Roger De La Garde
Biographic Data
| ID | 1528119 |
|---|---|
| NAME | Roger De La Garde |
| GIVEN NAMES | Roger |
| FAMILY NAME | De La Garde |
| SIGNATURE | DE LA GARDE R |
| AFFILIATIONS | Université Laval |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
The public manifestations of the audience
A comunicação móvel confirmou nossa entrada na Era Pós-rede. Este estado de coisas não só desafiou a economia da indústria da televisão, tornando a “captura” de audiências mais complexa e aleatória, mas também a noção básica do próprio público. Ao fazê-lo, esta era pós-rede reativou, o debate que acompanhou a expansão das indústrias culturais e da introdução da era das redes, quando e onde “audiências” tornaram-se um substituto para “públicos” e …
TVTV
Les best-sellers, indices d'une identité culturelle collective
Le visionnement de la télévision et la lecture constituent non seulement les principales habitudes de loisirs culturels des Québécois, mais se situent également aux premiers rangs de l'ensemble de leurs activités de loisir. Les genres de livres et d'émissions de télévision les plus populaires—les best-sellers romanesques et biographiques, ainsi que les téléromans—se caractérisent dans leurs contenus par leur double fonction de divertissement (éva…
Cultural Development
Within Canada, there exist two industrial cultural markets whose interpenetrations are few but which are massively penetrated by their common neighbour, the United States. In this study we examine the North American French- language market whose production, diffusion, capitalization, and promotion centre is in Montreal, and whose effective radius includes Québec and its immediate eastern and western borders. This centre has established links outs…
Laurent Laplante, L'information. Un produit comme les autres
Asghar Fathi, Canadian Studies in Mass Communication
The 1987 Southam Lecture
Tradition dictates that the organizers of our annual conference choose the Southam lecturer for a specific reason. The choice of the first lecturer, Anthony Smith, opened a window on European social thinking. The following year, Jacques Godbout, a media professional and social critic of considerable experience, was invited to address the present state of the art of media production and practices. Last year, Dallas Smythe was chosen in order to pa…
Is there a market for foreign cultures
The Media Connection
The purpose of this paper is to present an overview 1 of some of the major studies which have dealt with the question of foreign, particularly American, content in French and English Canadian media. The intent is to show that Quebec's and Canada's position in this matter are not identical nor are they unique. The title suggests that Quebec's connection to the realities outside its borders is mainly through its media. These are two-way streets wit…
Les best-sellers, indices d'une identité culturelle collective
Le visionnement de la télévision et la lecture constituent non seulement les principales habitudes de loisirs culturels des Québécois, mais se situent également aux premiers rangs de l'ensemble de leurs activités de loisir. Les genres de livres et d'émissions de télévision les plus populaires—les best-sellers romanesques et biographiques, ainsi que les téléromans—se caractérisent dans leurs contenus par leur double fonction de divertissement (éva…
The Media Connection
The purpose of this paper is to present an overview 1 of some of the major studies which have dealt with the question of foreign, particularly American, content in French and English Canadian media. The intent is to show that Quebec's and Canada's position in this matter are not identical nor are they unique. The title suggests that Quebec's connection to the realities outside its borders is mainly through its media. These are two-way streets wit…
Is there a market for foreign cultures
The 1987 Southam Lecture
Tradition dictates that the organizers of our annual conference choose the Southam lecturer for a specific reason. The choice of the first lecturer, Anthony Smith, opened a window on European social thinking. The following year, Jacques Godbout, a media professional and social critic of considerable experience, was invited to address the present state of the art of media production and practices. Last year, Dallas Smythe was chosen in order to pa…
Asghar Fathi, Canadian Studies in Mass Communication
Cultural Development
Within Canada, there exist two industrial cultural markets whose interpenetrations are few but which are massively penetrated by their common neighbour, the United States. In this study we examine the North American French- language market whose production, diffusion, capitalization, and promotion centre is in Montreal, and whose effective radius includes Québec and its immediate eastern and western borders. This centre has established links outs…
Laurent Laplante, L'information. Un produit comme les autres
Les best-sellers, indices d'une identité culturelle collective
Le visionnement de la télévision et la lecture constituent non seulement les principales habitudes de loisirs culturels des Québécois, mais se situent également aux premiers rangs de l'ensemble de leurs activités de loisir. Les genres de livres et d'émissions de télévision les plus populaires—les best-sellers romanesques et biographiques, ainsi que les téléromans—se caractérisent dans leurs contenus par leur double fonction de divertissement (éva…
TVTV
The public manifestations of the audience
A comunicação móvel confirmou nossa entrada na Era Pós-rede. Este estado de coisas não só desafiou a economia da indústria da televisão, tornando a “captura” de audiências mais complexa e aleatória, mas também a noção básica do próprio público. Ao fazê-lo, esta era pós-rede reativou, o debate que acompanhou a expansão das indústrias culturais e da introdução da era das redes, quando e onde “audiências” tornaram-se um substituto para “públicos” e …
Political science (5 works) · Business (3 works) · Humanities (3 works) · Media studies (3 works) · Media Studies and Communication (3 works) · Sociology (3 works) · Advertising (2 works) · Art (2 works) · Canadian Identity and History (2 works) · Cultural Insights and Digital Impacts (2 works)