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Richard W Schoch

Biographic Data

ID1509086
NAMERichard W Schoch
GIVEN NAMESRichard W
FAMILY NAMESchoch
SIGNATURESCHOCH R W
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2005
H-INDEX1
  • A Supplement to Public Laws

    Richard W Schoch, Richard Schoch•ARTICLE•Theatre Journal•2005•References: 1

    The career of Arthur Murphy (1727-1805) bears exceptional witness not only to the precarious financial and legal condition of dramatic authors in Georgian England, but also-and more importantly-to the theatre's capacity to reconceive the author's position within the burgeoning culture of print. Murphy, who was both a playwright and a practicing barrister, spent his entire career trying to redefine the professional status of dramatic authors. He f…

  • Shakespeare's Victorian Stage

    Robert Sawyer, Richard W Schoch et al.•ARTICLE•South Atlantic Review•2000

  • We Do Nothing but Enact History

    Richard W Schoch, Richard Schoch•ARTICLE•Nineteenth-Century Literature•1999•Cited by: 1•References: 4

    While recent scholarly interest in the "theatricality" of Victorian culture has focused principally on novels, this essay widens that focus to include early-Victorian historical writing. Like his novelistic counterparts, Thomas Carlyle integrated pictorial and theatrical modes of representation into his historical essays despite harboring customary antitheatrical prejudices. In Past and Present, most particularly, Carlyle relied upon theatricalit…

  • The 19th Century London Stage

    Richard W Schoch, Richard Schoch•ARTICLE•Theatre Journal•1999

    Reviewed by: The 19Th Century London Stage: An Exploration Richard W. Schoch The 19Th Century London Stage: An Exploration. [Internet, WWW], ADDRESS: www.artsci.washington.edu/drama-phd/19thhmpg.html The 19th Century London Stage was created in 1992 by a group of doctoral students in the School of Drama at the University of Washington who participated in a seminar designed to exploit computer applications in theatre history research. Under the co…

  • We Do Nothing but Enact History

    Richard W Schoch, Richard Schoch•ARTICLE•Nineteenth-Century Literature•1999•Cited by: 1•References: 4

    While recent scholarly interest in the "theatricality" of Victorian culture has focused principally on novels, this essay widens that focus to include early-Victorian historical writing. Like his novelistic counterparts, Thomas Carlyle integrated pictorial and theatrical modes of representation into his historical essays despite harboring customary antitheatrical prejudices. In Past and Present, most particularly, Carlyle relied upon theatricalit…

  • We Do Nothing but Enact History

    Richard W Schoch, Richard Schoch•ARTICLE•Nineteenth-Century Literature•1999•Cited by: 1•References: 4

    While recent scholarly interest in the "theatricality" of Victorian culture has focused principally on novels, this essay widens that focus to include early-Victorian historical writing. Like his novelistic counterparts, Thomas Carlyle integrated pictorial and theatrical modes of representation into his historical essays despite harboring customary antitheatrical prejudices. In Past and Present, most particularly, Carlyle relied upon theatricalit…

  • The 19th Century London Stage

    Richard W Schoch, Richard Schoch•ARTICLE•Theatre Journal•1999

    Reviewed by: The 19Th Century London Stage: An Exploration Richard W. Schoch The 19Th Century London Stage: An Exploration. [Internet, WWW], ADDRESS: www.artsci.washington.edu/drama-phd/19thhmpg.html The 19th Century London Stage was created in 1992 by a group of doctoral students in the School of Drama at the University of Washington who participated in a seminar designed to exploit computer applications in theatre history research. Under the co…

  • Shakespeare's Victorian Stage

    Robert Sawyer, Richard W Schoch et al.•ARTICLE•South Atlantic Review•2000

  • A Supplement to Public Laws

    Richard W Schoch, Richard Schoch•ARTICLE•Theatre Journal•2005•References: 1

    The career of Arthur Murphy (1727-1805) bears exceptional witness not only to the precarious financial and legal condition of dramatic authors in Georgian England, but also-and more importantly-to the theatre's capacity to reconceive the author's position within the burgeoning culture of print. Murphy, who was both a playwright and a practicing barrister, spent his entire career trying to redefine the professional status of dramatic authors. He f…

Art (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Art history (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Philippine History and Culture (3 works) · Drama (2 works) · Philosophy (2 works) · Philosophy (2 works)

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