Veerle Poupeye
Dados Biográficos
| ID | 1546696 |
|---|---|
| NOME | Veerle Poupeye |
| PRENOMES | Veerle |
| SOBRENOME | Poupeye |
| ASSINATURA | POUPEYE V |
| AFILIAÇÕES | Edna Manley College of the Visual and Performing Arts Jamaica Kingston |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAÇÕES | 4 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2002 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
Forecast Form
Entangled Species
Forum
Seven contemporary commentators whose experience has been touched by Queen Victoria’s history and its legacy address the question: how should we curate Victoria today
The Making of a Caribbean Avant-Garde
Beyond Representation in Contemporary Caribbean Art
Gangstas and Bush Cockerels
(2014). Gangstas and Bush Cockerels: The Body, Gender and Masculinity in the Work of Ebony G. Patterson. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 8-20
What Times Are These? Visual Art and Social Crisis in Postcolonial Jamaica
This essay reflects on how social unrest and violence are responded to in the mainstream visual arts of postcolonial Jamaica. The focus is on two particular moments of crisis: the social unrest and political violence during the Michael Manley administration in the 1970s and the current escalation in violent crime. Both moments have also coincided with intense cultural activity, in which the lived experience of these crises commands centre stage. …
Intuitive Art as a Canon
This paper examines the Intuitives concept and the controversies that have surrounded this artistic genre in Jamaica. It argues that Intuitive art, as it has been defined by the National Gallery of Jamaica, constitutes a specialized canon within the national canons, rather than an alternative to Primitive or Naïve. While its reliance on notions of purity and autonomy are unwittingly Primitivist, the concept has given legitimacy to the artists and…
Jamaica
Watson, Barrington
Pottinger, David
George, Milton
Huie, Albert
Campbell, Ralph
Boxer, David
Escoffery, Gloria
Roy, Namba
Brown, Everald
Kayiga, Kofi
Trading Across the Black Atlantic
Intuitive Art as a Canon
This paper examines the Intuitives concept and the controversies that have surrounded this artistic genre in Jamaica. It argues that Intuitive art, as it has been defined by the National Gallery of Jamaica, constitutes a specialized canon within the national canons, rather than an alternative to Primitive or Naïve. While its reliance on notions of purity and autonomy are unwittingly Primitivist, the concept has given legitimacy to the artists and…
Gangstas and Bush Cockerels
(2014). Gangstas and Bush Cockerels: The Body, Gender and Masculinity in the Work of Ebony G. Patterson. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 8-20
What Times Are These? Visual Art and Social Crisis in Postcolonial Jamaica
This essay reflects on how social unrest and violence are responded to in the mainstream visual arts of postcolonial Jamaica. The focus is on two particular moments of crisis: the social unrest and political violence during the Michael Manley administration in the 1970s and the current escalation in violent crime. Both moments have also coincided with intense cultural activity, in which the lived experience of these crises commands centre stage. …
Trading Across the Black Atlantic
Jamaica
Watson, Barrington
Pottinger, David
George, Milton
Huie, Albert
Campbell, Ralph
Boxer, David
Escoffery, Gloria
Roy, Namba
Brown, Everald
Kayiga, Kofi
Intuitive Art as a Canon
This paper examines the Intuitives concept and the controversies that have surrounded this artistic genre in Jamaica. It argues that Intuitive art, as it has been defined by the National Gallery of Jamaica, constitutes a specialized canon within the national canons, rather than an alternative to Primitive or Naïve. While its reliance on notions of purity and autonomy are unwittingly Primitivist, the concept has given legitimacy to the artists and…
What Times Are These? Visual Art and Social Crisis in Postcolonial Jamaica
This essay reflects on how social unrest and violence are responded to in the mainstream visual arts of postcolonial Jamaica. The focus is on two particular moments of crisis: the social unrest and political violence during the Michael Manley administration in the 1970s and the current escalation in violent crime. Both moments have also coincided with intense cultural activity, in which the lived experience of these crises commands centre stage. …
Gangstas and Bush Cockerels
(2014). Gangstas and Bush Cockerels: The Body, Gender and Masculinity in the Work of Ebony G. Patterson. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 8-20
Beyond Representation in Contemporary Caribbean Art
Forum
Seven contemporary commentators whose experience has been touched by Queen Victoria’s history and its legacy address the question: how should we curate Victoria today
The Making of a Caribbean Avant-Garde
Entangled Species
Forecast Form
Art (9 obras) · Law (6 obras) · Political science (6 obras) · History and Developments in Astronomy (5 obras) · Politics (5 obras) · Caribbean history, culture, and politics (4 obras) · Cuban History and Society (4 obras) · Philosophy (4 obras) · Sociology (4 obras) · Art history (3 obras)