d'un examen de la programmation des premiers bouquets de chaînes de télévision, seul domaine d'application du numérique qui semble pour l'heure assuré d'une rentabilité, l'auteur souligne l'existence d'une bipolarisation tendancielle entre, d'une part, des produits haut de gamme fortement attractifs - retransmissions sportives ou f…
Prologue
Based on the final report of the research project ‘Communication and the Olympics: the Challenge and Opportunity for Beijing 2008 in Intercultural Exchange’, commissioned by IOC-OSC following selec
Encoding the Olympics
Preface IOC Foreword Introduction 1. Prologue: When West Met East through the Beijing Olympics 2. Attitudes Towards China Before and After the Beijing Olympics Part One: Another Long March of the Symbolic Holy Flame - Comparative Analysis on the Media Coverage of the Torch Relay 2008 3. Greece: The Olympic Torch Relay in Ancient Olympia - An Ideal Showcase for International Political Protest 4. France: A Conflict of Values? The Olympic Torch Rela…
The latest look at media studies in China
Network Neutrality
Global film market, regional problems
In the global film market, China is gaining more and more importance. The Chinese box office and film admissions are growing year after year and Chinese film and related companies are able to make business more and more abroad. On the contrary, US and European film markets are flat and the production costs of their film are growing. Both are trying to enter the Chinese film market and cooperate with Chinese film companies. The article reviews the…
Audiovisual industry and the structural factors of the television crisis
This article analyzes the current state of traditional television financing resources, detecting a critical situation in its three main sources (advertising, signatures and service charges). Next, it discusses the most dynamic part of the television sector: Video on Demand (VoD) and Subscription Video on Demand (SVoD) services, which could generate new resources for audiovisual production. However, the analysis of the catalogs of these services s…
China
O artigo destaca alguns aspectos significativos da realidade contemporânea na sociedade chinesa, marcada por uma rápida transformação econômica e cultural. Discute como tem se dado a formação de uma opinião pública independente do poder institucional, cada vez mais fragmentada, heterogênea e, em alguns casos, crítica às escolhas do regime. A diversidade opinativa é favorecida pela internet. Mas esse meio é também pensado pelo Estado chinês, a par…
European Film Commissions as Transcultural Promoters and Mediators
This article investigates transcultural communication taking film commissions as case study. Film commissions are non-profit organisations looking to attract audiovisual productions to their areas and supply these audiovisual productions with services free of charge. Although relatively recent and little studied, film commissions are spreading fast worldwide. Combining the political economy approach with the most recent production studies, the ar…
Political science (12 works) · Business (8 works) · China (5 works) · Economics (5 works) · Law (5 works) · Advertising (4 works) · Cultural Industries and Urban Development (4 works) · Humanities (4 works) · Marketing (4 works) · Sociology (4 works)