Ilaria Vecchi
Biographic Data
| ID | 150873 |
|---|---|
| NAME | Ilaria Vecchi |
| GIVEN NAMES | Ilaria |
| FAMILY NAME | Vecchi |
| SIGNATURE | VECCHI I |
| AFFILIATIONS | Leeds Trinity University |
| ORCID | 0000-0002-0811-1456 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Formal Constraints and Creativity: Connecting Game Jams, Dogma ’95, the Demo Scene, OuBaPo, and Renga poets
In a fast-paced world of ever-changing trends, connecting historical roots by linking new movements to existing traditions can be a challenge. Similarly to how Mary Flanagan’s book “Critical Play” situates and contextualizes play in history, we propose and start similar work on game jams. While we don’t have as much room for self-expression in a paper, we focus on two main contributions. The first is to link existing definitions of game jamming a…
Critical Visual Religion Approach: When Ethnographic Filmmaking Blends with the Critical Approach to Religion, a Japanese Case Study
This article draws on the research and practice developed during my doctorate and fieldwork in Japan. In this work, I consider the implication of using the critical religion approach and the visual ethnographic methodology for critically investigating what is commonly labelled as religion and its representation as observed in Japan with particular reference to my fieldwork in Tohoku. I begin by reviewing the concept of religion in Japan, in parti…
The Relevance of Fitzgerald’s Critical Approach to the Study of Religions in Asia
During my doctoral research, I looked at a specific type of medium who lives in the north of Japan. Although many of these figures are categorised as religious, the activity and role they cover in their communities goes beyond the “religious” function. In light of this consideration, I became interested in the use of the term religion, as its application in this context limited the capacity to understand these mediums. As I began questioning the …
Cinema and Development in West Africa: Film as a Vehicle for Liberation, James E. Genova (2013)
Preview this article: Cinema and Development in West Africa: Film as a Vehicle for Liberation, James E. Genova (2013), Page 1 of 1 /docserver/preview/fulltext/cjmc/9/2/cjmc.9.2.292-1.gif
The experience of the Askavusa Association: Migrant struggle with cultural activities
In this article I examine the history and main developments of the Askavusa Association, founded in 2009 in Lampedusa, the southernmost Italian territory, on the southern edge of Europe. As one of the most active and interesting collectives supporting the migrant struggle in Italy, Askavusa has received attention for its various activities held in Lampedusa and abroad, and especially for the organization of the LampedusaInFestival and the collect…
No prominent works on this page.
The experience of the Askavusa Association: Migrant struggle with cultural activities
In this article I examine the history and main developments of the Askavusa Association, founded in 2009 in Lampedusa, the southernmost Italian territory, on the southern edge of Europe. As one of the most active and interesting collectives supporting the migrant struggle in Italy, Askavusa has received attention for its various activities held in Lampedusa and abroad, and especially for the organization of the LampedusaInFestival and the collect…
Cinema and Development in West Africa: Film as a Vehicle for Liberation, James E. Genova (2013)
Preview this article: Cinema and Development in West Africa: Film as a Vehicle for Liberation, James E. Genova (2013), Page 1 of 1 /docserver/preview/fulltext/cjmc/9/2/cjmc.9.2.292-1.gif
The Relevance of Fitzgerald’s Critical Approach to the Study of Religions in Asia
During my doctoral research, I looked at a specific type of medium who lives in the north of Japan. Although many of these figures are categorised as religious, the activity and role they cover in their communities goes beyond the “religious” function. In light of this consideration, I became interested in the use of the term religion, as its application in this context limited the capacity to understand these mediums. As I began questioning the …
Critical Visual Religion Approach: When Ethnographic Filmmaking Blends with the Critical Approach to Religion, a Japanese Case Study
This article draws on the research and practice developed during my doctorate and fieldwork in Japan. In this work, I consider the implication of using the critical religion approach and the visual ethnographic methodology for critically investigating what is commonly labelled as religion and its representation as observed in Japan with particular reference to my fieldwork in Tohoku. I begin by reviewing the concept of religion in Japan, in parti…
Formal Constraints and Creativity: Connecting Game Jams, Dogma ’95, the Demo Scene, OuBaPo, and Renga poets
In a fast-paced world of ever-changing trends, connecting historical roots by linking new movements to existing traditions can be a challenge. Similarly to how Mary Flanagan’s book “Critical Play” situates and contextualizes play in history, we propose and start similar work on game jams. While we don’t have as much room for self-expression in a paper, we focus on two main contributions. The first is to link existing definitions of game jamming a…
Sociology (5 works) · Aesthetics (3 works) · Art (3 works) · Political science (3 works) · Visual arts (3 works) · Anthropology (2 works) · Epistemology (2 works) · Ethnography (2 works) · Gender Studies (2 works) · Law (2 works)