Alexandra Arènes
Biographic Data
| ID | 1542714 |
|---|---|
| NAME | Alexandra Arènes |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | Arènes |
| SIGNATURE | ARÈNES A |
| AFFILIATIONS | SOC, France |
| ORCID | 0000-0001-5009-0794 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Inside the Critical Zone
Landscape architects use maps, schemes, diagrams, models, to describe and design territories, as conceptual and visual tools of knowledge. But do these tools sufficiently depict the complexity of landscapes? Plans and the diverse kind of maps used by landscape architects depict land surfaces and few are dealing with the depths of the Earth and its processes, i.e. the biogeochemical cycles. In the meantime, a branch of geosciences studying landsca…
Giving depth to the surface
Foregrounding the importance of soil and more generally the surface of the Earth - what is now often called the critical zone (CZ) - remains very difficult as long as the usual planetary view, familiar since the scientific revolution, is maintained. In this joint effort coauthored by a landscape architect, a historian of science and a geochemist, we propose what is called in history of drawing an anamorphosis, that is, a distorsion of image made …
Giving depth to the surface
Foregrounding the importance of soil and more generally the surface of the Earth - what is now often called the critical zone (CZ) - remains very difficult as long as the usual planetary view, familiar since the scientific revolution, is maintained. In this joint effort coauthored by a landscape architect, a historian of science and a geochemist, we propose what is called in history of drawing an anamorphosis, that is, a distorsion of image made …
Inside the Critical Zone
Landscape architects use maps, schemes, diagrams, models, to describe and design territories, as conceptual and visual tools of knowledge. But do these tools sufficiently depict the complexity of landscapes? Plans and the diverse kind of maps used by landscape architects depict land surfaces and few are dealing with the depths of the Earth and its processes, i.e. the biogeochemical cycles. In the meantime, a branch of geosciences studying landsca…
Giving depth to the surface
Foregrounding the importance of soil and more generally the surface of the Earth - what is now often called the critical zone (CZ) - remains very difficult as long as the usual planetary view, familiar since the scientific revolution, is maintained. In this joint effort coauthored by a landscape architect, a historian of science and a geochemist, we propose what is called in history of drawing an anamorphosis, that is, a distorsion of image made …
Inside the Critical Zone
Landscape architects use maps, schemes, diagrams, models, to describe and design territories, as conceptual and visual tools of knowledge. But do these tools sufficiently depict the complexity of landscapes? Plans and the diverse kind of maps used by landscape architects depict land surfaces and few are dealing with the depths of the Earth and its processes, i.e. the biogeochemical cycles. In the meantime, a branch of geosciences studying landsca…
Anthropocene (2 works) · Geology (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Art (1 works) · Artificial Intelligence (1 works) · Computer Science (1 works) · Data science (1 works) · Earth science (1 works) · Earth Systems and Cosmic Evolution (1 works)