Ute Fendler
Biographic Data
| ID | 1505762 |
|---|---|
| NAME | Ute Fendler |
| GIVEN NAMES | Ute |
| FAMILY NAME | Fendler |
| SIGNATURE | FENDLER U |
| AFFILIATIONS | University of Bayreuth |
| ORCID | 0000-0001-5570-9568 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Of Worlds and Artworks
The present volume brings together contributions which explore artworks – including literature, visual arts, film and performances – as dynamic sites of worlding. It puts emphasis on the processes of creating or doing worlds, implying movement as opposed to the boundary drawing of area studies. From such a processual perspective, Africa is not a delineated area, but emerges in a variety of relations which can reach across the continent, but also …
Asia-Africa- Multifaceted Engagement in the Contemporary World
Le potentiel utopique de Ceddo de Sembène Ousmane
Polyrhythmic Aesthetics
The Transmedial Aesthetics of K-Pop Music Videos
Roots and Routes
With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“r…
Cinema in Mozambique
Notes1 See DVD Edition: O mundo em Imagens. Filmes do Arquivo do Instituto Nacional de Audiovisual e Cinema; two DVDs containing Mueda – memória e massacre (1979), Canta meu irmão – e ajuda-me a cantar (1982) and Kuxa Kanema. Episódios 001–012 (1981), edited by Ute Fendler. Berlin: Arcadia Film, 2012.2 See documentary by Margarida Cardoso: Kuxa Kanema. The Birth of Cinema, 52 minutes, Filmes do Tejo, 2004.3 See for example Magarida Cordoso's docu…
Le road movie dans le contexte interculturel africain
À partir des années 1990, on constate, en Afrique francophone, une hausse de la production de films que l’on peut qualifier de road movies. Mais comment s’effectue le transfert de ce genre d’origine américaine, dont les caractéristiques les plus marquantes sont l’expérience de l’espace dans le sens spatial et symbolique et la quête d’identité, dans le contexte africain ? En fait, on note que des tendances thématiques et esthétiques se manifestent…
France and its DOM
While discussing European identity, one is very often inclined to forget the French West Indies, which are geographically far away from France but whose inhabitants are French citizens. The ambivalence of the European identity of the French West Indian can only be understood in the historical context. The main events of West Indian history are genocide of the natives committed by the European discoverers and settlers and, consequently, the slave …
No prominent works on this page.
France and its DOM
While discussing European identity, one is very often inclined to forget the French West Indies, which are geographically far away from France but whose inhabitants are French citizens. The ambivalence of the European identity of the French West Indian can only be understood in the historical context. The main events of West Indian history are genocide of the natives committed by the European discoverers and settlers and, consequently, the slave …
Le road movie dans le contexte interculturel africain
À partir des années 1990, on constate, en Afrique francophone, une hausse de la production de films que l’on peut qualifier de road movies. Mais comment s’effectue le transfert de ce genre d’origine américaine, dont les caractéristiques les plus marquantes sont l’expérience de l’espace dans le sens spatial et symbolique et la quête d’identité, dans le contexte africain ? En fait, on note que des tendances thématiques et esthétiques se manifestent…
Cinema in Mozambique
Notes1 See DVD Edition: O mundo em Imagens. Filmes do Arquivo do Instituto Nacional de Audiovisual e Cinema; two DVDs containing Mueda – memória e massacre (1979), Canta meu irmão – e ajuda-me a cantar (1982) and Kuxa Kanema. Episódios 001–012 (1981), edited by Ute Fendler. Berlin: Arcadia Film, 2012.2 See documentary by Margarida Cardoso: Kuxa Kanema. The Birth of Cinema, 52 minutes, Filmes do Tejo, 2004.3 See for example Magarida Cordoso's docu…
Roots and Routes
With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“r…
The Transmedial Aesthetics of K-Pop Music Videos
Polyrhythmic Aesthetics
Of Worlds and Artworks
The present volume brings together contributions which explore artworks – including literature, visual arts, film and performances – as dynamic sites of worlding. It puts emphasis on the processes of creating or doing worlds, implying movement as opposed to the boundary drawing of area studies. From such a processual perspective, Africa is not a delineated area, but emerges in a variety of relations which can reach across the continent, but also …
Asia-Africa- Multifaceted Engagement in the Contemporary World
Le potentiel utopique de Ceddo de Sembène Ousmane
Art (7 works) · African history and culture studies (6 works) · Sociology (4 works) · Aesthetics (3 works) · Computer Science (3 works) · History (3 works) · Humanities (3 works) · Political science (3 works) · Visual arts (3 works) · Art history (2 works)