Ana Melendo
Biographic Data
| ID | 1502056 |
|---|---|
| NAME | Ana Melendo |
| GIVEN NAMES | Ana |
| FAMILY NAME | Melendo |
| SIGNATURE | MELENDO A |
| AFFILIATIONS | Faculty of Philosophy and Letters, Cordoba University, Cordoba, Spain |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Filmmaking courses for scientists help promote richer alternatives to chronological narratives
Scientists have the tendency to communicate their scientific accounts using linearly structured narratives (Introduction, Methods, Results and Discussion; IMRAD). Likewise, the linear narrative is dominant – due to force of habit – when scientists prepare films about their research. Yet, this does not necessarily have to be the case for the new generation of scientists-as-filmmakers, who is trained to appreciate and apply alternative narrative st…
Towards a Reformulation of the Spanish Agrarian Documentary from a Gender Perspective through the Films of the Marquis of Villa-Alcázar and José Neches
La naturaleza metafílmica de Los abrazos rotos
El artículo profundiza en las señas escriturales marcadas por la autorreferencialidad y la autorreflexión diseñadas a partir, entre otras cuestiones, de la recurrencia al uso de material cinematográfico como fuente de inspiración que se dan cita en Los abrazos rotos; y cómo Almodóvar encuentra un método eficaz en el metacine para meditar y teorizar sobre la imagen y su evolución activando con esa finalidad los mecanismos necesarios que le permite…
No prominent works on this page.
La naturaleza metafílmica de Los abrazos rotos
El artículo profundiza en las señas escriturales marcadas por la autorreferencialidad y la autorreflexión diseñadas a partir, entre otras cuestiones, de la recurrencia al uso de material cinematográfico como fuente de inspiración que se dan cita en Los abrazos rotos; y cómo Almodóvar encuentra un método eficaz en el metacine para meditar y teorizar sobre la imagen y su evolución activando con esa finalidad los mecanismos necesarios que le permite…
Towards a Reformulation of the Spanish Agrarian Documentary from a Gender Perspective through the Films of the Marquis of Villa-Alcázar and José Neches
Filmmaking courses for scientists help promote richer alternatives to chronological narratives
Scientists have the tendency to communicate their scientific accounts using linearly structured narratives (Introduction, Methods, Results and Discussion; IMRAD). Likewise, the linear narrative is dominant – due to force of habit – when scientists prepare films about their research. Yet, this does not necessarily have to be the case for the new generation of scientists-as-filmmakers, who is trained to appreciate and apply alternative narrative st…
Art (2 works) · Sociology (2 works) · Spanish Culture and Identity (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Agrarian society (1 works) · Agriculture (1 works) · Archaeology (1 works) · Art history (1 works) · Cinema History and Criticism (1 works)