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Sarah Kenderdine

Biographic Data

ID1505630
NAMESarah Kenderdine
GIVEN NAMESSarah
FAMILY NAMEKenderdine
SIGNATUREKENDERDINE S
AFFILIATIONSEcole polytechnique fédérale de Lausanne
ORCID0000-0002-7190-9946
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS6
WORKS AS AUTHOR11
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Super-Vision

    Open Access•Sarah Kenderdine, Philippe Riviere et al.•ARTICLE•Journal of Digital History•2024

    The fiftieth anniversary of EPFL (École Polytechnique Fédérale de Lausanne) offered the opportunity to retrace its history through the digital archives housed by the institute itself. Part of the exhibition Infinity Room 2, the Super-Vision project investigates the practice of academic advising by visualizing 8,000 doctoral theses in a work at the intersection of art, science, and technology. Inaugurated in September 2019 at EPFL Pavilions, Super…

  • Augmenting Access to Embodied Knowledge Archives

    Open Access•Giacomo Alliata, Yumeng Hou et al.•ARTICLE•Digital humanities quarterly•2024

    With the burgeoning use of digital technologies in safeguarding intangible and living heritage, memory institutions have produced a significant body of material yet to be made accessible for public transmission. The quest for new ways to unlock these massive collections has intensified, especially in the case of embodied knowledge embedded in complex formats, such as audiovisual and motion capture data. This study examines a computational workflo…

  • Radical Intangibles

    Open Access•Sarah Kenderdine, Lily Hibberd et al.•ARTICLE•Museum and Society•2021

    New materialism considers that the world and its histories are produced by a range of material forces that extend from the physical and the biological to the psychological, social and cultural. In recognizing that heritage is not held in objects alone, new materialism discourses echo definitions of intangible cultural heritage (ICH) enshrined in the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. While museums und…

  • Prosthetic architectures of the senses

    Open Access•Sarah Kenderdine•ARTICLE•Screen•2020

    EMPLUS

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•BOOK•Theorizing Digital Cultural…•2010

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•EDITOR•BOOK•Theorizing Digital Cultural…•2007

    Theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in interpretation and representation of cultural heritage. In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical th…

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•EDITOR•BOOK•Theorizing Digital Cultural…•2007

    In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation,…

  • Sport and Festival in the Ancient Greek World

    David Phillips, Ben Brown et al.•BOOK•Sport and Festival in the Ancient…•2003

    First launched at the time of the Athens Olympics, Sport and Festival in the Ancient Greek World has become a classic study in its field. The 15 illustrated chapters of this collection not only explore many aspects of the ancient Olympics and the rich programme of competitive festivals in democratic Athens but also the broader religious, social and political contexts in which sport and festival flourished in ancient Greece. The book shows how the…

  • Inside the Meta-Centre

    Open Access•Sarah Kenderdine•ARTICLE•Media International Australia•1998•Cited by: 2•References: 2

    This paper is presented in three parts. The first part examines the emerging models of the online museum to demonstrate how traditional museums are seeking to extend and recreate themselves through the Internet. This section also notes the genesis of the information metacentres as one way to encompass museum collections and processes. The second section of the paper will introduce Australian Museums On-Line (AMOL, http://amol.org.au ) as one exam…

  • Bai Jiao 1—the excavation of a Song Dynasty shipwreck in the Dinghai area, Fujian Province, China, 1995

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1995•Cited by: 3•References: 1

    The ships that sail the Southern Sea and south of it are like houses. When their sails are spread they are like great clouds in the sky ... The big ship with its heavy cargo has naught to fear of the great waves, but in shallow water it comes to grief (cited in Guy, 1992: 18)

  • Bai Jiao 1-the excavation of a Song Dynasty shipwreck in the Dinghai area, Fujian Province, China, 1995

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1995

    The ships that sail the Southern Sea and south of it are like houses. When their sails are spread they are like great clouds in the sky... The big ship with its heavy cargo has naught to fear of the great waves, but in shallow water it comes to grief (cited in Guy, 1992: 18)

  • Historic shipping on the River Murray, Australia

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1994•Cited by: 1

  • Historic shipping on the River Murray, Australia

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1994

  • Bai Jiao 1—the excavation of a Song Dynasty shipwreck in the Dinghai area, Fujian Province, China, 1995

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1995•Cited by: 3•References: 1

    The ships that sail the Southern Sea and south of it are like houses. When their sails are spread they are like great clouds in the sky ... The big ship with its heavy cargo has naught to fear of the great waves, but in shallow water it comes to grief (cited in Guy, 1992: 18)

  • Inside the Meta-Centre

    Open Access•Sarah Kenderdine•ARTICLE•Media International Australia•1998•Cited by: 2•References: 2

    This paper is presented in three parts. The first part examines the emerging models of the online museum to demonstrate how traditional museums are seeking to extend and recreate themselves through the Internet. This section also notes the genesis of the information metacentres as one way to encompass museum collections and processes. The second section of the paper will introduce Australian Museums On-Line (AMOL, http://amol.org.au ) as one exam…

  • Historic shipping on the River Murray, Australia

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1994•Cited by: 1

  • Historic shipping on the River Murray, Australia

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1994•Cited by: 1

  • Historic shipping on the River Murray, Australia

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1994

  • Bai Jiao 1—the excavation of a Song Dynasty shipwreck in the Dinghai area, Fujian Province, China, 1995

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1995•Cited by: 3•References: 1

    The ships that sail the Southern Sea and south of it are like houses. When their sails are spread they are like great clouds in the sky ... The big ship with its heavy cargo has naught to fear of the great waves, but in shallow water it comes to grief (cited in Guy, 1992: 18)

  • Bai Jiao 1-the excavation of a Song Dynasty shipwreck in the Dinghai area, Fujian Province, China, 1995

    Open Access•Sarah Kenderdine•ARTICLE•The International Journal of…•1995

    The ships that sail the Southern Sea and south of it are like houses. When their sails are spread they are like great clouds in the sky... The big ship with its heavy cargo has naught to fear of the great waves, but in shallow water it comes to grief (cited in Guy, 1992: 18)

  • Inside the Meta-Centre

    Open Access•Sarah Kenderdine•ARTICLE•Media International Australia•1998•Cited by: 2•References: 2

    This paper is presented in three parts. The first part examines the emerging models of the online museum to demonstrate how traditional museums are seeking to extend and recreate themselves through the Internet. This section also notes the genesis of the information metacentres as one way to encompass museum collections and processes. The second section of the paper will introduce Australian Museums On-Line (AMOL, http://amol.org.au ) as one exam…

  • Sport and Festival in the Ancient Greek World

    David Phillips, Ben Brown et al.•BOOK•Sport and Festival in the Ancient…•2003

    First launched at the time of the Athens Olympics, Sport and Festival in the Ancient Greek World has become a classic study in its field. The 15 illustrated chapters of this collection not only explore many aspects of the ancient Olympics and the rich programme of competitive festivals in democratic Athens but also the broader religious, social and political contexts in which sport and festival flourished in ancient Greece. The book shows how the…

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•EDITOR•BOOK•Theorizing Digital Cultural…•2007

    Theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in interpretation and representation of cultural heritage. In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical th…

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•EDITOR•BOOK•Theorizing Digital Cultural…•2007

    In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation,…

  • Theorizing Digital Cultural Heritage

    Fiona Cameron, Sarah Kenderdine•BOOK•Theorizing Digital Cultural…•2010

  • Prosthetic architectures of the senses

    Open Access•Sarah Kenderdine•ARTICLE•Screen•2020

    EMPLUS

  • Radical Intangibles

    Open Access•Sarah Kenderdine, Lily Hibberd et al.•ARTICLE•Museum and Society•2021

    New materialism considers that the world and its histories are produced by a range of material forces that extend from the physical and the biological to the psychological, social and cultural. In recognizing that heritage is not held in objects alone, new materialism discourses echo definitions of intangible cultural heritage (ICH) enshrined in the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. While museums und…

  • Super-Vision

    Open Access•Sarah Kenderdine, Philippe Riviere et al.•ARTICLE•Journal of Digital History•2024

    The fiftieth anniversary of EPFL (École Polytechnique Fédérale de Lausanne) offered the opportunity to retrace its history through the digital archives housed by the institute itself. Part of the exhibition Infinity Room 2, the Super-Vision project investigates the practice of academic advising by visualizing 8,000 doctoral theses in a work at the intersection of art, science, and technology. Inaugurated in September 2019 at EPFL Pavilions, Super…

  • Augmenting Access to Embodied Knowledge Archives

    Open Access•Giacomo Alliata, Yumeng Hou et al.•ARTICLE•Digital humanities quarterly•2024

    With the burgeoning use of digital technologies in safeguarding intangible and living heritage, memory institutions have produced a significant body of material yet to be made accessible for public transmission. The quest for new ways to unlock these massive collections has intensified, especially in the case of embodied knowledge embedded in complex formats, such as audiovisual and motion capture data. This study examines a computational workflo…

History (7 works) · Archaeology (6 works) · Art (5 works) · Computer Science (5 works) · History (4 works) · Maritime and Coastal Archaeology (4 works) · Sociology (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Geography (3 works)

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