Eleni Papazoglou
Biographic Data
| ID | 1491856 |
|---|---|
| NAME | Eleni Papazoglou |
| GIVEN NAMES | Eleni |
| FAMILY NAME | Papazoglou |
| SIGNATURE | PAPAZOGLOU E |
| AFFILIATIONS | Aristotle University of Thessaloniki |
| ORCID | 0000-0002-4538-0014 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
‘Communal Hellenism’ and ancient tragedy performances in Greece (1975–95)
For the better part of the twentieth century, the quest for a ‘Greek’ continuity in the so-called revival of ancient drama in Greece was inextricably linked to what is termed and studied in this paper as a Ritual Quest. Rituality was understood in two forms: one was aesthetic and neoclassicist in its hermeneutic and performative codes, which were established and recycled – and as such: ritualized – in ancient tragedy productions of the National T…
Familière et partageant l'origine grecque
In Greece, the systematic production of ancient drama at the National Theatre, especially after the inauguration of the Epidauria Festival in the 1950s, introduced and recycled a largely ‘classicist’ interpretative and performative model – and this constant recycling ritualized, in turn, its own continuity, gradually establishing what was taken to be the “authentic” performative code, indeed a ‘native’ one, ‘faithful’ to the original texts, meani…
No prominent works on this page.
Familière et partageant l'origine grecque
In Greece, the systematic production of ancient drama at the National Theatre, especially after the inauguration of the Epidauria Festival in the 1950s, introduced and recycled a largely ‘classicist’ interpretative and performative model – and this constant recycling ritualized, in turn, its own continuity, gradually establishing what was taken to be the “authentic” performative code, indeed a ‘native’ one, ‘faithful’ to the original texts, meani…
‘Communal Hellenism’ and ancient tragedy performances in Greece (1975–95)
For the better part of the twentieth century, the quest for a ‘Greek’ continuity in the so-called revival of ancient drama in Greece was inextricably linked to what is termed and studied in this paper as a Ritual Quest. Rituality was understood in two forms: one was aesthetic and neoclassicist in its hermeneutic and performative codes, which were established and recycled – and as such: ritualized – in ancient tragedy productions of the National T…
Art (2 works) · Aesthetics (1 works) · Ancient Greece (1 works) · Ancient Greek (1 works) · Ancient history (1 works) · Balkans: History, Politics, Society (1 works) · Contemporary and Historical Greek Studies (1 works) · Drama (1 works) · Folklore (1 works) · Foucault, Power, and Ethics (1 works)