Jennifer A Low
Biographic Data
| ID | 1509190 |
|---|---|
| NAME | Jennifer A Low |
| GIVEN NAMES | Jennifer A |
| FAMILY NAME | Low |
| SIGNATURE | LOW J A |
| AFFILIATIONS | Florida Atlantic University |
| ORCID | 0009-0006-4189-5420 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
(Review)
Reviewed by: 1776 Jennifer A. Low 1776. Book by Peter Stone. Music and lyrics by Sherman Edwards. Directed by Jeffrey L. Page and Diane Paulus. Roundabout Theatre Company at the American Airlines Theatre, New York. December 23, 2022. A row of shoes on the lip of an empty stage was all there was for spectators to look at while waiting for Roundabout Theatre's production of 1776 to begin. Then about twenty women came onto the stage, dressed in ordi…
Company by Stephen Sondheim and George Furth
The Picture of Dorian Gray by Henry Filloux-Bennett
Early Modern Audiences and the Pleasures of Cross-Dressed Characters
This essay constructs a genealogy for early modern audience studies, showing how this subcategory of scholarship on early modern drama responds to some of the questions raised by early New Historicist criticism. The foundation of audience studies is theater history; its methodology often derives from phenomenology-inflected theater studies, which examines perceptions of experience onstage and off. However, the assumption in New Historicist critic…
Imagining the Audience in Early Modern Drama, 1558–1642
Low, Jennifer A. and Nova Myhill (eds.). Imagining the Audience in Early Modern Drama, 1558–1642. An article from journal Renaissance and Reformation / Renaissance et Réforme (The Material Culture of Debt), on Érudit
Imagining the Audience in Early Modern Drama, 1558–1642
This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships bet
The Duellist as Hero
A duel of honor consists of the following elements: a challenge, oral or written; a challenger; a defendant; and a combat. The proper duel results from the lie, as fencing-master Vincentio Saviolo specifies: "hee unto whome the lie is wrongfullie given, ought to challenge him that offereth that dishonour, and by the swoorde to prove himselfe no Iyer" (His Practise, sig. R4r). Saviolo offers hypothetical examples: "Caius sayth to Seius that hee is…
Manhood and the Duel
As cultural practice, the early modern duel both indicated and shaped the gender assumptions of wealthy young men; it served, in fact, as a nexus for different, often competing, notions of masculinity
Imagining the Audience in Early Modern Drama, 1558–1642
This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships bet
Imagining the Audience in Early Modern Drama, 1558–1642
Low, Jennifer A. and Nova Myhill (eds.). Imagining the Audience in Early Modern Drama, 1558–1642. An article from journal Renaissance and Reformation / Renaissance et Réforme (The Material Culture of Debt), on Érudit
The Duellist as Hero
A duel of honor consists of the following elements: a challenge, oral or written; a challenger; a defendant; and a combat. The proper duel results from the lie, as fencing-master Vincentio Saviolo specifies: "hee unto whome the lie is wrongfullie given, ought to challenge him that offereth that dishonour, and by the swoorde to prove himselfe no Iyer" (His Practise, sig. R4r). Saviolo offers hypothetical examples: "Caius sayth to Seius that hee is…
Manhood and the Duel
As cultural practice, the early modern duel both indicated and shaped the gender assumptions of wealthy young men; it served, in fact, as a nexus for different, often competing, notions of masculinity
Imagining the Audience in Early Modern Drama, 1558–1642
This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships bet
Imagining the Audience in Early Modern Drama, 1558–1642
Low, Jennifer A. and Nova Myhill (eds.). Imagining the Audience in Early Modern Drama, 1558–1642. An article from journal Renaissance and Reformation / Renaissance et Réforme (The Material Culture of Debt), on Érudit
Early Modern Audiences and the Pleasures of Cross-Dressed Characters
This essay constructs a genealogy for early modern audience studies, showing how this subcategory of scholarship on early modern drama responds to some of the questions raised by early New Historicist criticism. The foundation of audience studies is theater history; its methodology often derives from phenomenology-inflected theater studies, which examines perceptions of experience onstage and off. However, the assumption in New Historicist critic…
The Picture of Dorian Gray by Henry Filloux-Bennett
Company by Stephen Sondheim and George Furth
(Review)
Reviewed by: 1776 Jennifer A. Low 1776. Book by Peter Stone. Music and lyrics by Sherman Edwards. Directed by Jeffrey L. Page and Diane Paulus. Roundabout Theatre Company at the American Airlines Theatre, New York. December 23, 2022. A row of shoes on the lip of an empty stage was all there was for spectators to look at while waiting for Roundabout Theatre's production of 1776 to begin. Then about twenty women came onto the stage, dressed in ordi…
Art (8 works) · Literature (5 works) · Drama (4 works) · History (4 works) · Sociology (4 works) · History (3 works) · Philippine History and Culture (3 works) · Aesthetics (2 works) · Art history (2 works) · Gender Studies (2 works)