Bernard Beckerman
Biographic Data
| ID | 1509044 |
|---|---|
| NAME | Bernard Beckerman |
| GIVEN NAMES | Bernard |
| FAMILY NAME | Beckerman |
| SIGNATURE | BECKERMAN B |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 1992 |
| H-INDEX | 0 |
Theatrical Presentation
Shakespeare's Dramaturgy and Binary Form
For Shakespeare and his contemporaries, playwriting was a business of turning stories into theatrical performances. Occasionally, a writer might seize on a notorious murder of the day as the kernel of a plot, but usually the dramatists relied on collections of romances, assemblages of chronicles, and a smattering of old plays for their raw material. That their widespread practice is not inherent in the art of the drama can be seen in the habits o…
Scenic Form in Shakespeare
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Dramatic Analysis and Literary Interpretation
Bernard Beckerman, Dramatic Analysis and Literary Interpretation: The Cherry Orchard as Exemplum, New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), pp. 391-406
Shakespeare's Stagecraft
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Shakespeare
WILLIAM SHAKESPEARE: A BIOGRAPHY. By A. L. Rowse. New York and Evanston: Harper & Row, 1963; pp. xiv+485. $6.95. SHAKESPEARE: A BIOGRAPHY. By Peter Quennell. Cleveland and New York: World Publishing Co., 1963; pp. 352. $6.95. THE RISE OF THE COMMON PLAYER: A STUDY OF ACTOR AND SOCIETY IN SHAKESPEARE'S ENGLAND. By M. C. Bradbrook. Cambridge, Mass.: Harvard University Press, 1962; pp. 320. $5.25. SHAKESPEARE AND THE IDEA OF THE PLAY. By Anne Righte…
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Shakespeare
WILLIAM SHAKESPEARE: A BIOGRAPHY. By A. L. Rowse. New York and Evanston: Harper & Row, 1963; pp. xiv+485. $6.95. SHAKESPEARE: A BIOGRAPHY. By Peter Quennell. Cleveland and New York: World Publishing Co., 1963; pp. 352. $6.95. THE RISE OF THE COMMON PLAYER: A STUDY OF ACTOR AND SOCIETY IN SHAKESPEARE'S ENGLAND. By M. C. Bradbrook. Cambridge, Mass.: Harvard University Press, 1962; pp. 320. $5.25. SHAKESPEARE AND THE IDEA OF THE PLAY. By Anne Righte…
Shakespeare's Stagecraft
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dramatic Analysis and Literary Interpretation
Bernard Beckerman, Dramatic Analysis and Literary Interpretation: The Cherry Orchard as Exemplum, New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), pp. 391-406
Scenic Form in Shakespeare
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Shakespeare's Dramaturgy and Binary Form
For Shakespeare and his contemporaries, playwriting was a business of turning stories into theatrical performances. Occasionally, a writer might seize on a notorious murder of the day as the kernel of a plot, but usually the dramatists relied on collections of romances, assemblages of chronicles, and a smattering of old plays for their raw material. That their widespread practice is not inherent in the art of the drama can be seen in the habits o…
Theatrical Presentation
Art (6 works) · Art history (3 works) · Literature (3 works) · Shakespeare, Adaptation, and Literary Criticism (3 works) · Historical Art and Culture Studies (2 works) · History (2 works) · History (2 works) · Mathematics (2 works) · Media studies (2 works) · Philosophy (2 works)