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Emily A Maguire

Biographic Data

ID1546518
NAMEEmily A Maguire
GIVEN NAMESEmily A
FAMILY NAMEMaguire
SIGNATUREMAGUIRE E A
AFFILIATIONSPortuguese Army
ORCID0009-0008-6386-9658
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS4
AUTHOR COUNT9
EDITOR COUNT1
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Through Journalism, They Build the World in Which We Want to Live

    Daniela Rea, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    Ten years ago, a group of women journalists, all of whom had been working together for some years sharing questions, news, worries, and problems, arrived at a small house in the heart of Mexico Cit

  • The Patocide

    Ángel Lozada, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    From the Dictionary of the Royal Spanish Academy:pato. noun. A web-footed bird, wider than it is tall and with a beak wider at the tip than the base. Its neck is short, as are its tarsal joints, fo

  • The Suits, 1975

    Rita Indiana, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    The cologne that time was the same as now, Paco Rabanne. Luigi had first smelled it in the house in the Zona Universitaria where his mother did laundry twice a week. It came from the dirty clothes

  • Pliable facts and rigorous fictions

    Open Access•Emily A Maguire•ARTICLE•Tapuya Latin American Science…•2024•References: 6

    According to literary critic Darko Suvin, science fiction demonstrates a “supposedly factual” approach to imagining new worlds. In Latin America, however, the factual basis of lived experience from which such fictions are crafted has not always been taken as a given. This essay shows how contemporary Latin American science fiction makes use of the tensions derived from the encounter between the pliable nature of fact and the supposed rigor of cog…

  • Posthumanism and Latin(x) American Science Fiction

    Open Access•Antonio Córdoba, Emily A Maguire•BOOK•Posthumanism and Latin(x)…•2023

  • Emoticons

    Aurora Arias, Aurora Jazmín Roby Arias et al.•ARTICLE•Review Literature and Arts of the…•2023

    She was walking dazedly down the ramp, with her habitual lost expression, just as she was, a passenger from another world. Pepe smiled doubtfully at her (Could that be her??), opening his arms wide

  • New Men and Old Ways

    Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2023

    Rita Indiana (Santo Domingo, 1977) likes to push boundaries in both her music and her fiction. Indeed, the Dominican artist has frequently been recognized for the ways in which her work innovates l

  • Andean Non-Fiction

    Antonio Villarruel, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2023

    Literature labeled “Andean” is usually limited to work from Ecuador, Peru, and Bolivia. Less frequently, the zone in question expands to an imaginary line that runs from Venezuela to Chile. Neverth

  • From Somnambulist Archaeology

    Juan Cristóbal Cárdenas Castro, Juan Cristóbal Castro et al.•ARTICLE•Review Literature and Arts of the…•2021

  • Working Juju

    Open Access•Emily A Maguire•ARTICLE•New West Indian Guide / Nieuwe…•2021

    The Caribbean has historically been constructed as a region mantled by the fantastic," Andrea Shaw Nevins states in the introduction to Working Juju.While some scholars have seen this labeling as a strategy intended to marginalize the region, Nevins argues for understanding the fantastic as an expression of Caribbean potentiality, even when a recognition of that power is "in contradiction to [a] text's ideological posture" (p.2).Defining the fant…

  • Édouard Glissant's Excursions and Detours

    Raphaël Lauro, Emily A Maguire•ARTICLE•Discourse•2014•Cited by: 3

    Long relegated to the margins, reputed to be hermetic or tending toward unreadable, the work of Edouard Glissant is today letting its voice be heard.1 However, in spite of the remarkable growth of Glissant's audience-spurred by the emergence of Caribbean literatures, the popularity of Francophone topics, the worldwide rise of discourses such as cultural studies and postcolonial studies, and, it must be said, the persistent questioning of identity…

  • The Poetics and Politics of Afro-Cuban Carnival

    Open Access•Emily A Maguire•ARTICLE•Anthurium A Caribbean Studies…•2013

    Anthurium: A Caribbean Studies Journal includes scholarship on the work of visual artists, commentary on current issues in Caribbean studies and travelogues. Anthurium remains committed to bridging the digital divide by making peer reviewed, scholarly articles and creative writing available to teachers, students, scholars and persons interested in Caribbean literature and culture worldwide without fee based subscriptions. We would like to thank t…

  • Two Returns to the Native Land

    Emily A Maguire•ARTICLE•Small Axe A Caribbean Journal of…•2013•Cited by: 1

    In 1943, Cuban writer Lydia Cabrera published a Spanish translation of Aimé Césaire's poem Notebook of a Return to the Native Land with illustrations by Cuban artist Wifredo Lam. The translation introduced the concept of Négritude to a Cuban and Spanish-language readership. It was also the first and only collaboration between Césaire, Cabrera, and Lam, and its publication reflects a Pan-Caribbean avant-garde spirit that these individuals articula…

  • Racial Experiments in Cuban Literature and Ethnography

    Emily A Maguire, Emily Maguire•BOOK•Racial experiments in Cuban…•2011

  • Édouard Glissant's Excursions and Detours

    Raphaël Lauro, Emily A Maguire•ARTICLE•Discourse•2014•Cited by: 3

    Long relegated to the margins, reputed to be hermetic or tending toward unreadable, the work of Edouard Glissant is today letting its voice be heard.1 However, in spite of the remarkable growth of Glissant's audience-spurred by the emergence of Caribbean literatures, the popularity of Francophone topics, the worldwide rise of discourses such as cultural studies and postcolonial studies, and, it must be said, the persistent questioning of identity…

  • Two Returns to the Native Land

    Emily A Maguire•ARTICLE•Small Axe A Caribbean Journal of…•2013•Cited by: 1

    In 1943, Cuban writer Lydia Cabrera published a Spanish translation of Aimé Césaire's poem Notebook of a Return to the Native Land with illustrations by Cuban artist Wifredo Lam. The translation introduced the concept of Négritude to a Cuban and Spanish-language readership. It was also the first and only collaboration between Césaire, Cabrera, and Lam, and its publication reflects a Pan-Caribbean avant-garde spirit that these individuals articula…

  • Racial Experiments in Cuban Literature and Ethnography

    Emily A Maguire, Emily Maguire•BOOK•Racial experiments in Cuban…•2011

  • The Poetics and Politics of Afro-Cuban Carnival

    Open Access•Emily A Maguire•ARTICLE•Anthurium A Caribbean Studies…•2013

    Anthurium: A Caribbean Studies Journal includes scholarship on the work of visual artists, commentary on current issues in Caribbean studies and travelogues. Anthurium remains committed to bridging the digital divide by making peer reviewed, scholarly articles and creative writing available to teachers, students, scholars and persons interested in Caribbean literature and culture worldwide without fee based subscriptions. We would like to thank t…

  • Two Returns to the Native Land

    Emily A Maguire•ARTICLE•Small Axe A Caribbean Journal of…•2013•Cited by: 1

    In 1943, Cuban writer Lydia Cabrera published a Spanish translation of Aimé Césaire's poem Notebook of a Return to the Native Land with illustrations by Cuban artist Wifredo Lam. The translation introduced the concept of Négritude to a Cuban and Spanish-language readership. It was also the first and only collaboration between Césaire, Cabrera, and Lam, and its publication reflects a Pan-Caribbean avant-garde spirit that these individuals articula…

  • Édouard Glissant's Excursions and Detours

    Raphaël Lauro, Emily A Maguire•ARTICLE•Discourse•2014•Cited by: 3

    Long relegated to the margins, reputed to be hermetic or tending toward unreadable, the work of Edouard Glissant is today letting its voice be heard.1 However, in spite of the remarkable growth of Glissant's audience-spurred by the emergence of Caribbean literatures, the popularity of Francophone topics, the worldwide rise of discourses such as cultural studies and postcolonial studies, and, it must be said, the persistent questioning of identity…

  • From Somnambulist Archaeology

    Juan Cristóbal Cárdenas Castro, Juan Cristóbal Castro et al.•ARTICLE•Review Literature and Arts of the…•2021

  • Working Juju

    Open Access•Emily A Maguire•ARTICLE•New West Indian Guide / Nieuwe…•2021

    The Caribbean has historically been constructed as a region mantled by the fantastic," Andrea Shaw Nevins states in the introduction to Working Juju.While some scholars have seen this labeling as a strategy intended to marginalize the region, Nevins argues for understanding the fantastic as an expression of Caribbean potentiality, even when a recognition of that power is "in contradiction to [a] text's ideological posture" (p.2).Defining the fant…

  • Posthumanism and Latin(x) American Science Fiction

    Open Access•Antonio Córdoba, Emily A Maguire•BOOK•Posthumanism and Latin(x)…•2023

  • Emoticons

    Aurora Arias, Aurora Jazmín Roby Arias et al.•ARTICLE•Review Literature and Arts of the…•2023

    She was walking dazedly down the ramp, with her habitual lost expression, just as she was, a passenger from another world. Pepe smiled doubtfully at her (Could that be her??), opening his arms wide

  • New Men and Old Ways

    Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2023

    Rita Indiana (Santo Domingo, 1977) likes to push boundaries in both her music and her fiction. Indeed, the Dominican artist has frequently been recognized for the ways in which her work innovates l

  • Andean Non-Fiction

    Antonio Villarruel, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2023

    Literature labeled “Andean” is usually limited to work from Ecuador, Peru, and Bolivia. Less frequently, the zone in question expands to an imaginary line that runs from Venezuela to Chile. Neverth

  • Through Journalism, They Build the World in Which We Want to Live

    Daniela Rea, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    Ten years ago, a group of women journalists, all of whom had been working together for some years sharing questions, news, worries, and problems, arrived at a small house in the heart of Mexico Cit

  • The Patocide

    Ángel Lozada, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    From the Dictionary of the Royal Spanish Academy:pato. noun. A web-footed bird, wider than it is tall and with a beak wider at the tip than the base. Its neck is short, as are its tarsal joints, fo

  • The Suits, 1975

    Rita Indiana, Emily A Maguire•ARTICLE•Review Literature and Arts of the…•2024

    The cologne that time was the same as now, Paco Rabanne. Luigi had first smelled it in the house in the Zona Universitaria where his mother did laundry twice a week. It came from the dirty clothes

  • Pliable facts and rigorous fictions

    Open Access•Emily A Maguire•ARTICLE•Tapuya Latin American Science…•2024•References: 6

    According to literary critic Darko Suvin, science fiction demonstrates a “supposedly factual” approach to imagining new worlds. In Latin America, however, the factual basis of lived experience from which such fictions are crafted has not always been taken as a given. This essay shows how contemporary Latin American science fiction makes use of the tensions derived from the encounter between the pliable nature of fact and the supposed rigor of cog…

Sociology (7 works) · Art (6 works) · History (6 works) · Literature (5 works) · Art history (4 works) · Cuban History and Society (4 works) · Humanities (3 works) · Latin American and Latino Studies (3 works) · Latin American Literature Studies (3 works) · Latin Americans (3 works)

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