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Lowell Fiet

Biographic Data

ID1546505
NAMELowell Fiet
GIVEN NAMESLowell
FAMILY NAMEFiet
SIGNATUREFIET L
AFFILIATIONSUniversity of Puerto Rico-Río Piedras, San Juan
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama, by Jon D. Rossini

    Open Access•Lowell Fiet•ARTICLE•New West Indian Guide / Nieuwe…•2025

  • Cuba in the Balance

    Open Access•Lowell Fiet•ARTICLE•New West Indian Guide / Nieuwe…•2016

    The December 2014 "Obama accords" between the governments of the United States and Cuba significantly alter the travel and trade policies that have been enforced for the past five decades. They also foreshadow a potential dismantling of longstanding ideological debates that have too often framed external critical appraisals of creative art and culture in Cuba. The root issue of the u.s. economic blockade continues to affect Cuba's social developm…

  • Where Do Journals Come From? The Case of Sargasso

    Lowell Fiet•ARTICLE•Small Axe A Caribbean Journal of…•2016

    Work on Sargasso as an independent journal of Caribbean literature, language, and culture began at the University of Puerto Rico (UPR) in 1983. After a successful, but not uncomplicated, launching of its first issue in 1984, the journal received support and contributions from important anglophone Caribbean figures such as Kamau Brathwaite, George Lamming, Gordon K. Lewis, and Lorna Goodison. Major Puerto Rican writers such as Luis Rafael Sánchez,…

  • Mask-making and Creative Intelligence in Transcultural Education

    Lowell Fiet•ARTICLE•Caribbean Quarterly•2014•Cited by: 1•References: 2

    Masquerades are performance art, and dialogue with the audience (including future performers) is paramount. A mask must elicit reinvention or it will disappear. The continuing interest and reformulations of future generations distinguish the great masks.-Z.S. Strother, Inventing Masks: Agency and History in the Art of the Central PendeTo begini have made masks from recycled materials for theatre and performance art and as educational tools for mo…

  • Mask-making and Creative Intelligence in Transcultural Education

    Lowell Fiet•ARTICLE•Caribbean Quarterly•2014•Cited by: 1•References: 2

    Masquerades are performance art, and dialogue with the audience (including future performers) is paramount. A mask must elicit reinvention or it will disappear. The continuing interest and reformulations of future generations distinguish the great masks.-Z.S. Strother, Inventing Masks: Agency and History in the Art of the Central PendeTo begini have made masks from recycled materials for theatre and performance art and as educational tools for mo…

  • Mask-making and Creative Intelligence in Transcultural Education

    Lowell Fiet•ARTICLE•Caribbean Quarterly•2014•Cited by: 1•References: 2

    Masquerades are performance art, and dialogue with the audience (including future performers) is paramount. A mask must elicit reinvention or it will disappear. The continuing interest and reformulations of future generations distinguish the great masks.-Z.S. Strother, Inventing Masks: Agency and History in the Art of the Central PendeTo begini have made masks from recycled materials for theatre and performance art and as educational tools for mo…

  • Cuba in the Balance

    Open Access•Lowell Fiet•ARTICLE•New West Indian Guide / Nieuwe…•2016

    The December 2014 "Obama accords" between the governments of the United States and Cuba significantly alter the travel and trade policies that have been enforced for the past five decades. They also foreshadow a potential dismantling of longstanding ideological debates that have too often framed external critical appraisals of creative art and culture in Cuba. The root issue of the u.s. economic blockade continues to affect Cuba's social developm…

  • Where Do Journals Come From? The Case of Sargasso

    Lowell Fiet•ARTICLE•Small Axe A Caribbean Journal of…•2016

    Work on Sargasso as an independent journal of Caribbean literature, language, and culture began at the University of Puerto Rico (UPR) in 1983. After a successful, but not uncomplicated, launching of its first issue in 1984, the journal received support and contributions from important anglophone Caribbean figures such as Kamau Brathwaite, George Lamming, Gordon K. Lewis, and Lorna Goodison. Major Puerto Rican writers such as Luis Rafael Sánchez,…

  • Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama, by Jon D. Rossini

    Open Access•Lowell Fiet•ARTICLE•New West Indian Guide / Nieuwe…•2025

History (3 works) · History (2 works) · Politics (2 works) · Sociology (2 works) · Anthropology (1 work) · Art (1 work) · Art history (1 work) · Caribbean history, culture, and politics (1 work) · Cuban History and Society (1 work) · Cultural Industries and Urban Development (1 work)

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