Ola K Berge
Biographic Data
| ID | 155049 |
|---|---|
| NAME | Ola K Berge |
| GIVEN NAMES | Ola K |
| FAMILY NAME | Berge |
| SIGNATURE | BERGE O K |
| AFFILIATIONS | Telemark Research Institute |
| ORCID | 0000-0003-1813-3402 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Governing access to outdoor recreation
Present absence
On digital cultural value
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Cultural policy in the Nordic welfare states
In this research anthology on public subsidy systems for culture in the Nordic region, researchers from each Nordic country contribute with a chapter on the status and challenges of public subsidy systems for culture in their particular country. In addition, a former civil servant with the Nordic Council of Ministers provides descriptions of Nordic co-operation grants for culture, as well as grants in the Faroe Islands, Greenland, and Åland. Whil…
How concert promoters think
Between artists and the audience, the concert promoter holds an important position within the music industry. This article, based on an empirical study of promoters in Norway, aims to analyse how concert promoters think, what their motivation and attitudes are like, their goals and their perceptions of a good concert and a good promoter. Drawing from both qualitative and quantitative data, we identify two dimensions in concert promotion: a patern…
Mot eit eksplisitt og sjølvbevisst kulturdiplomati
Når blei norsk kulturdiplomati sjølvmedvete og eksplisitt? Har kultur og kulturpolitikk nokon gong vore ein reelt integrert del av norsk utanrikspolitikk eller den utanrikspolitiske diskursen? Det er spørsmålet som blir diskutert i denne artikkelen, som samstundes reflekterer over korleis kultur heilt sidan 1800-talet har vore sentral del av konstruksjonen av Noreg som nasjon, og framleis er det, både i utanriks- og innanrikspolitisk samanheng. K…
Who Owns an Interpretation? Legal and Symbolic Ownership of Norwegian Folk Music
This article examines discourses of legal and symbolic ownership in Norwegian folk music. The point of departure is a growing tension between different conceptions of musical property rights: one centered on cultivating a shared heritage of musical style (the tradition); the other based on notions of artistic autonomy, individual rights, and legal ownership (copyright). By means of a case study documenting the use of a traditional song in popular…
On digital cultural value
How concert promoters think
Between artists and the audience, the concert promoter holds an important position within the music industry. This article, based on an empirical study of promoters in Norway, aims to analyse how concert promoters think, what their motivation and attitudes are like, their goals and their perceptions of a good concert and a good promoter. Drawing from both qualitative and quantitative data, we identify two dimensions in concert promotion: a patern…
Who Owns an Interpretation? Legal and Symbolic Ownership of Norwegian Folk Music
This article examines discourses of legal and symbolic ownership in Norwegian folk music. The point of departure is a growing tension between different conceptions of musical property rights: one centered on cultivating a shared heritage of musical style (the tradition); the other based on notions of artistic autonomy, individual rights, and legal ownership (copyright). By means of a case study documenting the use of a traditional song in popular…
Mot eit eksplisitt og sjølvbevisst kulturdiplomati
Når blei norsk kulturdiplomati sjølvmedvete og eksplisitt? Har kultur og kulturpolitikk nokon gong vore ein reelt integrert del av norsk utanrikspolitikk eller den utanrikspolitiske diskursen? Det er spørsmålet som blir diskutert i denne artikkelen, som samstundes reflekterer over korleis kultur heilt sidan 1800-talet har vore sentral del av konstruksjonen av Noreg som nasjon, og framleis er det, både i utanriks- og innanrikspolitisk samanheng. K…
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Cultural policy in the Nordic welfare states
In this research anthology on public subsidy systems for culture in the Nordic region, researchers from each Nordic country contribute with a chapter on the status and challenges of public subsidy systems for culture in their particular country. In addition, a former civil servant with the Nordic Council of Ministers provides descriptions of Nordic co-operation grants for culture, as well as grants in the Faroe Islands, Greenland, and Åland. Whil…
How concert promoters think
Between artists and the audience, the concert promoter holds an important position within the music industry. This article, based on an empirical study of promoters in Norway, aims to analyse how concert promoters think, what their motivation and attitudes are like, their goals and their perceptions of a good concert and a good promoter. Drawing from both qualitative and quantitative data, we identify two dimensions in concert promotion: a patern…
On digital cultural value
Governing access to outdoor recreation
Present absence
Art (5 works) · Political science (5 works) · Law (4 works) · Sociology (4 works) · Aesthetics (3 works) · Business (3 works) · Cultural Industries and Urban Development (3 works) · Philosophy (3 works) · Epistemology (2 works) · Humanities (2 works)