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Anna Catalani

Biographic Data

ID1505558
NAMEAnna Catalani
GIVEN NAMESAnna
FAMILY NAMECatalani
SIGNATURECATALANI A
AFFILIATIONSUniversity of Lincoln
ORCID0000-0002-1515-1579
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS4
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX1
  • We Remember Through the Spirit

    Open Access•Anna Catalani•ARTICLE•Journal of African Diaspora…•2025•References: 4

  • Engaging Young Audiences Before, During and After the Lockdown

    Open Access•Anna Catalani, Heather Hughes•ARTICLE•Museum and Society•2020

    This short article focuses on two heritage sites (the International Bomber Command Centre and Creswell Crags) and reflects on the ways in which such medium-size institutions are trying to find ways of maintaining offsite engagement with young audiences while at the same time generating revenues

  • Refugee artists and memories of displacement

    Open Access•Anna Catalani•ARTICLE•Visual Communication•2019•Cited by: 3•References: 10

    This article considers the ways in which displaced artists represent the experience of displacement, their cultural traditions and the longing for home through paintings and how, by doing so, they become the visual interpreters of the current refugee crisis. The starting point of this article is that little attention has been paid towards the visual narratives of artworks produced by refugee artists and shared on online open platforms like, for e…

  • Water & heritage

    Anna Catalani•ARTICLE•International Journal of Heritage…•2017

    Water & Heritage: material, conceptual and spiritual connections is an edited volume based on papers presented at the conference Protecting Deltas, Heritage Helps! held in Amsterdam, The Netherland

  • Fashionable Curiosities

    Anna Catalani•ARTICLE•Fashion Theory•2015•References: 5

    This paper considers extreme shoes and the visual statements they make about contemporary society, women and femininity. It argues that extreme shoes are puzzling yet charming objects, epitomizing a spectacle-centered society: they are part of unexpected, personal performances, which blend the boundaries of fashion and art and allow the wearers to shift from an ordinary “self” to the extraordinary “other.”

  • Inheriting slavery

    Anna Catalani, Tobias Ackroyd•ARTICLE•Journal of Heritage Tourism•2013•Cited by: 1•References: 4

    In 1807, the British parliament decreed the abolition of the slave trade; since then, the places connected with the slave trade have physically ‘inherited’ its material traces and have become emotionally charged with historical memory. This article looks at the material inheritance of slavery and the challenges of its interpretation in historical sites, through the use of sound. Specifically, the article focuses on the Clifton National Heritage P…

  • Integrating Western and non-Western cultural expressions to further cultural and creative tourism

    Anna Catalani•ARTICLE•World Leisure & Recreation•2013•References: 12

    The term cultural industries was coined more than half a century ago, but at the beginning of the twenty-first century, the broader concept of creative industries, covering a wide range of cultural, design and digital activity, captured the imagination of public policy-makers at national and city levels. Paralleling these developments has been the recognition of the phenomenon of cultural tourism and, more recently, the emergence of the idea of c…

  • Particular Thanks and Obligations’

    Open Access•Anna Catalani, Susan Pearce et al.•ARTICLE•The Antiquaries Journal•2006•References: 16

    This paper brings together the evidence bearing on the relationship between the Society of Antiquaries and the women who contributed to it during a significant period when archaeology, through the work of such men as Samuel Lysons and Richard Colt Hoare, was beginning to emerge as a distinct field with its own conceptual and technical systems. It takes its departure from the first substantial appearance by a woman in the Society's publications in…

  • Refugee artists and memories of displacement

    Open Access•Anna Catalani•ARTICLE•Visual Communication•2019•Cited by: 3•References: 10

    This article considers the ways in which displaced artists represent the experience of displacement, their cultural traditions and the longing for home through paintings and how, by doing so, they become the visual interpreters of the current refugee crisis. The starting point of this article is that little attention has been paid towards the visual narratives of artworks produced by refugee artists and shared on online open platforms like, for e…

  • Inheriting slavery

    Anna Catalani, Tobias Ackroyd•ARTICLE•Journal of Heritage Tourism•2013•Cited by: 1•References: 4

    In 1807, the British parliament decreed the abolition of the slave trade; since then, the places connected with the slave trade have physically ‘inherited’ its material traces and have become emotionally charged with historical memory. This article looks at the material inheritance of slavery and the challenges of its interpretation in historical sites, through the use of sound. Specifically, the article focuses on the Clifton National Heritage P…

  • Particular Thanks and Obligations’

    Open Access•Anna Catalani, Susan Pearce et al.•ARTICLE•The Antiquaries Journal•2006•References: 16

    This paper brings together the evidence bearing on the relationship between the Society of Antiquaries and the women who contributed to it during a significant period when archaeology, through the work of such men as Samuel Lysons and Richard Colt Hoare, was beginning to emerge as a distinct field with its own conceptual and technical systems. It takes its departure from the first substantial appearance by a woman in the Society's publications in…

  • Inheriting slavery

    Anna Catalani, Tobias Ackroyd•ARTICLE•Journal of Heritage Tourism•2013•Cited by: 1•References: 4

    In 1807, the British parliament decreed the abolition of the slave trade; since then, the places connected with the slave trade have physically ‘inherited’ its material traces and have become emotionally charged with historical memory. This article looks at the material inheritance of slavery and the challenges of its interpretation in historical sites, through the use of sound. Specifically, the article focuses on the Clifton National Heritage P…

  • Integrating Western and non-Western cultural expressions to further cultural and creative tourism

    Anna Catalani•ARTICLE•World Leisure & Recreation•2013•References: 12

    The term cultural industries was coined more than half a century ago, but at the beginning of the twenty-first century, the broader concept of creative industries, covering a wide range of cultural, design and digital activity, captured the imagination of public policy-makers at national and city levels. Paralleling these developments has been the recognition of the phenomenon of cultural tourism and, more recently, the emergence of the idea of c…

  • Fashionable Curiosities

    Anna Catalani•ARTICLE•Fashion Theory•2015•References: 5

    This paper considers extreme shoes and the visual statements they make about contemporary society, women and femininity. It argues that extreme shoes are puzzling yet charming objects, epitomizing a spectacle-centered society: they are part of unexpected, personal performances, which blend the boundaries of fashion and art and allow the wearers to shift from an ordinary “self” to the extraordinary “other.”

  • Water & heritage

    Anna Catalani•ARTICLE•International Journal of Heritage…•2017

    Water & Heritage: material, conceptual and spiritual connections is an edited volume based on papers presented at the conference Protecting Deltas, Heritage Helps! held in Amsterdam, The Netherland

  • Refugee artists and memories of displacement

    Open Access•Anna Catalani•ARTICLE•Visual Communication•2019•Cited by: 3•References: 10

    This article considers the ways in which displaced artists represent the experience of displacement, their cultural traditions and the longing for home through paintings and how, by doing so, they become the visual interpreters of the current refugee crisis. The starting point of this article is that little attention has been paid towards the visual narratives of artworks produced by refugee artists and shared on online open platforms like, for e…

  • Engaging Young Audiences Before, During and After the Lockdown

    Open Access•Anna Catalani, Heather Hughes•ARTICLE•Museum and Society•2020

    This short article focuses on two heritage sites (the International Bomber Command Centre and Creswell Crags) and reflects on the ways in which such medium-size institutions are trying to find ways of maintaining offsite engagement with young audiences while at the same time generating revenues

  • We Remember Through the Spirit

    Open Access•Anna Catalani•ARTICLE•Journal of African Diaspora…•2025•References: 4

Sociology (7 works) · Aesthetics (5 works) · Art (5 works) · History (5 works) · Political science (5 works) · Law (4 works) · Law (4 works) · Cultural Heritage Management and Preservation (3 works) · History (3 works) · Archaeology (2 works)

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