Denise A Walen
Biographic Data
| ID | 1509717 |
|---|---|
| NAME | Denise A Walen |
| GIVEN NAMES | Denise A |
| FAMILY NAME | Walen |
| SIGNATURE | WALEN D A |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Unmanning Juliet
Constructions of Female Homoeroticism in Early Modern Drama
This book explores representations of love and desire between female characters in nearly seventy plays written between 1580 and 1660. The work argues that playwrights of late sixteenth- and early sev
Constructions of Female Homoerotics in Early Modern Drama
The cross-dressed heroine was a popular convention in early modern drama. 1 In his book Gender in Play on the Shakespearean Stage, Michael Shapiro lists nearly eighty texts that include the character type. 2 Women dress as men in plays to help lovers or to follow them, to avoid rape, scandal or death, (although it can also be an expeditious means to pursue death, as in Beaumont and Fletcher's The Maid's Tragedy), to freely travel the countryside,…
Gender in Play on the Shakespearean Stage
Reviewed by: Gender in Play on the Shakespearean Stage: Boy Heroins and Female Pages Denise A. Walen Gender in Play on the Shakespearean Stage: Boy Heroins and Female Pages. By Michael Shapiro. Ann Arbor: University of Michigan Press, 1994; viii + 282. $34.50 cloth. The enticing possibilities of gender performativity have seduced many current scholars into studying cross-dressing on the stage and have provided critical legitimacy to theatrical an…
No Trace of the Blonde
Women in Power in the Early Modern Drama
Constructions of Female Homoeroticism in Early Modern Drama
This book explores representations of love and desire between female characters in nearly seventy plays written between 1580 and 1660. The work argues that playwrights of late sixteenth- and early sev
Women in Power in the Early Modern Drama
No Trace of the Blonde
Women in Power in the Early Modern Drama
Gender in Play on the Shakespearean Stage
Reviewed by: Gender in Play on the Shakespearean Stage: Boy Heroins and Female Pages Denise A. Walen Gender in Play on the Shakespearean Stage: Boy Heroins and Female Pages. By Michael Shapiro. Ann Arbor: University of Michigan Press, 1994; viii + 282. $34.50 cloth. The enticing possibilities of gender performativity have seduced many current scholars into studying cross-dressing on the stage and have provided critical legitimacy to theatrical an…
Constructions of Female Homoerotics in Early Modern Drama
The cross-dressed heroine was a popular convention in early modern drama. 1 In his book Gender in Play on the Shakespearean Stage, Michael Shapiro lists nearly eighty texts that include the character type. 2 Women dress as men in plays to help lovers or to follow them, to avoid rape, scandal or death, (although it can also be an expeditious means to pursue death, as in Beaumont and Fletcher's The Maid's Tragedy), to freely travel the countryside,…
Constructions of Female Homoeroticism in Early Modern Drama
This book explores representations of love and desire between female characters in nearly seventy plays written between 1580 and 1660. The work argues that playwrights of late sixteenth- and early sev
Unmanning Juliet
Art (4 works) · Drama (4 works) · History (4 works) · History (4 works) · Literature (4 works) · Literature: history, themes, analysis (4 works) · Reformation and Early Modern Christianity (3 works) · Character (mathematics (2 works) · Gender Studies (2 works) · Gender Studies (2 works)