Allison P Hobgood
Biographic Data
| ID | 1509049 |
|---|---|
| NAME | Allison P Hobgood |
| GIVEN NAMES | Allison P |
| FAMILY NAME | Hobgood |
| SIGNATURE | HOBGOOD A P |
| AFFILIATIONS | Willamette University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Love, Genevieve. Early Modern Theatre and the Figure of Disability. London; New York
Article Love, Genevieve. Early Modern Theatre and the Figure of Disability. London; New York: Bloomsbury, 2019. 212 pp. was published on June 1, 2020 in the journal Kritikon Litterarum (volume 47, issue 1-2)
Prosthetic encounter and queer intersubjectivity in The Merchant of Venice
This essay is about queer rings in Shakespeare’s The Merchant of Venice. Troubling readings of the ring scenes in the play’s critical history, this essay employs object-oriented theories to situate prosthetic matter within an inherently queer phenomenology. It explores the ways that prosthetic non-self matter cultivates transformative interchanges between people and even other things, and thus argues for prostheses as the basic material of inters…
Passionate Playgoing in Early Modern England
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved – by delight, fear or shame, for example – and how di…
Prosthetic encounter and queer intersubjectivity in The Merchant of Venice
This essay is about queer rings in Shakespeare’s The Merchant of Venice. Troubling readings of the ring scenes in the play’s critical history, this essay employs object-oriented theories to situate prosthetic matter within an inherently queer phenomenology. It explores the ways that prosthetic non-self matter cultivates transformative interchanges between people and even other things, and thus argues for prostheses as the basic material of inters…
Passionate Playgoing in Early Modern England
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved – by delight, fear or shame, for example – and how di…
Prosthetic encounter and queer intersubjectivity in The Merchant of Venice
This essay is about queer rings in Shakespeare’s The Merchant of Venice. Troubling readings of the ring scenes in the play’s critical history, this essay employs object-oriented theories to situate prosthetic matter within an inherently queer phenomenology. It explores the ways that prosthetic non-self matter cultivates transformative interchanges between people and even other things, and thus argues for prostheses as the basic material of inters…
Love, Genevieve. Early Modern Theatre and the Figure of Disability. London; New York
Article Love, Genevieve. Early Modern Theatre and the Figure of Disability. London; New York: Bloomsbury, 2019. 212 pp. was published on June 1, 2020 in the journal Kritikon Litterarum (volume 47, issue 1-2)
Aesthetics (2 works) · Art (2 works) · Art history (2 works) · History (2 works) · Psychology (2 works) · Theatre and Performance Studies (2 works) · 1500-1600 (1 work) · 17th century (1 work) · Computer Science (1 work) · Drama (1 work)