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I Made Bandem

Biographic Data

ID152362
NAMEI Made Bandem
GIVEN NAMESI Made
FAMILY NAMEBandem
SIGNATUREBANDEM I M
AFFILIATIONSInstitut Seni Budaya Indonesia Bandung
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR1992
H-INDEX1
  • "The Death of Kumbakarna" of I Ketut Madra

    Fredrik Deboer, Fredrik E deBoer et al.•ARTICLE•Asian Theatre Journal•1992

    Balinese wayang kulit, or shadowplay, is a still vital part of one of the world's oldest and most vivid theatrical traditions. Despite the relentless influx of all the modern media of art, information, and entertainment into even the remotest villages of the island, dozens of dalang, or master shadow puppeteers, continue to perform regularly before enthusiastic crowds and maintain the popularity of the medium in contemporary Balinese society. The…

  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

  • Kaja and Kelod

    Hazel Chung, I Made Bandem et al.•ARTICLE•Ethnomusicology•1986

  • Kaja and Kelod

    Judy Mitoma, I Made Bandem et al.•ARTICLE•Asian Theatre Journal•1985

    A comprehensive overview of Balinese dance and theatre, this book presents a description and history of the many genres of Balinese dance. The first full-scale work to appear on the subject since 1938, this study discuses every aspect of Balinese dance--from dances given in the most sacred sanctuaries on the island to those of a secular nature, from the demonic performances ritually performed in dangerous areas to perfromances for tourists. The t…

  • Notes on the development of Arja dance drama

    I Made Bandem, Fredrik Eugene Deboer et al.•ARTICLE•Indonesia and the Malay World•1983•References: 1

    (1983). Notes on the development of Arja dance drama. Indonesia Circle. School of Oriental & African Studies. Newsletter: Vol. 11, No. 30, pp. 28-32

  • Kaja" and "Kelod." Balinese Dance in Transition

    Andrew Toth, I Made Bandem et al.•ARTICLE•Pacific Affairs•1983

  • Music of the Kenyah and Modang in East Kalimantan, Indonesia

    Margaret J Kartomi, I Made Bandem et al.•ARTICLE•Ethnomusicology•1982

  • Jelantik Goes to Blambangan A Topeng Pajegan Performance

    Open Access•I Nyoman Kakul, I Made Bandem et al.•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Gambuh

    I Made Bandem, Fredrik Deboer•ARTICLE•Asian Music•1978

    One of the truly remarkable treasures of Balinese culture is Gambuh, the oldest and most ormal of the many varieties of-dance-drama on the island. Having survived through history with few apparent changes from its form of 400 years ago, Gambuh belongs to one of the world's longest-surviving theatrical performance traditions. Archaic, formal, and very stately, accompanied by an orchestra with a unique sound of wailing flutes, and presented by grav…

  • The Baris Dance

    I Made Bandem•ARTICLE•Ethnomusicology•1975

  • Barong; drame musical balinais

    I Made Bandem, Louis Berthe et al.•ARTICLE•Ethnomusicology•1972

  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

  • Jelantik Goes to Blambangan A Topeng Pajegan Performance

    Open Access•I Nyoman Kakul, I Made Bandem et al.•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Barong; drame musical balinais

    I Made Bandem, Louis Berthe et al.•ARTICLE•Ethnomusicology•1972

  • The Baris Dance

    I Made Bandem•ARTICLE•Ethnomusicology•1975

  • Gambuh

    I Made Bandem, Fredrik Deboer•ARTICLE•Asian Music•1978

    One of the truly remarkable treasures of Balinese culture is Gambuh, the oldest and most ormal of the many varieties of-dance-drama on the island. Having survived through history with few apparent changes from its form of 400 years ago, Gambuh belongs to one of the world's longest-surviving theatrical performance traditions. Archaic, formal, and very stately, accompanied by an orchestra with a unique sound of wailing flutes, and presented by grav…

  • Jelantik Goes to Blambangan A Topeng Pajegan Performance

    Open Access•I Nyoman Kakul, I Made Bandem et al.•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Music of the Kenyah and Modang in East Kalimantan, Indonesia

    Margaret J Kartomi, I Made Bandem et al.•ARTICLE•Ethnomusicology•1982

  • Notes on the development of Arja dance drama

    I Made Bandem, Fredrik Eugene Deboer et al.•ARTICLE•Indonesia and the Malay World•1983•References: 1

    (1983). Notes on the development of Arja dance drama. Indonesia Circle. School of Oriental & African Studies. Newsletter: Vol. 11, No. 30, pp. 28-32

  • Kaja" and "Kelod." Balinese Dance in Transition

    Andrew Toth, I Made Bandem et al.•ARTICLE•Pacific Affairs•1983

  • Kaja and Kelod

    Judy Mitoma, I Made Bandem et al.•ARTICLE•Asian Theatre Journal•1985

    A comprehensive overview of Balinese dance and theatre, this book presents a description and history of the many genres of Balinese dance. The first full-scale work to appear on the subject since 1938, this study discuses every aspect of Balinese dance--from dances given in the most sacred sanctuaries on the island to those of a secular nature, from the demonic performances ritually performed in dangerous areas to perfromances for tourists. The t…

  • Toward a Definition of Performance Studies, Part II

    Phillip B Zarrilli, I Made Bandem et al.•ARTICLE•Theatre Journal•1986•Cited by: 1

  • Kaja and Kelod

    Hazel Chung, I Made Bandem et al.•ARTICLE•Ethnomusicology•1986

  • "The Death of Kumbakarna" of I Ketut Madra

    Fredrik Deboer, Fredrik E deBoer et al.•ARTICLE•Asian Theatre Journal•1992

    Balinese wayang kulit, or shadowplay, is a still vital part of one of the world's oldest and most vivid theatrical traditions. Despite the relentless influx of all the modern media of art, information, and entertainment into even the remotest villages of the island, dozens of dalang, or master shadow puppeteers, continue to perform regularly before enthusiastic crowds and maintain the popularity of the medium in contemporary Balinese society. The…

Art (8 works) · Visual arts (8 works) · Dance (6 works) · Diversity and Impact of Dance (6 works) · Asian Studies and History (5 works) · History (4 works) · Chemistry (2 works) · Computer Science (2 works) · Cultural and Artistic Studies (2 works) · Drama (2 works)

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