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Viola Lasmana

Biographic Data

ID149464
NAMEViola Lasmana
GIVEN NAMESViola
FAMILY NAMELasmana
SIGNATURELASMANA V
AFFILIATIONSUniversity of Southern California
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Weaving Memory and Justice

    Open Access•Viola Lasmana•ARTICLE•American Quarterly•2025

  • Love and Amateurism in Kelly Loves Tony

    Viola Lasmana•ARTICLE•Film Quarterly•2020

    This essay reflects on Spencer Nakasako's groundbreaking video work with Southeast Asian refugee youth and explores Nakasako's significant role in media histories not just in relation to Asian America, but to American media culture writ large. It pays particular attention to the role and rhetoric of the “amateur” in Nakasako's work, and the ways in which Nakasako transforms low-resolution, independent videomaking into an aesthetic as well as poli…

  • The Look of Silence and the Violet Hour

    Viola Lasmana•ARTICLE•Visual Anthropology•2018

  • The Act of Killing

    Janet Hoskins, Viola Lasmana•ARTICLE•Visual Anthropology•2015•Cited by: 1•References: 2

    The Act of Killing. Joshua Oppenheimer, director; Signe Byrge Sorensen, producer. Featuring Anwar Congo, Jusuf Kalla, etc. Produced by Final Cut for Real, Denmark, 2012; 159 or 115 mins. Available

  • The Act of Killing

    Janet Hoskins, Viola Lasmana•ARTICLE•Visual Anthropology•2015•Cited by: 1•References: 2

    The Act of Killing. Joshua Oppenheimer, director; Signe Byrge Sorensen, producer. Featuring Anwar Congo, Jusuf Kalla, etc. Produced by Final Cut for Real, Denmark, 2012; 159 or 115 mins. Available

  • The Act of Killing

    Janet Hoskins, Viola Lasmana•ARTICLE•Visual Anthropology•2015•Cited by: 1•References: 2

    The Act of Killing. Joshua Oppenheimer, director; Signe Byrge Sorensen, producer. Featuring Anwar Congo, Jusuf Kalla, etc. Produced by Final Cut for Real, Denmark, 2012; 159 or 115 mins. Available

  • The Look of Silence and the Violet Hour

    Viola Lasmana•ARTICLE•Visual Anthropology•2018

  • Love and Amateurism in Kelly Loves Tony

    Viola Lasmana•ARTICLE•Film Quarterly•2020

    This essay reflects on Spencer Nakasako's groundbreaking video work with Southeast Asian refugee youth and explores Nakasako's significant role in media histories not just in relation to Asian America, but to American media culture writ large. It pays particular attention to the role and rhetoric of the “amateur” in Nakasako's work, and the ways in which Nakasako transforms low-resolution, independent videomaking into an aesthetic as well as poli…

  • Weaving Memory and Justice

    Open Access•Viola Lasmana•ARTICLE•American Quarterly•2025

Art (4 works) · Sociology (4 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · Amateur (1 work) · Art history (1 work) · Cambodian History and Society (1 work) · Cinema and Media Studies (1 work) · Criminology (1 work)

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