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Timothy O Benson

Biographic Data

ID1554867
NAMETimothy O Benson
GIVEN NAMESTimothy
FAMILY NAMEO Benson
SIGNATUREBENSON T O
AFFILIATIONSTIMOTHY O. BENSON is curator of LACMA's Rifkind Center for German Expressionist Studies. His exhibitions and publications include Raoul Hausmann and Berlin Dada (UMI, 1987), Expressionist Utopias (University of California Press, 2001), and Central European Avant-Gardes: 1910–1930 (MIT, 2002). His current exhibitions include “Hans Richter: Encounters,” opening in May 2013, and “German Expressionism and France,” planned for 2014.
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2013
H-INDEX0
  • Malevich and Richter

    Timothy O Benson, Aleksandra Shatskikh•ARTICLE•October•2013

  • Central European Modernisms

    Timothy O Benson•BOOK•The Oxford handbook of modernisms•2010

    This article examines the history of modernism in Central Europe. It explains that Central European geography can be considered as myriad exchange events and situations across a field of cultural production with unique meanings generated in each immediate locale, resulting in a plurality of modernisms. The article argues that while the continual interplay between regional and cosmopolitan tendencies rendered meaning as highly contingent and based…

  • Central European Avant-Gardes

    Peter Zusi, Timothy O Benson et al.•ARTICLE•The Slavic and East European…•2005

    An illustrated study of the early twentieth-century transformation from Expressionism to Constructivism and beyond in the Central European arts. Central European Avant-Gardes presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against…

  • Hausmann, Raoul

    Timothy O Benson•CHAPTER•2003

  • German Expressionism

    Timothy O Benson, Jill Lloyd•ARTICLE•German Studies Review•1992

    Part 1 Art as life: primitivism v historicism expressionist primitivism primitivist space public primitivism primitivist authenticity. Part 2 Primitivism and modernity: expressionist modernity city v country Emil Nolde. Part 3 the south seas journeys: Max Pechstein's south seas odyssey Emil Nolde & romantic savage

  • Raoul Hausmann and Berlin Dada

    Patricia H Stanley, Timothy O Benson•ARTICLE•German Studies Review•1988

  • Munich and Theatrical Modernism

    Marc Robinson, Peter Jelavich et al.•ARTICLE•Performing Arts Journal•1987

No prominent works on this page.

  • Munich and Theatrical Modernism

    Marc Robinson, Peter Jelavich et al.•ARTICLE•Performing Arts Journal•1987

  • Raoul Hausmann and Berlin Dada

    Patricia H Stanley, Timothy O Benson•ARTICLE•German Studies Review•1988

  • German Expressionism

    Timothy O Benson, Jill Lloyd•ARTICLE•German Studies Review•1992

    Part 1 Art as life: primitivism v historicism expressionist primitivism primitivist space public primitivism primitivist authenticity. Part 2 Primitivism and modernity: expressionist modernity city v country Emil Nolde. Part 3 the south seas journeys: Max Pechstein's south seas odyssey Emil Nolde & romantic savage

  • Hausmann, Raoul

    Timothy O Benson•CHAPTER•2003

  • Central European Avant-Gardes

    Peter Zusi, Timothy O Benson et al.•ARTICLE•The Slavic and East European…•2005

    An illustrated study of the early twentieth-century transformation from Expressionism to Constructivism and beyond in the Central European arts. Central European Avant-Gardes presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against…

  • Central European Modernisms

    Timothy O Benson•BOOK•The Oxford handbook of modernisms•2010

    This article examines the history of modernism in Central Europe. It explains that Central European geography can be considered as myriad exchange events and situations across a field of cultural production with unique meanings generated in each immediate locale, resulting in a plurality of modernisms. The article argues that while the continual interplay between regional and cosmopolitan tendencies rendered meaning as highly contingent and based…

  • Malevich and Richter

    Timothy O Benson, Aleksandra Shatskikh•ARTICLE•October•2013

Art (5 works) · Aesthetics (3 works) · Art, Politics, and Modernism (3 works) · Philosophy (3 works) · Political science (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Epistemology (2 works) · History (2 works) · Law (2 works)

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