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Michael N Goddard

Biographic Data

ID1554732
NAMEMichael N Goddard
GIVEN NAMESMichael N
FAMILY NAMEGoddard
SIGNATUREGODDARD M N
AFFILIATIONSGoldsmiths University of London
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Countering Chaotic Hyperstimulation with Noise

    Open Access•Michael N Goddard•ARTICLE•Media theory•2026

    It is a truism that we live in hyperstimulated times. From the ubiquity of digital networks, screens and their associated information overloads, to the always accelerating flows of neoliberal capital to the dense and mobile populations of cities constantly on the move, to exist in the 21st century is to inhabit a structure of feeling characterised by sensory overload of always on 24/7 late capitalism (see Crary, 2014). One of the paradigms to eme…

  • Trans TV dossier, III

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2020•References: 3

    When we organised the conference on Trans TV at the University of Westminster in 2017, our aims were both to bridge frequently fragmented discussions of contemporary televisual industries, audiences, fandom, representation and content, and to probe whether in the age of internet-distributed streaming television there were more spaces for expressions of diversity than had previously been the case during the network television era, or even in the s…

  • Streaming intersectionality

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2019•Cited by: 1•References: 6

    Following the first Trans TV dossier, this dossier shifts the focus from transformations of television industries, institutions, fans and audiences to questions of queer and trans* aesthetics and representation in contemporary television. It entails an intersectional approach, but one that looks at what happens to intersectional genealogies in the era of streamed, internet-distributed television. Do the post-network or even post-medium transforma…

  • Introduction

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2018•Cited by: 2•References: 3

    This dossier is the first of two to emerge out of the recent Trans TV conference held at the University of Westminster in September 2017. The focus of this specific dossier is in tracking the latest developments and emergent trends affecting contemporary television, especially as delivered via new online streaming services such as Netflix and Amazon. The article and series of interventions within this dossier set out to challenge both popular and…

  • Introduction

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2018•Cited by: 2•References: 3

    This dossier is the first of two to emerge out of the recent Trans TV conference held at the University of Westminster in September 2017. The focus of this specific dossier is in tracking the latest developments and emergent trends affecting contemporary television, especially as delivered via new online streaming services such as Netflix and Amazon. The article and series of interventions within this dossier set out to challenge both popular and…

  • Streaming intersectionality

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2019•Cited by: 1•References: 6

    Following the first Trans TV dossier, this dossier shifts the focus from transformations of television industries, institutions, fans and audiences to questions of queer and trans* aesthetics and representation in contemporary television. It entails an intersectional approach, but one that looks at what happens to intersectional genealogies in the era of streamed, internet-distributed television. Do the post-network or even post-medium transforma…

  • Introduction

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2018•Cited by: 2•References: 3

    This dossier is the first of two to emerge out of the recent Trans TV conference held at the University of Westminster in September 2017. The focus of this specific dossier is in tracking the latest developments and emergent trends affecting contemporary television, especially as delivered via new online streaming services such as Netflix and Amazon. The article and series of interventions within this dossier set out to challenge both popular and…

  • Streaming intersectionality

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2019•Cited by: 1•References: 6

    Following the first Trans TV dossier, this dossier shifts the focus from transformations of television industries, institutions, fans and audiences to questions of queer and trans* aesthetics and representation in contemporary television. It entails an intersectional approach, but one that looks at what happens to intersectional genealogies in the era of streamed, internet-distributed television. Do the post-network or even post-medium transforma…

  • Trans TV dossier, III

    Open Access•M Goddard, Michael N Goddard et al.•ARTICLE•Critical Studies in Television…•2020•References: 3

    When we organised the conference on Trans TV at the University of Westminster in 2017, our aims were both to bridge frequently fragmented discussions of contemporary televisual industries, audiences, fandom, representation and content, and to probe whether in the age of internet-distributed streaming television there were more spaces for expressions of diversity than had previously been the case during the network television era, or even in the s…

  • Countering Chaotic Hyperstimulation with Noise

    Open Access•Michael N Goddard•ARTICLE•Media theory•2026

    It is a truism that we live in hyperstimulated times. From the ubiquity of digital networks, screens and their associated information overloads, to the always accelerating flows of neoliberal capital to the dense and mobile populations of cities constantly on the move, to exist in the 21st century is to inhabit a structure of feeling characterised by sensory overload of always on 24/7 late capitalism (see Crary, 2014). One of the paradigms to eme…

Computer Science (3 works) · Media studies (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Advertising (2 works) · Art (2 works) · Business (2 works) · Cinema and Media Studies (2 works) · Digital Media and Philosophy (2 works)

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