Vanessa Brassey
Biographic Data
| ID | 1490131 |
|---|---|
| NAME | Vanessa Brassey |
| GIVEN NAMES | Vanessa |
| FAMILY NAME | Brassey |
| SIGNATURE | BRASSEY V |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0003-1725-2864 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Affect in Artistic Creativity: Painting to Feel
Why do we paint pictures? We paint them to instruct, to delight or commemorate loved ones, to convey attitudes or emotions, or for money. Jussi A. Saarinen thinks there is a more fundamental motivation that explains the persistence of painting in the digital age. In slogan form ‘painters paint to feel’ (p. 1), by which he means that painters generate ‘highly valued’ (p. 1), affective feedback loops exclusively enabled through art-making. In this …
The expression of emotion in pictures
The analysis of expression of emotion in pictures has been comparatively overlooked in the philosophy of art. Typically treated as an extension of the problem of expressive music, the notion of an 'expressive picture' is here considered as an independent problem which may or may not generalise to other sense-based media. The paper surveys the extant views, attempting to dispel some confusion in regard to how these accounts overlap, intersect or r…
Affect in Artistic Creativity: Painting to Feel
Why do we paint pictures? We paint them to instruct, to delight or commemorate loved ones, to convey attitudes or emotions, or for money. Jussi A. Saarinen thinks there is a more fundamental motivation that explains the persistence of painting in the digital age. In slogan form ‘painters paint to feel’ (p. 1), by which he means that painters generate ‘highly valued’ (p. 1), affective feedback loops exclusively enabled through art-making. In this …
The expression of emotion in pictures
The analysis of expression of emotion in pictures has been comparatively overlooked in the philosophy of art. Typically treated as an extension of the problem of expressive music, the notion of an 'expressive picture' is here considered as an independent problem which may or may not generalise to other sense-based media. The paper surveys the extant views, attempting to dispel some confusion in regard to how these accounts overlap, intersect or r…
Affect in Artistic Creativity: Painting to Feel
Why do we paint pictures? We paint them to instruct, to delight or commemorate loved ones, to convey attitudes or emotions, or for money. Jussi A. Saarinen thinks there is a more fundamental motivation that explains the persistence of painting in the digital age. In slogan form ‘painters paint to feel’ (p. 1), by which he means that painters generate ‘highly valued’ (p. 1), affective feedback loops exclusively enabled through art-making. In this …
Aesthetic Perception and Analysis (2 works) · Computer Science (2 works) · Psychology (2 works) · Social Psychology (2 works) · Visual Culture and Art Theory (2 works) · Aesthetics (1 works) · Affect (linguistics (1 works) · Argument (complex analysis (1 works) · Art (1 works) · Cognitive psychology (1 works)