William O Gardner
Biographic Data
| ID | 1507098 |
|---|---|
| NAME | William O Gardner |
| GIVEN NAMES | William |
| FAMILY NAME | O Gardner |
| SIGNATURE | GARDNER W O |
| AFFILIATIONS | Swarthmore College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Review
Narratives of collapse and generation
In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Museum in Tokyo opened the exhibition ‘Metabolism: The City of the Future’, a major retrospective of the works of architects, designers and critics associated with the Metabolist movement. As suggested by its subtitle ‘Dreams and Visions of Reconstruction in Postwar and Present-Day Japan’, the exhibition provided a unique opportunity to examine the le…
The Cyber Sublime and the Virtual Mirror
L’influence des médias et de l’informatique sur les sociétés humaines constitue un des principaux thèmes façonnant les stratégies visuelles et les orientations philosophiques des animes de Oshii Mamoru et Kon Satoshi. L’analyse des Ghost in the Shell et Innocence d’Oshii révèle ainsi que le développement d’une esthétique du sublime cybernétique se trouve simultanément fondé sur un univers hiérarchique et animé par un rêve de transcendance. L’étud…
New Perceptions
This essay offers a reading of Kinugasa Teinosuke's independent silent films as responses to the traumatic experience of twentieth-century modernity. Of particular interest are the global and local intertexts in A Page of Madness and Crossways, their connections to the literary criticism of the shinkankakuha, or New Perception school, and the centrality of sensory perception in Kinugasa's work
Attack of the Phallic Girls
No prominent works on this page.
Attack of the Phallic Girls
New Perceptions
This essay offers a reading of Kinugasa Teinosuke's independent silent films as responses to the traumatic experience of twentieth-century modernity. Of particular interest are the global and local intertexts in A Page of Madness and Crossways, their connections to the literary criticism of the shinkankakuha, or New Perception school, and the centrality of sensory perception in Kinugasa's work
The Cyber Sublime and the Virtual Mirror
L’influence des médias et de l’informatique sur les sociétés humaines constitue un des principaux thèmes façonnant les stratégies visuelles et les orientations philosophiques des animes de Oshii Mamoru et Kon Satoshi. L’analyse des Ghost in the Shell et Innocence d’Oshii révèle ainsi que le développement d’une esthétique du sublime cybernétique se trouve simultanément fondé sur un univers hiérarchique et animé par un rêve de transcendance. L’étud…
Narratives of collapse and generation
In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Museum in Tokyo opened the exhibition ‘Metabolism: The City of the Future’, a major retrospective of the works of architects, designers and critics associated with the Metabolist movement. As suggested by its subtitle ‘Dreams and Visions of Reconstruction in Postwar and Present-Day Japan’, the exhibition provided a unique opportunity to examine the le…
Review
Art (4 works) · Japanese History and Culture (4 works) · Psychology (3 works) · Aesthetics (2 works) · Art history (2 works) · Humanities (2 works) · Literature (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Visual arts (2 works)