Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Antonina Filonov Gove

Biographic Data

ID1533865
NAMEAntonina Filonov Gove
GIVEN NAMESAntonina Filonov
FAMILY NAMEGove
SIGNATUREGOVE A F
AFFILIATIONSVanderbilt University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR1989
H-INDEX1
  • The Slavic Akathistos Hymn

    Mateja Matejic, Antonina Filonov Gove•ARTICLE•The Slavic and East European…•1989

  • The Poet's Self

    Antonina Filonov Gove•ARTICLE•The Slavic and East European…•1983

  • The Feminine Stereotype and Beyond

    Open Access•Antonina Filonov Gove•ARTICLE•Slavic Review•1977•Cited by: 1•References: 1

    In examining the development of Tsvetaeva's lyric verse, it is possible to discern a recurrent thematic strain: a rejection by the poet of the conventional roles imposed on the individual by society, particularly certain characteristics of the feminine role. I will try to show that Tsvetaeva, in the process of rejecting, via her poetry, this key ingredient in a person's self-concept-namely, the sex role as defined by society-along with a rejectio…

  • Grammaire du vieux-russe

    Antonina Filonov Gove, Jean-Yves le Guillou•ARTICLE•The Slavic and East European…•1974

  • Multilingualism and Ranges of Tone in Nabokov's Bend Sinister

    Open Access•Antonina Filonov Gove•ARTICLE•Slavic Review•1973

    Oh, I love her hands, Van, because they have the same rodinka (small birthmark), because the fingers are so long, because, in fact, they are Van's in a reducing mirror, in tender diminutive, v laskatel'noy forme' (the talk-as so often happened at emotional moments in the Veen-Zemski branch of that strange family, the noblest in Estotiland, the grandest on Antiterra-was speckled with Russian, an effect not too consistently reproduced in this chapt…

  • Symbolization and Sequencing in the Development of Interaction Skills in a One-Year-Old Child

    Antonina Filonov Gove•ARTICLE•WORD•1971•References: 1

    Several interactive behaviors of a one-year-old child are presented and categorized as conventional forms of expression, play (including role-playing and games), and conversation. It is suggested that all the behaviors share a common characteristic: symbolization. Play and conversation also share the characteristic of being sequenced. It is proposed that, for the early stages of socialization, it may be fruitful to study such behaviors as related…

  • Pasternak's Lyric

    Antonina Filonov Gove, Dale L Plank•ARTICLE•The Slavic and East European…•1969

  • The Feminine Stereotype and Beyond

    Open Access•Antonina Filonov Gove•ARTICLE•Slavic Review•1977•Cited by: 1•References: 1

    In examining the development of Tsvetaeva's lyric verse, it is possible to discern a recurrent thematic strain: a rejection by the poet of the conventional roles imposed on the individual by society, particularly certain characteristics of the feminine role. I will try to show that Tsvetaeva, in the process of rejecting, via her poetry, this key ingredient in a person's self-concept-namely, the sex role as defined by society-along with a rejectio…

  • Pasternak's Lyric

    Antonina Filonov Gove, Dale L Plank•ARTICLE•The Slavic and East European…•1969

  • Symbolization and Sequencing in the Development of Interaction Skills in a One-Year-Old Child

    Antonina Filonov Gove•ARTICLE•WORD•1971•References: 1

    Several interactive behaviors of a one-year-old child are presented and categorized as conventional forms of expression, play (including role-playing and games), and conversation. It is suggested that all the behaviors share a common characteristic: symbolization. Play and conversation also share the characteristic of being sequenced. It is proposed that, for the early stages of socialization, it may be fruitful to study such behaviors as related…

  • Multilingualism and Ranges of Tone in Nabokov's Bend Sinister

    Open Access•Antonina Filonov Gove•ARTICLE•Slavic Review•1973

    Oh, I love her hands, Van, because they have the same rodinka (small birthmark), because the fingers are so long, because, in fact, they are Van's in a reducing mirror, in tender diminutive, v laskatel'noy forme' (the talk-as so often happened at emotional moments in the Veen-Zemski branch of that strange family, the noblest in Estotiland, the grandest on Antiterra-was speckled with Russian, an effect not too consistently reproduced in this chapt…

  • Grammaire du vieux-russe

    Antonina Filonov Gove, Jean-Yves le Guillou•ARTICLE•The Slavic and East European…•1974

  • The Feminine Stereotype and Beyond

    Open Access•Antonina Filonov Gove•ARTICLE•Slavic Review•1977•Cited by: 1•References: 1

    In examining the development of Tsvetaeva's lyric verse, it is possible to discern a recurrent thematic strain: a rejection by the poet of the conventional roles imposed on the individual by society, particularly certain characteristics of the feminine role. I will try to show that Tsvetaeva, in the process of rejecting, via her poetry, this key ingredient in a person's self-concept-namely, the sex role as defined by society-along with a rejectio…

  • The Poet's Self

    Antonina Filonov Gove•ARTICLE•The Slavic and East European…•1983

  • The Slavic Akathistos Hymn

    Mateja Matejic, Antonina Filonov Gove•ARTICLE•The Slavic and East European…•1989

Art (6 works) · Literature (4 works) · Philosophy (4 works) · Linguistics (3 works) · Linguistics and language evolution (3 works) · Poetry (3 works) · Computer Science (2 works) · Philosophy (2 works) · Psychology (2 works) · Social Psychology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae