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Christoph Kugelmeier

Biographic Data

ID1491920
NAMEChristoph Kugelmeier
GIVEN NAMESChristoph
FAMILY NAMEKugelmeier
SIGNATUREKUGELMEIER C
AFFILIATIONSSaarland University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS12
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2019
H-INDEX1
  • The interaction between ‘history’ and ‘story’ in Roman historiography

    Open Access•Christoph Kugelmeier•ARTICLE•Church, Communication and Culture•2019

    This paper examines the way in which ancient historiography makes use of rhetorical and even fictional devices (dramatic poetry as well as the novel) to dramatize in writing down events which the historians obviously consider as being important for their judgement, ideologically or otherwise biased, of historical personalities. An outstanding example for this narrative method is the Roman author most often thought of as one of the greatest histor…

  • Seneca's Tragedies and the Theatres of their Time

    Open Access•Christoph Kugelmeier•ARTICLE•Pallas•2014•References: 3

    In order to come closer to an answer to the question, whether or not Senecas tragedies were intended to be staged, mere discretion by intra-textual evidences is not enough. It is not sufficient to use the features of Roman theatre buildings in general to clear the facts, as is sometimes done. The stage of the time of Plautus and Terence, for instance, seems to differ significantly from what we find in the well-known, representative theatres of th…

  • Reflexe früher und zeitgenössischer Lyrik in der alten attischen Komödie

    Christoph Kugelmeier•BOOK•Reflexe Früher und Zeitgenössischer…•1996•Cited by: 12

  • Reflexe früher und zeitgenössischer Lyrik in der alten attischen Komödie

    Christoph Kugelmeier•BOOK•Reflexe Früher und Zeitgenössischer…•1996•Cited by: 12

  • Reflexe früher und zeitgenössischer Lyrik in der alten attischen Komödie

    Christoph Kugelmeier•BOOK•Reflexe Früher und Zeitgenössischer…•1996•Cited by: 12

  • Seneca's Tragedies and the Theatres of their Time

    Open Access•Christoph Kugelmeier•ARTICLE•Pallas•2014•References: 3

    In order to come closer to an answer to the question, whether or not Senecas tragedies were intended to be staged, mere discretion by intra-textual evidences is not enough. It is not sufficient to use the features of Roman theatre buildings in general to clear the facts, as is sometimes done. The stage of the time of Plautus and Terence, for instance, seems to differ significantly from what we find in the well-known, representative theatres of th…

  • The interaction between ‘history’ and ‘story’ in Roman historiography

    Open Access•Christoph Kugelmeier•ARTICLE•Church, Communication and Culture•2019

    This paper examines the way in which ancient historiography makes use of rhetorical and even fictional devices (dramatic poetry as well as the novel) to dramatize in writing down events which the historians obviously consider as being important for their judgement, ideologically or otherwise biased, of historical personalities. An outstanding example for this narrative method is the Roman author most often thought of as one of the greatest histor…

Art (3 works) · Classical Antiquity Studies (3 works) · Historical, Religious, and Philosophical Studies (2 works) · Philosophy (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Archaeology (1 work) · Byzantine Studies and History (1 work) · Dithyramb (1 work)

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