Peter G Platt

Biographic Data

ID1509609
NAMEPeter G Platt
GIVEN NAMESPeter G
FAMILY NAMEPlatt
SIGNATUREPLATT P G
AFFILIATIONSBarnard College
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS2
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1948
LATEST PUBLICATION YEAR2018
H-INDEX1

  • The School of Montaigne in Early Modern Europe, Volume One: The Patron-Author

    Open AccessPeter G PlattARTICLERenaissance Quarterly2018

    The School of Montaigne in Early Modern Europe, Volume One: The Patron-Author. Warren Boutcher. Oxford: Oxford University Press, 2017. lxxviii + 380 pp. $125. - The School of Montaigne in Early Modern Europe, Volume Two: The Reader-Writer. Warren Boutcher. Oxford: Oxford University Press, 2017. xxxiv + 530 pp. $125. - Volume 71 Issue 1

  • Montaigne's English Journey: Reading the Essays in Shakespeare's Day

    Peter G PlattARTICLEEnglish Studies2015

  • The Ways of Paradox from Lando to Donne

    Open AccessPeter G PlattARTICLERenaissance Quarterly2008

    Patrizia Grimaldi Pizzorno. The Ways of Paradox from Lando to Donne. Accademia Toscana di Scienze e Lettere “La Colombaria” 241. Florence: Leo S. Olschki, 2007. 210 pp. index. append. illus. tbls. €23. ISBN: 978–88–222–5700–0. - Volume 61 Issue 4

  • Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre

    Open AccessPeter G PlattARTICLERenaissance Quarterly2003

    Robert Weimann. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Eds. Helen Higbee and William West. (Cambridge Studies in Literature and Culture.) Cambridge and New York: Cambridge University Press, 2000. xii + 298 pp. index, bibl. 22.95 (pbk). ISBN: 0-521-78130-2 (cl), 0-521-78735-1 (pbk). - Volume 56 Issue 1

  • The Meruailouse Site: Shakespeare, Venice, and Paradoxical Stages

    Open AccessPeter G PlattARTICLERenaissance Quarterly2001Cited by: 2References: 12

    This essay begins by providing some early modern definitions, as well as a brief history, of paradox in the Renaissance. But paradox could be more than a rhetorical figure. Thus, the paper turns to sixteenth- and early seventeenth-century descriptions of Venice in English and explores how a geographical site could do the work of the verbal paradox. The essay then reads Othello's complicated epistemological, ontological, and sexual issues through …

  • Shakespeare's Monarchies: Ruler and Subject in the Romances

    Peter G PlattARTICLESixteenth Century Journal1998

    The author of this text explores how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan demonstrates Shakespeare's investment in the idea that a head of state should be responsive to law and not be governed by his own unbridled will. Conflicts within royal courts which occur in the roma…

  • Reframing the Renaissance: Visual Culture in Europe and Latin America 1450-1650

    Open AccessPeter G PlattARTICLERenaissance Quarterly1998

    Claire Farago, ed. Reframing the Renaissance: Visual Culture in Europe and Latin America 1450-1650. New Haven: Yale University Press, 1995. 113 b/w illus. + 20 pl. + xi + 394 pp. $45. ISBN: 0-300-06295-8. - Volume 51 Issue 2

  • A common attitude to the pursuit of music: An Australian opportunity

    Peter Platt, Peter G PlattARTICLEMusicology Australia1988References: 2

    This paper attempts to show that the great range of music available in Australia (from the classical Western tradition, the Australian Aboriginal and neighbouring traditions, the urban and rural migrant traditions) places Australia in a unique position, providing a chance for a truly holistic view of the subject, in which performance, composition, scholarship and music education are clearly seen as mutually supportive essentials. The paper adopts…

  • Dering's Life and Training

    Peter Platt, Peter G PlattARTICLEMusic and Letters1952

    Journal Article DERING'S LIFE AND TRAINING Get access PETER PLATT PETER PLATT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIII, Issue 1, January 1952, Pages 41–49, https://doi.org/10.1093/ml/XXXIII.1.41 Published: 01 January 1952

  • Melodic Patterns in Bach's Counterpoint

    Peter Platt, Peter G PlattARTICLEMusic and Letters1948

    MELODIC PATTERNS IN BACH'S COUNTERPOINT Get access PETER PLATT PETER PLATT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXIX, Issue 1, January 1948, Pages 48–56, https://doi.org/10.1093/ml/XXIX.1.48 Published: 01 January 1948