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Bernadette Wegenstein

Biographic Data

ID150733
NAMEBernadette Wegenstein
GIVEN NAMESBernadette
FAMILY NAMEWegenstein
SIGNATUREWEGENSTEIN B
AFFILIATIONSDepartment of German and Romance Languages and Literatures at the Johns Hopkins University
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS7
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2011
H-INDEX2
  • Physiognomy, Reality Television and the Cosmetic Gaze

    Open Access•Bernadette Wegenstein, Nora Ruck•ARTICLE•Body & Society•2011•Cited by: 5•References: 16

    In this article we argue that our present-day mode of looking at bodies expresses a cosmetic gaze, that is, a gaze already informed by the techniques, expectations and strategies of bodily modification and a way of looking at bodies as awaiting an improvement. The cosmetic gaze, as we see it epitomized in contemporary media phenomena like reality makeover shows on television, is also a physiognomic gaze in that it creates a short-circuit between …

  • Getting Under the Skin, or, How Faces Have Become Obsolete

    Bernadette Wegenstein•ARTICLE•Configurations•2002•Cited by: 2

    Over the last two decades, the discourse around and about the body, as represented in popular science, in the arts (especially performance art), 2 in theory and cultural studies, and even in the realm of advertisement and fashion (e.g., the new cosmetic lines of high-fashion designers such as Helmut Lang), has gotten more and more "under the skin." The importance of outer appearances to the representation of the body has receded as the inner body…

  • Physiognomy, Reality Television and the Cosmetic Gaze

    Open Access•Bernadette Wegenstein, Nora Ruck•ARTICLE•Body & Society•2011•Cited by: 5•References: 16

    In this article we argue that our present-day mode of looking at bodies expresses a cosmetic gaze, that is, a gaze already informed by the techniques, expectations and strategies of bodily modification and a way of looking at bodies as awaiting an improvement. The cosmetic gaze, as we see it epitomized in contemporary media phenomena like reality makeover shows on television, is also a physiognomic gaze in that it creates a short-circuit between …

  • Getting Under the Skin, or, How Faces Have Become Obsolete

    Bernadette Wegenstein•ARTICLE•Configurations•2002•Cited by: 2

    Over the last two decades, the discourse around and about the body, as represented in popular science, in the arts (especially performance art), 2 in theory and cultural studies, and even in the realm of advertisement and fashion (e.g., the new cosmetic lines of high-fashion designers such as Helmut Lang), has gotten more and more "under the skin." The importance of outer appearances to the representation of the body has receded as the inner body…

  • Getting Under the Skin, or, How Faces Have Become Obsolete

    Bernadette Wegenstein•ARTICLE•Configurations•2002•Cited by: 2

    Over the last two decades, the discourse around and about the body, as represented in popular science, in the arts (especially performance art), 2 in theory and cultural studies, and even in the realm of advertisement and fashion (e.g., the new cosmetic lines of high-fashion designers such as Helmut Lang), has gotten more and more "under the skin." The importance of outer appearances to the representation of the body has receded as the inner body…

  • Physiognomy, Reality Television and the Cosmetic Gaze

    Open Access•Bernadette Wegenstein, Nora Ruck•ARTICLE•Body & Society•2011•Cited by: 5•References: 16

    In this article we argue that our present-day mode of looking at bodies expresses a cosmetic gaze, that is, a gaze already informed by the techniques, expectations and strategies of bodily modification and a way of looking at bodies as awaiting an improvement. The cosmetic gaze, as we see it epitomized in contemporary media phenomena like reality makeover shows on television, is also a physiognomic gaze in that it creates a short-circuit between …

Aesthetics (2 works) · Art (2 works) · Sociology (2 works) · Visual arts (2 works) · Anatomy (1 works) · Beauty (1 works) · Biology (1 works) · Empathy and Medical Education (1 works) · Fashion and Cultural Textiles (1 works) · Gaze (1 works)

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