Terrie Dopp Aamodt
Biographic Data
| ID | 1529295 |
|---|---|
| NAME | Terrie Dopp Aamodt |
| GIVEN NAMES | Terrie Dopp |
| FAMILY NAME | Aamodt |
| SIGNATURE | AAMODT T D |
| AFFILIATIONS | Walla Walla University, College Place, Washington |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
M atthew F ox -A mato . Exposing Slavery
Matthew Fox-Amato’s analysis of photographic depictions of slaves and slavery, from the introduction of daguerreotypes to the United States in 1839 through the end of the Civil War, examines an important but previously understudied array of images. Paintings, photographs, drawings, and prints of the Civil War, Reconstruction, and Jim Crow eras have attracted some of the most provocative, pathbreaking scholarship in recent studies of nineteenth-ce…
A Communion of Shadows
American culture today, besotted with mass-produced photographs, seems far removed from a time when a photographic image was rare, even singular. In this study Rachel McBride Lindsey analyzes diverse images created in a religious context, from the advent of the daguerreotype on American shores in 1839 to the unveiling of George Eastman's Brownie camera in 1900. Lindsey, though, focuses her study not on the producers but the beholders. She argues …
Jasmine Nichole Cobb. Picture Freedom
Much of what we know about nineteenth-century black experience comes from scholarship on slavery and slaveholders. Those topics, when expressed visually for white audiences, included caricatures of minstrelsy, prints and photographs cataloguing distinctive features of black bodies, drawings of shackles, and diagrams of slave ships. Jasmine Nichole Cobb focuses on the visually expressed experience of free blacks before 1850, particularly in Philad…
Ellen Harmon White
Apocalypse and the Millennium in the American Civil War Era
No prominent works on this page.
Ellen Harmon White
Apocalypse and the Millennium in the American Civil War Era
Jasmine Nichole Cobb. Picture Freedom
Much of what we know about nineteenth-century black experience comes from scholarship on slavery and slaveholders. Those topics, when expressed visually for white audiences, included caricatures of minstrelsy, prints and photographs cataloguing distinctive features of black bodies, drawings of shackles, and diagrams of slave ships. Jasmine Nichole Cobb focuses on the visually expressed experience of free blacks before 1850, particularly in Philad…
A Communion of Shadows
American culture today, besotted with mass-produced photographs, seems far removed from a time when a photographic image was rare, even singular. In this study Rachel McBride Lindsey analyzes diverse images created in a religious context, from the advent of the daguerreotype on American shores in 1839 to the unveiling of George Eastman's Brownie camera in 1900. Lindsey, though, focuses her study not on the producers but the beholders. She argues …
M atthew F ox -A mato . Exposing Slavery
Matthew Fox-Amato’s analysis of photographic depictions of slaves and slavery, from the introduction of daguerreotypes to the United States in 1839 through the end of the Civil War, examines an important but previously understudied array of images. Paintings, photographs, drawings, and prints of the Civil War, Reconstruction, and Jim Crow eras have attracted some of the most provocative, pathbreaking scholarship in recent studies of nineteenth-ce…
History (5 works) · Art (4 works) · Archaeology (3 works) · Art history (3 works) · Political science (3 works) · Visual arts (3 works) · American Constitutional Law and Politics (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · History (2 works) · Law (2 works)