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Judit Frigyesi

Biographic Data

ID155100
NAMEJudit Frigyesi
GIVEN NAMESJudit
FAMILY NAMEFrigyesi
SIGNATUREFRIGYESI J
AFFILIATIONSBar-Ilan University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS4
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Gestures of the Soul The Prayer Chant of the East-European Jews

    Judit Frigyesi•ARTICLE•Studia musicologica•2020

    The basic style of East-European Jewish (East-Ashkenazic) prayer chant ( davenen ), even when it might seem to be simple on paper, in transcription, has a complex and unique system of micro-structure. This micro-structure, which is evident in subtleties of rhythm and melody, voice quality, form, techniques of variation and ornamentation, is inventive and daring, and creates a compelling aesthetic and spiritual effect in the auditory experience. T…

  • The Jewish service in Communist Hungary

    Judit Frigyesi•ARTICLE•British Journal of Ethnomusicology•2002•References: 1

    This article summarizes the problems that hindered the practice of Jewish ritual music in Hungary during the Communist period. The first part describes the character of the music of the traditional Jewish service, pointing out those characteristics that made this music difficult for the modern middle class to accept. It is suggested that the specific character of Jewish ritual music contributed to its marginal position before and after World War …

  • "Transcription de la pulsation, de la métrique et du "rythme libre

    Judit Frigyesi•ARTICLE•Cahiers de musiques traditionnelles•1999

    Cet article traite du probleme de la transcription de la pulsation et de la metrique, en presentant deux exemples de transcription tires de deux traditions musicales differentes tout en les confrontant a la description verbale de la structure et de l’experience de leurs musiques respectives. Selon l’auteur, toute transcription est vouee a l’echec lorsqu’il s’agit de representer la pulsation. Toutefois, la raison de cet echec n’est pas le manque d…

  • Maramoros

    Alex Lubet, Daniel Hamar et al.•ARTICLE•Ethnomusicology•1996

  • Free Rhythm

    Judit Frigyesi•ARTICLE•Asian Music•1994

  • "Adler, "Hebrew Notated Manuscript Sources

    Judit Frigyesi, Israel Adler•ARTICLE•The Jewish Quarterly Review•1993

  • Preliminary Thoughts toward the Study of Music without Clear Beat

    Judit Frigyesi•ARTICLE•Asian Music•1993•Cited by: 4

    La notation musicale exprime non pas le rythme d'une performance mais la structure rythmique de la piece. On associe trop souvent le rythme a la metrique. Mais le rythme libre, ou non-metrique, ne signifie pas absence de periodicite rythmique, ni improvisation. Etude de la musique liturgique juive « nusah », qui se caracterise par un rythme fluide, de sa structure melodique et rythmique

  • Folk Music. Hungarian Musical Idiom

    Judit Frigyesi, Balint Sarosi et al.•ARTICLE•Ethnomusicology•1991

  • Anthology of Hassidic Music

    Judit Frigyesi, Chemjo Vinaver et al.•ARTICLE•Ethnomusicology•1989

  • Preliminary Thoughts toward the Study of Music without Clear Beat

    Judit Frigyesi•ARTICLE•Asian Music•1993•Cited by: 4

    La notation musicale exprime non pas le rythme d'une performance mais la structure rythmique de la piece. On associe trop souvent le rythme a la metrique. Mais le rythme libre, ou non-metrique, ne signifie pas absence de periodicite rythmique, ni improvisation. Etude de la musique liturgique juive « nusah », qui se caracterise par un rythme fluide, de sa structure melodique et rythmique

  • Anthology of Hassidic Music

    Judit Frigyesi, Chemjo Vinaver et al.•ARTICLE•Ethnomusicology•1989

  • Folk Music. Hungarian Musical Idiom

    Judit Frigyesi, Balint Sarosi et al.•ARTICLE•Ethnomusicology•1991

  • "Adler, "Hebrew Notated Manuscript Sources

    Judit Frigyesi, Israel Adler•ARTICLE•The Jewish Quarterly Review•1993

  • Preliminary Thoughts toward the Study of Music without Clear Beat

    Judit Frigyesi•ARTICLE•Asian Music•1993•Cited by: 4

    La notation musicale exprime non pas le rythme d'une performance mais la structure rythmique de la piece. On associe trop souvent le rythme a la metrique. Mais le rythme libre, ou non-metrique, ne signifie pas absence de periodicite rythmique, ni improvisation. Etude de la musique liturgique juive « nusah », qui se caracterise par un rythme fluide, de sa structure melodique et rythmique

  • Free Rhythm

    Judit Frigyesi•ARTICLE•Asian Music•1994

  • Maramoros

    Alex Lubet, Daniel Hamar et al.•ARTICLE•Ethnomusicology•1996

  • "Transcription de la pulsation, de la métrique et du "rythme libre

    Judit Frigyesi•ARTICLE•Cahiers de musiques traditionnelles•1999

    Cet article traite du probleme de la transcription de la pulsation et de la metrique, en presentant deux exemples de transcription tires de deux traditions musicales differentes tout en les confrontant a la description verbale de la structure et de l’experience de leurs musiques respectives. Selon l’auteur, toute transcription est vouee a l’echec lorsqu’il s’agit de representer la pulsation. Toutefois, la raison de cet echec n’est pas le manque d…

  • The Jewish service in Communist Hungary

    Judit Frigyesi•ARTICLE•British Journal of Ethnomusicology•2002•References: 1

    This article summarizes the problems that hindered the practice of Jewish ritual music in Hungary during the Communist period. The first part describes the character of the music of the traditional Jewish service, pointing out those characteristics that made this music difficult for the modern middle class to accept. It is suggested that the specific character of Jewish ritual music contributed to its marginal position before and after World War …

  • Gestures of the Soul The Prayer Chant of the East-European Jews

    Judit Frigyesi•ARTICLE•Studia musicologica•2020

    The basic style of East-European Jewish (East-Ashkenazic) prayer chant ( davenen ), even when it might seem to be simple on paper, in transcription, has a complex and unique system of micro-structure. This micro-structure, which is evident in subtleties of rhythm and melody, voice quality, form, techniques of variation and ornamentation, is inventive and daring, and creates a compelling aesthetic and spiritual effect in the auditory experience. T…

Art (8 works) · History (5 works) · Literature (5 works) · Aesthetics (4 works) · Philosophy (4 works) · Archaeology (3 works) · Judaism (3 works) · Linguistics (3 works) · Archaeology and Historical Studies (2 works) · Biblical Studies and Interpretation (2 works)

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